YouTube as we speak revealed its weekly music charts data for the January 2-8, 2026, monitoring interval, revealing sustained dominance by content material originating from Netflix’s streaming platform. “Golden” by HUNTR/X, EJAE, AUDREY NUNA, REI AMI and KPop Demon Hunters Solid retained the highest place globally with 59,820,218 views throughout the seven-day interval, marking its twenty ninth consecutive week on the charts. The observe’s continued efficiency demonstrates how video streaming platforms now immediately affect music consumption patterns on YouTube, with Netflix’s animated movie “KPop Demon Hunters” producing soundtrack engagement months after its preliminary launch.

The movie peaked at 1,579 million viewing minutes on Netflix throughout the July 28-August 3, 2025 monitoring interval based on Nielsen information. By January 2026, the manufacturing’s soundtrack maintained chart positions throughout a number of territories, with “Golden” holding the primary spot in Australia (713,612 views), Germany (1,086,859 views), United Kingdom (1,576,095 views), and United States (7,567,101 views). Three extra tracks from the KPop Demon Hunters soundtrack appeared within the world prime 50: “Soda Pop” at place 10 with 24,818,289 views, “Your Idol” at place 23 with 14,883,242 views, and “How It is Executed” at place 39 with 12,068,230 views.

This cross-platform affect represents how main streaming companies form music discovery past their very own platforms. Advertising and marketing professionals monitoring leisure consumption should now monitor Netflix, Disney Plus, Amazon Prime Video, and different streaming companies for content material that will drive music chart efficiency weeks or months after preliminary launch. The KPop Demon Hunters phenomenon illustrates sustained engagement patterns the place animated content material generates ongoing soundtrack consumption via YouTube’s platform.

International rankings present post-holiday transition

The week instantly following New 12 months’s Day demonstrated swift client pivot away from vacation content material. In accordance with the International Weekly Prime Songs chart, Shakira’s “Zoo” claimed the second place with 34,407,501 views after six weeks on the charts, advancing from place three the earlier week. “Pal Pal” by Afusic and AliSoomroMusic secured third place with 31,991,417 views, sustaining its place after 40 weeks on the worldwide rankings.

A brand new entry debuted at place 4: “Ghar Kab Aaoge” that includes Anu Malik, Mithoon, Sonu Nigam, Arijit Singh, Roopkumar Rathod, Vishal Mishra, Diljit Dosanjh, Javed Akhtar, and Manoj Muntashir collected 31,432,781 views in its first week. The multi-artist collaboration from the Indian movie “BORDER 2” entered charts throughout a number of territories throughout the monitoring interval.

“Shararat” by Shashwat Sachdev, Madhubanti Bagchi, and Jasmine Sandlas held place 5 with 27,855,398 views after 4 weeks on the charts. “Gehra Hua” by Shashwat Sachdev, Arijit Singh, Irshad Kamil, and Armaan Khan maintained place six with 26,665,582 views throughout its sixth week.

Latin music secured place seven with “Cuando No Period Cantante” by El Bogueto and Yung Beef, advancing two positions to achieve 26,380,254 views throughout its ninth week on the worldwide chart. “NO BATIDÃO (SLOWED)” by ZXKAI and slxughter held place eight with 25,366,115 views after 11 weeks, whereas Taylor Swift’s “The Destiny of Ophelia” dropped two positions to quantity 9 with 24,929,244 views throughout its 14th week.

The worldwide prime 10 noticed “Soda Pop” fall from place 4 to place 10 with 24,818,289 views, although the KPop Demon Hunters observe maintained presence after 29 weeks on the chart. Notably absent from prime positions: vacation content material that dominated the December 19-25, 2025 monitoring interval. Mariah Carey’s “All I Need for Christmas Is You” and Wham!’s “Final Christmas” dropped totally from the highest 100 world songs chart following the calendar transition to 2026.

“Finish of Starting” by Djo skilled vital motion, climbing 30 positions to achieve quantity 11 with 23,366,850 views throughout its twenty second week on the chart. The observe demonstrated how catalog content material continues gaining traction via algorithmic suggestions and consumer discovery patterns.

Ice Spice’s “Huge Man” jumped 20 positions to place 18 with 16,288,131 views throughout its third week on the worldwide chart, representing one of many monitoring interval’s most substantial place positive factors amongst newer releases.

India dominates territory-specific consumption

The India Weekly Prime Songs chart confirmed Bollywood and regional language content material commanding all prime 10 positions. “Ghar Kab Aaoge” debuted at primary with 27,311,198 views, considerably outperforming the observe’s world chart place. The “BORDER 2” soundtrack observe featured a number of distinguished Indian artists in a collaboration typical of main Bollywood productions.

“Ghar Kab Aaoge” interprets to “When Will You Come Dwelling?” and tells the story of separation and longing. The music captures the emotional expertise of somebody removed from dwelling, maybe working in a distant metropolis or serving away from their village. Messages and letters arrive asking after they’ll return, expressing how a lot they’re missed.

The narrator describes the vacancy felt of their absence and makes a promise to return dwelling sometime – again to their village, to loving embraces, to ready eyes, and to acquainted paths. The music explores themes frequent in Indian cinema about migration, responsibility versus household bonds, and the ache of distance from family members. It is significantly related to India’s massive inhabitants of migrant employees and army personnel who spend lengthy durations away from their households.

“Shararat” held second place in India with 24,491,916 views throughout its fifth week on the market-specific chart, whereas “Gehra Hua” secured third place with 23,546,992 views throughout its sixth week. “Pal Pal” dropped from the highest place to fourth place with 23,073,243 views after 39 weeks on the India chart.

“Aawaara Angaara” by A. R. Rahman, Faheem Abdullah, and Irshad Kamil fell one place to quantity 5 with 16,744,836 views throughout its seventh week. “Fortuner” that includes Raj Mawar and Ruchika Jangid maintained sixth place with 15,438,372 views after 14 weeks, whereas “Sahiba” by Aditya Rikhari superior two positions to seventh place with 11,520,160 views throughout its twenty seventh week.

“Chikiri Chikiri” by Mohit Chauhan held eighth place with 11,235,418 views throughout its ninth week on the India chart. “Ishq Jalakar – Karvaan” by Shashwat Sachdev, Shahzad Ali, Subhadeep Das Chowdhury, Armaan Khan, Irshad Kamil, Roshan, and Sahir Ludhianvi fell from place six to place 9 with 11,212,484 views throughout its sixth week.

A brand new entry captured the tenth place: “Seet Lehar” by Filmy and Riyaazi collected 10,890,303 views throughout its third week on the chart, advancing from place 23 the earlier week to interrupt into the highest 10.

The India market demonstrated minimal affect from world viral tendencies. Netflix’s “Golden” appeared at place 15 on the India-specific chart with solely 193,695 views, in comparison with its 59.8 million world views and a number of number-one positions in Western markets. This disparity illustrates how regional preferences override world viral content material in markets with established native music industries.

Indian regional language content material maintained substantial viewership exterior Bollywood productions. Bhojpuri, Punjabi, Haryanvi, and Tamil songs populated positions all through the India prime 100 chart, demonstrating linguistic variety inside the market’s music consumption patterns.

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Brazil maintains funk carioca dominance

The Brazil Weekly Prime Songs chart confirmed funk carioca variations controlling all prime 10 positions. “Posso Até Não Te Dar Flores” that includes DJ DAVI DOGDOG by DJ Japa NK, MC MENO Ok, MC Ryan SP, and MC Jacaré held the highest place with 11,745,002 views throughout its 14th week on the chart.

“P do Pecado (Ao Vivo)” by Grupo Menos É Mais and Simone Mendes maintained second place with 8,225,626 views after 36 weeks. “JETSKI” by PEDRO SAMPAIO, Melody, and MC MENO Ok jumped six positions to 3rd place with 7,904,366 views throughout its third week, representing vital momentum for the newly launched observe.

“SEQUÊNCIA FEITICEIRA” that includes MC Nito by PEDRO SAMPAIO, MC GW, Mc Jhey, and MC Rodrigo do CN held fourth place with 7,414,260 views throughout its nineteenth week on the Brazil chart. “SET DO JAPA NK 2.0” that includes a number of artists maintained fifth place with 7,032,998 views after eight weeks.

“Vai Tomando Pock Pock” that includes MC MENO Ok by MC Lele JP, MC GH Unique, and MC Menor ZL secured sixth place with 6,859,528 views throughout its 14th week. “Eu Me Apaixonei” by Vitinho Imperador fell 4 positions to seventh place with 6,560,218 views after 22 weeks.

“Diário de um Cafajeste” by Dj Oreia, MC Lele JP, MC Meno Ok, MC Ryan SP, MC Tuto, and Mc Negão Unique held eighth place with 6,120,259 views throughout its ninth week on the chart. “Pela Última Vez (Ao Vivo)” by Grupo Menos É Mais and Nattan dropped two positions to ninth place with 5,079,009 views after 20 weeks.

“Fanatismo” by Yasmin Sensação superior three positions to tenth place with 5,063,692 views throughout its fourth week, demonstrating speedy progress for the rising observe.

Netflix’s “Golden” appeared at place 28 on the Brazil chart with 2,569,003 views throughout the monitoring interval, once more illustrating how regional preferences override world viral content material. Brazilian audiences concentrated consumption on regionally produced funk carioca relatively than worldwide pop music or Ok-pop influenced tracks.

The Brazil market confirmed no presence of English-language content material within the prime 50 positions, with Portuguese-language funk carioca, sertanejo, and pagode genres dominating all chart positions. This linguistic and cultural barrier limits worldwide artists’ means to penetrate the market with out Portuguese-language releases or collaborations with Brazilian artists.

Japan exhibits distinct J-pop preferences

The Japan Weekly Prime Songs chart demonstrated how established home music industries resist world tendencies. “IRIS OUT” by Kenshi Yonezu retained the highest place with 9,183,942 views throughout its seventeenth week on the chart. The observe represented considered one of a number of Kenshi Yonezu songs within the Japan prime 100, with the artist sustaining 5 separate tracks on the market-specific chart.

“好きすぎて滅！” by M!LK superior two positions to second place with 4,475,257 views throughout its eleventh week. “ダーリン” by Mrs. GREEN APPLE held third place with 4,445,534 views after 51 weeks on the chart, demonstrating sustained catalog consumption for established Japanese artists.

“ROSE” by HANA jumped 4 positions to fourth place with 4,428,911 views throughout its forty first week, whereas “カリスマックス” by Snow Man fell three positions to fifth place with 4,120,862 views throughout its twentieth week.

“Blue Denims” by HANA superior 4 positions to sixth place with 3,705,033 views throughout its twenty sixth week. “怪獣” by sakanaction climbed 4 positions to seventh place with 3,306,337 views after 47 weeks on the chart.

“JANE DOE” by Kenshi Yonezu and Hikaru Utada dropped two positions to eighth place with 3,270,075 views throughout its sixteenth week, representing a collaboration between two of Japan’s most distinguished artists. “ライラック” by Mrs. GREEN APPLE fell 4 positions to ninth place with 3,204,893 views after 91 weeks on the chart, marking practically two years of steady chart presence.

“NON STOP” by HANA dropped one place to tenth place with 3,047,903 views throughout its fifth week on the Japan chart.

Shakira’s “Zoo” appeared at place 12 on the Japan chart with 2,718,282 views, representing the highest-charting non-Japanese observe. Netflix’s “Golden” fell three positions to place 16 with 1,972,064 views throughout its twenty sixth week on the market-specific chart.

The Japan market confirmed Ok-pop acts sustaining constant presence regardless of J-pop dominance. ILLIT’s “Almond Chocolate” jumped 22 positions to achieve place 25 with 1,456,352 views throughout its twenty fourth week, whereas LE SSERAFIM’s “SPAGHETTI” that includes j-hope dropped to place 49 with 880,747 views throughout its eleventh week.

United States exhibits fragmented consumption

The USA Weekly Prime Songs chart demonstrated much less concentrated viewership patterns in comparison with India, Brazil, or Japan. Netflix’s “Golden” retained the highest place with 7,567,101 views throughout its twenty ninth week on the US chart, although the view depend represented solely 12.6 p.c of the observe’s world complete.

“Huge Man” by Ice Spice superior two positions to second place with 5,114,289 views throughout its fifth week, representing vital progress for the observe within the US market particularly. “FDO” by Pooh Shiesty fell one place to 3rd place with 4,722,402 views throughout its fourth week.

Ice Spice’s “Huge Man” skilled explosive progress throughout TikTok and Instagram throughout late December 2025 and early January 2026, pushed by the observe’s connection to “The SpongeBob Film: Seek for SquarePants” theatrical launch on December 19, 2025.

Launched on November 14, 2025 as a part of the movie’s soundtrack, the music generated speedy viral momentum via its memorable hook and SpongeBob-themed choreography. TikTok movies that includes the “Huge Man” dance problem collected a whole bunch of 1000’s of likes, with particular person posts reaching 287,800 likes, 254,600 likes, and 235,000 likes respectively throughout the December-January interval.

The pattern centered on a easy, accessible dance routine synchronized to the observe’s repetitive construction, with creators performing strikes referencing SpongeBob characters whereas incorporating Ice Spice’s signature minimalist hip-hop aesthetic.

Instagram Reels amplified the pattern’s attain past TikTok’s core demographic, with family-friendly content material exhibiting mother and father dancing with youngsters, cosplay fanatics carrying SpongeBob-themed outfits, and health influencers adapting the choreography for exercise content material.

The viral sample adopted Ice Spice’s established cross-platform technique, the place TikTok dance challenges drive preliminary discovery earlier than translating to sustained YouTube consumption. A number of creators developed tutorial movies breaking down the “Huge Man” dance steps, enabling widespread participation throughout ability ranges and age teams.

The movie’s December 19 theatrical launch offered sustained promotional momentum via the vacation interval, with Paramount Footage and Nickelodeon leveraging their social media channels to amplify user-generated content material that includes the observe.

This coordinated push between studio advertising, Ice Spice’s natural fanbase, and SpongeBob’s multi-generational attraction created synchronized viral exercise that drove the dramatic chart actions seen in YouTube’s January 2-8, 2026 information—leaping 20 positions globally, 30 positions on music movies charts, and 32 positions in South Africa particularly throughout the monitoring interval.

Shakira’s “Zoo” dropped one place to fourth place with 3,957,498 views throughout its sixth week on the US chart. “Odd” by Alex Warren superior one place to fifth place with 3,860,559 views after 43 weeks, demonstrating sustained consumption for the observe within the US market.

“Soda Pop” from the KPop Demon Hunters soundtrack fell one place to sixth place with 3,691,512 views throughout its twenty ninth week. “Finish of Starting” by Djo jumped 20 positions to seventh place with 3,526,529 views throughout its eleventh week on the US chart, representing one of many monitoring interval’s most vital place positive factors out there.

“Your Idol” from the KPop Demon Hunters soundtrack dropped one place to eighth place with 3,265,151 views throughout its twenty ninth week. “Marlboro Rojo” by Fuerza Regida fell one place to ninth place with 3,041,225 views after 35 weeks on the chart.

A brand new entry debuted at place 10: “Web Lady” by KATSEYE collected 2,898,567 views in its first week on the US chart, representing the Ok-pop group’s newest launch gaining speedy traction with US audiences.

The US market confirmed better style variety in comparison with India, Brazil, or Japan. Hip-hop, Latin lure, Ok-pop, indie pop, and mainstream pop music all maintained presence within the prime 50 positions, although no single style dominated consumption patterns to the extent seen in different territories.

English-language content material commanded the vast majority of US chart positions, although Spanish-language tracks together with “Marlboro Rojo,” “Ya Borracho,” and “Cuando No Period Cantante” maintained constant presence. The US market’s linguistic variety allows Spanish-language artists to achieve substantial viewership with out requiring English-language releases.

United Kingdom mirrors US consumption patterns

The UK Weekly Prime Songs chart confirmed related patterns to the USA market, although with variations in particular observe efficiency. “Golden” held the highest place with 1,576,095 views throughout its twenty ninth week on the UK chart, whereas “Odd” by Alex Warren superior to second place with 932,530 views after 48 weeks.

“Lush Life” by Zara Larsson climbed one place to 3rd place with 743,934 views throughout its twenty eighth week, demonstrating sustained consumption for the Swedish artist’s catalog within the UK market. Taylor Swift’s “The Destiny of Ophelia” superior one place to fourth place with 701,107 views throughout its 14th week.

“Finish of Starting” by Djo skilled dramatic progress within the UK market, leaping 17 positions to fifth place with 688,384 views throughout its twenty eighth week on the chart. The observe confirmed stronger relative efficiency within the UK in comparison with different territories throughout the monitoring interval.

“Soda Pop” from the KPop Demon Hunters soundtrack fell three positions to sixth place with 661,656 views throughout its twenty ninth week. Shakira’s “Zoo” dropped one place to seventh place with 508,359 views after six weeks on the UK chart.

“Web Lady” by KATSEYE debuted at place eight with 494,481 views in its first week, exhibiting stronger preliminary efficiency within the UK market in comparison with its US debut at place 10. “Man I Want” by Olivia Dean superior two positions to ninth place with 482,325 views throughout its twentieth week.

“Huge Man” by Ice Spice climbed three positions to tenth place with 468,884 views throughout its fourth week on the UK chart, exhibiting momentum constructing for the observe although at decrease absolute view counts in comparison with the US market.

The UK chart confirmed better presence of UK-specific artists together with Olivia Dean, whose a number of tracks maintained positions all through the highest 100. RAYE’s “WHERE IS MY HUSBAND!” held place 11 with 464,127 views after 16 weeks, whereas Dave and Tems’ “Raindance” superior to place 12 with 451,643 views throughout its eleventh week.

Germany exhibits Turkish music affect

The Germany Weekly Prime Songs chart demonstrated distinctive traits in comparison with different Western European markets. “Golden” maintained the highest place with 1,086,859 views throughout its twenty ninth week, whereas Taylor Swift’s “The Destiny of Ophelia” superior one place to second place with 631,638 views throughout its 14th week.

Shakira’s “Zoo” dropped one place to 3rd place with 550,746 views after six weeks on the Germany chart. “NO BATIDÃO (SLOWED)” by ZXKAI and slxughter jumped 4 positions to fourth place with 535,576 views throughout its eleventh week, exhibiting stronger efficiency in Germany in comparison with different Western markets.

“KUSURA BAKMA” by Blok3 superior two positions to fifth place with 519,049 views throughout its sixth week, representing Turkish-language content material gaining traction in Germany’s market. The observe illustrated how Germany’s substantial Turkish inhabitants influences music consumption patterns on YouTube’s platform.

“Kazdoura” by Nassif Zeytoun and Abu Ward fell one place to sixth place with 498,502 views throughout its fourth week, representing Arabic-language content material additionally sustaining presence within the German market. “YAMA” by DYSTINCT dropped one place to seventh place with 466,941 views throughout its twelfth week.

“Lush Life” by Zara Larsson superior two positions to eighth place with 464,696 views throughout its seventh week on the Germany chart. “Wackelkontakt” by Oimara fell 5 positions to ninth place with 457,863 views after 51 weeks, demonstrating sustained consumption for the German-language observe.

“Huge Man” by Ice Spice jumped 9 positions to tenth place with 383,840 views throughout its third week on the Germany chart, exhibiting momentum constructing for the observe out there.

Turkish-language tracks from Blok3 appeared at a number of positions all through the Germany prime 100 chart, with “napıyosun mesela?” at place 12 (366,977 views), “git” at place 19 (300,876 views), and “SEVMEYİ DENEMEDİN” at place 40 (188,495 views). This focus of Turkish content material displays Germany’s demographic composition and the way YouTube’s platform serves multicultural audiences inside single territories.

France maintains native language dominance

The France Weekly Prime Songs chart confirmed French-language content material controlling the vast majority of prime positions. “PARISIENNE” by GIMS and La Mano 1.9 held the highest place with 2,240,754 views throughout its twenty third week on the France chart.

“melodrama” by disiz and Theodora superior one place to second place with 2,176,594 views throughout its 14th week. “MON BÉBÉ” by RnBoi fell one place to 3rd place with 2,143,044 views throughout its eleventh week.

Shakira’s “Zoo” superior one place to fourth place with 1,376,438 views throughout its sixth week on the France chart, representing the highest-charting non-French observe. “Golden” fell one place to fifth place with 1,331,308 views throughout its twenty ninth week.

“Génération impolie” by Franglish and KeBlack superior one place to sixth place with 1,110,787 views throughout its twelfth week. “LOVE YOU” by Nono La Grinta jumped 5 positions to seventh place with 1,060,584 views throughout its thirteenth week.

“Melrose Place” that includes Guy2Bezbar by KeBlack dropped two positions to eighth place with 1,036,681 views after 40 weeks on the France chart. “RUINART” by R2 superior one place to ninth place with 976,981 views throughout its twenty ninth week.

“BLOQUÉ” by GIMS and L2B jumped six positions to tenth place with 952,598 views throughout its ninth week on the chart, demonstrating momentum constructing for the collaboration.

French hip-hop and rap artists dominated the France chart, with GIMS sustaining a number of tracks throughout varied positions. The artist’s in depth presence mirrored established home music business infrastructure supporting native French-language content material over worldwide releases.

Spain exhibits Latin music focus

The Spain Weekly Prime Songs chart demonstrated sturdy preferences for Spanish-language and Latin content material. “La Perla” by ROSALÍA and Yahritza Y Su Esencia superior one place to assert the highest spot with 1,387,144 views throughout its ninth week on the Spain chart.

“Golden” superior one place to second place with 1,195,292 views throughout its twenty eighth week, representing stronger relative efficiency in Spain in comparison with France. “Dardos” by Romeo Santos and Prince Royce superior one place to 3rd place with 1,162,492 views throughout its sixth week.

“SUPERESTRELLA” by Aitana jumped three positions to fourth place with 922,137 views throughout its twenty sixth week, representing a Spanish artist sustaining constant presence within the dwelling market. “La Morocha” by Luck Ra and BM held fifth place with 885,915 views after 61 weeks on the Spain chart.

“La Plena (W Sound 05)” by W Sound, Beéle, and Ovy On The Drums maintained sixth place with 881,949 views after 46 weeks. “Palillos y Panderos” by Niña Pastori fell dramatically from first place to seventh place with 771,800 views throughout its twelfth week, suggesting the observe peaked throughout the earlier monitoring interval.

“Cuando No Period Cantante” by El Bogueto and Yung Beef superior two positions to eighth place with 757,454 views throughout its ninth week. “Si Antes Te Hubiera Conocido” by KAROL G dropped one place to ninth place with 757,242 views after 73 weeks on the Spain chart.

“LOQUITA” by JC Reyes and Slayter jumped three positions to tenth place with 756,517 views throughout its ninth week on the chart.

The Spain market confirmed substantial Latin lure and reggaeton presence all through the highest 100, with Colombian, Puerto Rican, and Dominican artists sustaining constant chart positions alongside Spanish home artists. This linguistic and cultural connection allows Latin American artists to realize viewership in Spain with out requiring market-specific releases.

Australia exhibits Western pop alignment

The Australia Weekly Prime Songs chart demonstrated consumption patterns aligned with United Kingdom and United States markets, although with some variations. “Golden” held the highest place with 713,612 views throughout its twenty ninth week on the Australia chart.

Taylor Swift’s “The Destiny of Ophelia” maintained second place with 397,341 views throughout its 14th week. “Odd” by Alex Warren held third place with 393,922 views after 46 weeks on the chart.

Shakira’s “Zoo” maintained fourth place with 346,484 views throughout its sixth week, whereas “Soda Pop” from the KPop Demon Hunters soundtrack held fifth place with 330,484 views after 29 weeks.

“Lose Management (Reside)” by Teddy Swims maintained sixth place with 283,815 views after 114 weeks on the Australia chart, demonstrating extraordinary longevity for the observe out there. “Man I Want” by Olivia Dean held seventh place with 255,076 views throughout its nineteenth week.

“Finish of Starting” by Djo jumped 17 positions to eighth place with 251,799 views throughout its twenty seventh week, exhibiting momentum just like UK and US markets. “Huge Man” by Ice Spice superior 5 positions to ninth place with 229,507 views throughout its fourth week.

“Gabriela” by KATSEYE dropped one place to tenth place with 227,976 views after 29 weeks on the Australia chart.

The Australia market confirmed Ok-pop acts sustaining stronger presence in comparison with UK or US markets, with a number of KATSEYE tracks charting in prime positions. “Web Lady” debuted at place 12 with 220,698 views, whereas different KATSEYE tracks together with “Your Idol,” “Gnarly,” “Contact,” “Gameboy,” and “Debut” all maintained positions inside the prime 50.

South Africa demonstrates amapiano dominance

The South Africa Weekly Prime Songs chart confirmed amapiano style variations controlling all prime 10 positions. “Shela” that includes Mano by Sam Deep, Nia Pearl, and Boohle held the highest place with 2,238,335 views throughout its twentieth week on the chart.

“SNOKONOKO” by Al Xapo, Benzoo, and EeQue maintained second place with 1,652,185 views throughout its sixth week. “Rato Laka” that includes Slidoo Man by Shebeshxt, Naqua SA, and Zee Nxumalo held third place with 1,574,928 views after 23 weeks.

“ZEP” that includes Uncool MC by DJ Smallz 732, Zinedine x Sguch, and 031CHOPPA superior one place to fourth place with 1,399,014 views throughout its fifth week. “Umaqondana” by Feza jumped seven positions to fifth place with 1,394,958 views throughout its seventh week, representing vital momentum for the observe.

“Tobetsa” by Myztro, Shaunmusiq, and Ftears dropped two positions to sixth place with 1,248,042 views after 39 weeks on the South Africa chart. “Magumba” that includes Peekay Mzee and Kaytah by Khadeair maintained seventh place with 1,035,467 views throughout its twenty ninth week.

“Bengicela” that includes Jazzworx by MaWhoo, GL_Ceejay, and Thukuthela fell two positions to eighth place with 959,452 views after 30 weeks. “Ngixolele Mtanami” by Nkeshemba superior two positions to ninth place with 951,489 views throughout its 14th week.

“Intaba Zokhahlamba” that includes SHENGE WASEHLALANKOSI and Mjolisi by Mphathiwohlelo MC maintained tenth place with 895,247 views throughout its ninth week on the chart.

Ice Spice’s “Huge Man” jumped 32 positions to achieve place 12 with 839,443 views throughout its third week, representing the highest-charting worldwide observe on the South Africa chart. The dramatic place acquire urged algorithmic promotion or viral discovery driving sudden consumption enhance.

Netflix’s “Golden” appeared at place 19 with 663,281 views throughout its twenty eighth week on the South Africa chart. The comparatively decrease place in comparison with Western markets illustrated how amapiano’s home energy limits worldwide pop music penetration within the South African market.

Netherlands exhibits multicultural composition

The Netherlands Weekly Prime Songs chart demonstrated numerous consumption reflecting the market’s multicultural inhabitants. “Golden” maintained the highest place with 276,907 views throughout its twenty ninth week on the Netherlands chart.

Taylor Swift’s “The Destiny of Ophelia” superior two positions to second place with 161,580 views throughout its 14th week. “Lush Life” by Zara Larsson jumped 4 positions to 3rd place with 150,035 views throughout its tenth week.

Shakira’s “Zoo” superior one place to fourth place with 134,736 views throughout its sixth week. “NO BATIDÃO (SLOWED)” by ZXKAI and slxughter jumped 4 positions to fifth place with 128,881 views throughout its twelfth week.

“YAMA” by DYSTINCT dropped three positions to sixth place with 127,781 views throughout its twelfth week. “Odd” by Alex Warren jumped 4 positions to seventh place with 114,498 views after 46 weeks on the chart.

“Kazdoura” by Nassif Zeytoun and Abu Ward maintained eighth place with 109,417 views throughout its fourth week. “Базовый минимум” by SABI and MIA BOYKA superior one place to ninth place with 101,197 views throughout its seventeenth week, representing Russian-language content material charting within the Netherlands market.

“CHANEL” by Tyla jumped three positions to tenth place with 97,991 views throughout its eighth week on the Netherlands chart.

The Netherlands market confirmed Arabic, Turkish, Russian, and Moroccan-influenced content material all through the highest 100, reflecting immigration patterns and demographic variety. This multicultural composition creates fragmented consumption the place a number of language communities keep separate music preferences inside a single nationwide market.

Portugal aligns with Brazilian preferences

The Portugal Weekly Prime Songs chart demonstrated sturdy alignment with Brazilian music tendencies, although at considerably decrease absolute view counts. “Posso Até Não Te Dar Flores” that includes DJ DAVI DOGDOG maintained the highest place with 438,394 views throughout its twelfth week.

“JETSKI” by PEDRO SAMPAIO, Melody, and MC MENO Ok jumped three positions to second place with 301,886 views throughout its third week. “SEQUÊNCIA FEITICEIRA” that includes MC Nito dropped one place to 3rd place with 300,497 views throughout its nineteenth week.

“Golden” fell one place to fourth place with 263,641 views throughout its twenty ninth week. “Pôr do Sol” by Vizinhos dropped one place to fifth place with 263,480 views after 40 weeks on the Portugal chart.

“Leva Tudo” by Calema and Dilsinho maintained sixth place with 218,865 views throughout its thirty fifth week. Taylor Swift’s “The Destiny of Ophelia” jumped three positions to seventh place with 198,880 views throughout its 14th week.

“Respirar” by Calema and Sara Correia held eighth place with 194,419 views after 45 weeks on the chart. “Tu na Tua” by ÁTOA and Luís Trigacheiro superior two positions to ninth place with 174,089 views throughout its thirty fifth week.

“CAVALINHO (Remix)” by PEDRO SAMPAIO, Gasparzinho, and MC MENO Ok fell three positions to tenth place with 157,012 views after 69 weeks on the Portugal chart, demonstrating extraordinary longevity for the observe.

The Portugal market confirmed Portuguese-language content material from each Portugal and Brazil dominating chart positions. Brazilian funk carioca maintained sturdy presence, with PEDRO SAMPAIO tracks at positions two, three, and 10, whereas Portuguese home artists together with Vizinhos, Calema, and ÁTOA secured a number of prime 10 positions.

International artists rankings present Indian dominance

The International Weekly Prime Artists chart revealed for the January 2-8, 2026 monitoring interval demonstrated Indian artists’ commanding presence in world music consumption on YouTube’s platform. Alka Yagnik retained the highest place with 448,411,072 views throughout the monitoring interval, extending her reign at primary after 486 weeks on the artists chart.

Udit Narayan maintained second place with 325,290,566 views after 507 weeks on the chart. Arijit Singh held third place with 320,802,939 views throughout his 516th week on the worldwide artists rankings.

Kumar Sanu secured fourth place with 242,736,478 views after 482 weeks, whereas Shreya Ghoshal maintained fifth place with 223,094,665 views throughout her 488th week on the chart.

Unhealthy Bunny represented the highest-charting non-Indian artist at place six with 198,053,181 views throughout his 481st week. Shilpi Raj held seventh place with 185,265,745 views after 262 weeks.

Sonu Nigam superior one place to eighth place with 179,337,446 views throughout his 472nd week on the chart. Pawan Singh climbed two positions to ninth place with 146,681,434 views after 419 weeks, whereas Khesari Lal Yadav fell two positions to tenth place with 145,160,624 views throughout his 401st week.

The focus of Indian artists in prime positions mirrored Bollywood music business’s in depth catalog, India’s inhabitants of 1.4 billion individuals, and substantial Hindi-speaking diaspora consuming content material globally. Western artists together with Taylor Swift (place 17), The Weeknd (place 19), and Unhealthy Bunny (place 6) maintained presence however couldn’t match absolute view counts generated by Indian music business stars.

KPop Demon Hunters Solid appeared at place 13 with 125,409,353 views throughout its twenty ninth week on the artists chart, representing the soundtrack’s a number of tracks aggregated underneath the forged designation. Shakira entered at place 14 with 121,050,589 views throughout her 516th week.

Shorts rankings present distinct consumption patterns

The International Weekly Prime Songs on Shorts chart demonstrated consumption patterns diverging considerably from conventional music video charts. “PASSO BEM SOLTO (Slowed)” by ATLXS jumped two positions to assert the highest spot after 42 weeks on the Shorts chart.

“فصلة” by Flipperachi fell from first place to second place after 5 weeks. “NO BATIDÃO (SLOWED)” by ZXKAI and slxughter superior one place to 3rd place throughout its tenth week on the Shorts chart.

“Ishq Jalakar – Karvaan” by Shashwat Sachdev, Shahzad Ali, Subhadeep Das Chowdhury, Armaan Khan, Irshad Kamil, Roshan, and Sahir Ludhianvi fell two positions to fourth place throughout its fourth week. “Montagem Miau (Extremely Slowed)” by Lenar jumped 10 positions to fifth place throughout its ninth week.

Notable absences: “Golden” by the KPop Demon Hunters Solid, which dominated conventional music charts globally, didn’t seem within the Shorts prime 50. Equally, Shakira’s “Zoo” and Taylor Swift’s “The Destiny of Ophelia” confirmed minimal presence on the Shorts-specific rankings regardless of sturdy efficiency on conventional charts.

The Shorts chart confirmed desire for tracks with particular audio traits: slowed/reverb remixes, phonk variations, and short-form viral sounds. “MONTAGEM COMA” by Andromeda and elysian appeared at place eight after 23 weeks, whereas “FALL FROM THE SKY PT. 2” by ROMANCEPLANET and STAKILLAZ held place 11 after 11 weeks.

Ice Spice’s “Huge Man” appeared at place seven on the Shorts chart throughout its fifth week, representing considered one of few tracks sustaining sturdy efficiency throughout each conventional charts and Shorts-specific rankings. The convergence urged sure releases efficiently optimize for each consumption contexts.

Music movies present manufacturing worth preferences

The International Weekly Prime Music Movies chart revealed for January 2-8, 2026 confirmed distinct rankings from audio-only music consumption. “Golden” by the KPop Demon Hunters Solid held the highest place with 30,154,782 music video views throughout its sixteenth week on the movies chart.

“Ghar Kab Aaoge” that includes a number of Indian artists debuted at second place with 25,365,297 music video views in its first week. “Shararat” by Shashwat Sachdev, Madhubanti Bagchi, and Jasmine Sandlas dropped one place to 3rd place with 24,335,371 views throughout its fifth week.

“APT.” by ROSÉ and Bruno Mars maintained fourth place with 14,349,978 views after 64 weeks on the music movies chart. The observe demonstrated sustained music video consumption regardless of falling from prime positions on audio-only music charts.

“Gehra Hua” by Shashwat Sachdev, Arijit Singh, Irshad Kamil, and Armaan Khan superior one place to fifth place with 13,231,163 views throughout its sixth week. Taylor Swift’s “The Destiny of Ophelia” jumped one place to sixth place with 12,959,620 views throughout its 14th week.

“Soda Pop” from the KPop Demon Hunters soundtrack fell 4 positions to seventh place with 12,692,471 views throughout its 18th week. Ice Spice’s “Huge Man” skilled dramatic progress, leaping 30 positions to eighth place with 11,538,665 views throughout its third week on the music movies chart.

The music movies chart confirmed stronger efficiency for tracks with high-production visible content material. Bollywood productions persistently maintained prime positions resulting from elaborate choreography, costume design, and narrative components distinguishing music movies from audio-only consumption.

Advertising and marketing implications for streaming period

The January 2-8, 2026 YouTube music charts information demonstrates how cross-platform content material methods now decide music consumption patterns. Netflix’s “KPop Demon Hunters” sustaining chart dominance six months after peak streaming viewership illustrates sustained engagement home windows extending past conventional launch cycles. Advertising and marketing professionals should monitor a number of streaming platforms for content material that will generate music chart exercise weeks or months after preliminary availability.

Regional market fragmentation requires territory-specific promotion methods. India’s prime 10 consisting totally of Bollywood and regional language content material, Brazil’s funk carioca dominance, Japan’s J-pop preferences, and South Africa’s amapiano focus reveal how cultural boundaries restrict common viral distribution. Artists searching for world attain should put money into territory-specific releases, native language variations, or strategic collaborations with home artists relatively than assuming single-release world methods will penetrate regional markets.

The divergence between Shorts consumption and conventional music video viewing signifies format-specific content material necessities. Tracks performing nicely on Shorts charts confirmed distinct audio traits: slowed remixes, phonk influences, and short-form optimization. Advertising and marketing groups should develop parallel content material methods addressing each consumption contexts relatively than assuming songs will translate throughout codecs with out modification.

YouTube’s termination of its Billboard charts partnership efficient January 16, 2026 removes a serious cross-platform information integration level. The break up adopted disputes about streaming weight calculations and methodological variations between YouTube’s view-based metrics and Billboard’s components incorporating a number of consumption varieties. Advertising and marketing professionals monitoring chart efficiency should now monitor YouTube and Billboard individually, dropping built-in insights about how platform-specific efficiency interprets to broader business metrics.

The info reveals how algorithmic distribution patterns have an effect on consumption. “Finish of Starting” by Djo leaping 30 positions globally, 17 positions within the UK, and 20 positions within the US throughout the monitoring interval suggests coordinated algorithmic promotion throughout territories. Advertising and marketing groups should keep monitoring processes detecting sudden place modifications that will point out algorithm modifications affecting content material distribution.

Platform promoting alternatives via YouTube’s varied packages allow manufacturers to affiliate with trending music content material. YouTube Choose offers entry to the highest 5 p.c of hottest channels, together with main music channels throughout vertical classes. Campaigns searching for model integration with music content material can leverage these premium placement choices, although regional fragmentation requires market-specific marketing campaign growth.

Content material rights administration grows vital as platforms increase music catalog availability. Understanding territorial licensing restrictions, income sharing fashions, and platform-specific necessities impacts distribution methods throughout world markets. The January 2-8, 2026 information exhibits how licensing offers enabling content material availability in particular territories immediately impacts chart efficiency, with tracks showing in markets the place distribution agreements exist whereas absent from territories with out correct licensing.

The persistence of vacation content material via late December adopted by full disappearance from charts by early January demonstrates seasonality’s impression on consumption patterns. Advertising and marketing campaigns tied to seasonal content material should account for sharp consumption drops instantly following vacation dates. The info confirmed Mariah Carey and Wham! commanding prime positions via December 25, 2025, then falling totally from prime 100 charts by January 8, 2026.

Sustained catalog consumption represents alternative for ongoing promotion of older releases. Tracks sustaining chart presence for 40+ weeks reveal how algorithmic suggestions, playlist placement, and consumer discovery patterns generate constant viewership past preliminary launch durations. Advertising and marketing methods ought to embody long-term catalog promotion relatively than focusing solely on new releases.

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International prime 10 rankings

  1. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (59,820,218 views)
  2. Zoo – Shakira (34,407,501 views)
  3. Pal Pal – Afusic & AliSoomroMusic (31,991,417 views)
  4. Ghar Kab Aaoge – Anu Malik, Mithoon, Sonu Nigam, Arijit Singh, Roopkumar Rathod, Vishal Mishra, Diljit Dosanjh, Javed Akhtar & Manoj Muntashir (31,432,781 views)
  5. Shararat – Shashwat Sachdev, Madhubanti Bagchi & Jasmine Sandlas (27,855,398 views)
  6. Gehra Hua – Shashwat Sachdev, Arijit Singh, Irshad Kamil & Armaan Khan (26,665,582 views)
  7. Cuando No Period Cantante – El Bogueto & Yung Beef (26,380,254 views)
  8. NO BATIDÃO (SLOWED) – ZXKAI & slxughter (25,366,115 views)
  9. The Destiny of Ophelia – Taylor Swift (24,929,244 views)
  10. Soda Pop – Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee & KPop Demon Hunters Solid (24,818,289 views)

Australia prime 10 rankings

  1. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (713,612 views)
  2. The Destiny of Ophelia – Taylor Swift (397,341 views)
  3. Odd – Alex Warren (393,922 views)
  4. Zoo – Shakira (346,484 views)
  5. Soda Pop – Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee & KPop Demon Hunters Solid (330,484 views)
  6. Lose Management (Reside) – Teddy Swims (283,815 views)
  7. Man I Want – Olivia Dean (255,076 views)
  8. Finish of Starting – Djo (251,799 views)
  9. Huge Man – Ice Spice (229,507 views)
  10. Gabriela – KATSEYE (227,976 views)

Brazil prime 10 rankings

  1. Posso Até Não Te Dar Flores (feat. DJ DAVI DOGDOG) – DJ Japa NK, MC MENO Ok, MC Ryan SP & MC Jacaré (11,745,002 views)
  2. P do Pecado (Ao Vivo) – Grupo Menos É Mais & Simone Mendes (8,225,626 views)
  3. JETSKI – PEDRO SAMPAIO, Melody & MC MENO Ok (7,904,366 views)
  4. SEQUÊNCIA FEITICEIRA (feat. MC Nito) – PEDRO SAMPAIO, MC GW, Mc Jhey & MC Rodrigo do CN (7,414,260 views)
  5. SET DO JAPA NK 2.0 (feat. MC LUUKY, MC Jacaré, MC Rodrigo do CN, MC GH do 7, MC Lele JP, MC Jvila & Oruam) – DJ Japa NK, MC Ryan SP, MC MENO Ok & MC IG (7,032,998 views)
  6. Vai Tomando Pock Pock (feat. MC MENO Ok) – MC Lele JP, MC GH Unique & MC Menor ZL (6,859,528 views)
  7. Eu Me Apaixonei – Vitinho Imperador (6,560,218 views)
  8. Diário de um Cafajeste – Dj Oreia, MC Lele JP, MC Meno Ok, MC Ryan SP, MC Tuto & Mc Negão Unique (6,120,259 views)
  9. Pela Última Vez (Ao Vivo) – Grupo Menos É Mais & Nattan (5,079,009 views)
  10. Fanatismo – Yasmin Sensação (5,063,692 views)

France prime 10 rankings

  1. PARISIENNE – GIMS & La Mano 1.9 (2,240,754 views)
  2. melodrama – disiz & Theodora (2,176,594 views)
  3. MON BÉBÉ – RnBoi (2,143,044 views)
  4. Zoo – Shakira (1,376,438 views)
  5. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (1,331,308 views)
  6. Génération impolie – Franglish & KeBlack (1,110,787 views)
  7. LOVE YOU – Nono La Grinta (1,060,584 views)
  8. Melrose Place (feat. Guy2Bezbar) – KeBlack (1,036,681 views)
  9. RUINART – R2 (976,981 views)
  10. BLOQUÉ – GIMS & L2B (952,598 views)

Germany prime 10 rankings

  1. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (1,086,859 views)
  2. The Destiny of Ophelia – Taylor Swift (631,638 views)
  3. Zoo – Shakira (550,746 views)
  4. NO BATIDÃO (SLOWED) – ZXKAI & slxughter (535,576 views)
  5. KUSURA BAKMA – Blok3 (519,049 views)
  6. Kazdoura – Nassif Zeytoun & Abu Ward (498,502 views)
  7. YAMA – DYSTINCT (466,941 views)
  8. Lush Life – Zara Larsson (464,696 views)
  9. Wackelkontakt – Oimara (457,863 views)
  10. Huge Man – Ice Spice (383,840 views)

India prime 10 rankings

  1. Ghar Kab Aaoge – Anu Malik, Mithoon, Sonu Nigam, Arijit Singh, Roopkumar Rathod, Vishal Mishra, Diljit Dosanjh, Javed Akhtar & Manoj Muntashir (27,311,198 views)
  2. Shararat – Shashwat Sachdev, Madhubanti Bagchi & Jasmine Sandlas (24,491,916 views)
  3. Gehra Hua – Shashwat Sachdev, Arijit Singh, Irshad Kamil & Armaan Khan (23,546,992 views)
  4. Pal Pal – Afusic & AliSoomroMusic (23,073,243 views)
  5. Aawaara Angaara – A. R. Rahman, Faheem Abdullah & Irshad Kamil (16,744,836 views)
  6. Fortuner (feat. Gulshan Music & Jaat Nia) – Raj Mawar & Ruchika Jangid (15,438,372 views)
  7. Sahiba – Aditya Rikhari (11,520,160 views)
  8. Chikiri Chikiri – Mohit Chauhan (11,235,418 views)
  9. Ishq Jalakar – Karvaan – Shashwat Sachdev, Shahzad Ali, Subhadeep Das Chowdhury, Armaan Khan, Irshad Kamil, Roshan & Sahir Ludhianvi (11,212,484 views)
  10. Seet Lehar – Filmy & Riyaazi (10,890,303 views)

Japan prime 10 rankings

  1. IRIS OUT – Kenshi Yonezu (9,183,942 views)
  2. 好きすぎて滅！ – M!LK (4,475,257 views)
  3. ダーリン – Mrs. GREEN APPLE (4,445,534 views)
  4. ROSE – HANA (4,428,911 views)
  5. カリスマックス – Snow Man (4,120,862 views)
  6. Blue Denims – HANA (3,705,033 views)
  7. 怪獣 – sakanaction (3,306,337 views)
  8. JANE DOE – Kenshi Yonezu & Hikaru Utada (3,270,075 views)
  9. ライラック – Mrs. GREEN APPLE (3,204,893 views)
  10. NON STOP – HANA (3,047,903 views)

Netherlands prime 10 rankings

  1. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (276,907 views)
  2. The Destiny of Ophelia – Taylor Swift (161,580 views)
  3. Lush Life – Zara Larsson (150,035 views)
  4. Zoo – Shakira (134,736 views)
  5. NO BATIDÃO (SLOWED) – ZXKAI & slxughter (128,881 views)
  6. YAMA – DYSTINCT (127,781 views)
  7. Odd – Alex Warren (114,498 views)
  8. Kazdoura – Nassif Zeytoun & Abu Ward (109,417 views)
  9. Базовый минимум – SABI & MIA BOYKA (101,197 views)
  10. CHANEL – Tyla (97,991 views)

Portugal prime 10 rankings

  1. Posso Até Não Te Dar Flores (feat. DJ DAVI DOGDOG) – DJ Japa NK, MC MENO Ok, MC Ryan SP & MC Jacaré (438,394 views)
  2. JETSKI – PEDRO SAMPAIO, Melody & MC MENO Ok (301,886 views)
  3. SEQUÊNCIA FEITICEIRA (feat. MC Nito) – PEDRO SAMPAIO, MC GW, Mc Jhey & MC Rodrigo do CN (300,497 views)
  4. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (263,641 views)
  5. Pôr do Sol – Vizinhos (263,480 views)
  6. Leva Tudo – Calema & Dilsinho (218,865 views)
  7. The Destiny of Ophelia – Taylor Swift (198,880 views)
  8. Respirar – Calema & Sara Correia (194,419 views)
  9. Tu na Tua – ÁTOA & Luís Trigacheiro (174,089 views)
  10. CAVALINHO (Remix) – PEDRO SAMPAIO, Gasparzinho & MC MENO Ok (157,012 views)

South Africa prime 10 rankings

  1. Shela (feat. Mano) – Sam Deep, Nia Pearl & Boohle (2,238,335 views)
  2. SNOKONOKO – Al Xapo, Benzoo & EeQue (1,652,185 views)
  3. Rato Laka (feat. Slidoo Man) – Shebeshxt, Naqua SA & Zee Nxumalo (1,574,928 views)
  4. ZEP (feat. Uncool MC) – DJ Smallz 732, Zinedine x Sguch & 031CHOPPA (1,399,014 views)
  5. Umaqondana – Feza (1,394,958 views)
  6. Tobetsa – Myztro, Shaunmusiq & Ftears (1,248,042 views)
  7. Magumba (feat. Peekay Mzee & Kaytah) – Khadeair (1,035,467 views)
  8. Bengicela (feat. Jazzworx) – MaWhoo, GL_Ceejay & Thukuthela (959,452 views)
  9. Ngixolele Mtanami – Nkeshemba (951,489 views)
  10. Intaba Zokhahlamba (feat. SHENGE WASEHLALANKOSI & Mjolisi) – Mphathiwohlelo MC (895,247 views)

Spain prime 10 rankings

  1. La Perla – ROSALÍA & Yahritza Y Su Esencia (1,387,144 views)
  2. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (1,195,292 views)
  3. Dardos – Romeo Santos & Prince Royce (1,162,492 views)
  4. SUPERESTRELLA – Aitana (922,137 views)
  5. La Morocha – Luck Ra & BM (885,915 views)
  6. La Plena (W Sound 05) – W Sound, Beéle & Ovy On The Drums (881,949 views)
  7. Palillos y Panderos – Niña Pastori (771,800 views)
  8. Cuando No Period Cantante – El Bogueto & Yung Beef (757,454 views)
  9. Si Antes Te Hubiera Conocido – KAROL G (757,242 views)
  10. LOQUITA – JC Reyes & Slayter (756,517 views)

United Kingdom prime 10 rankings

  1. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (1,576,095 views)
  2. Odd – Alex Warren (932,530 views)
  3. Lush Life – Zara Larsson (743,934 views)
  4. The Destiny of Ophelia – Taylor Swift (701,107 views)
  5. Finish of Starting – Djo (688,384 views)
  6. Soda Pop – Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee & KPop Demon Hunters Solid (661,656 views)
  7. Zoo – Shakira (508,359 views)
  8. Web Lady – KATSEYE (494,481 views)
  9. Man I Want – Olivia Dean (482,325 views)
  10. Huge Man – Ice Spice (468,884 views)

United States prime 10 rankings

  1. Golden – HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid (7,567,101 views)
  2. Huge Man – Ice Spice (5,114,289 views)
  3. FDO – Pooh Shiesty (4,722,402 views)
  4. Zoo – Shakira (3,957,498 views)
  5. Odd – Alex Warren (3,860,559 views)
  6. Soda Pop – Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee & KPop Demon Hunters Solid (3,691,512 views)
  7. Finish of Starting – Djo (3,526,529 views)
  8. Your Idol – Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee & KPop Demon Hunters Solid (3,265,151 views)
  9. Marlboro Rojo – Fuerza Regida (3,041,225 views)
  10. Web Lady – KATSEYE (2,898,567 views)

Timeline

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Abstract

Who: YouTube revealed weekly music charts information compiled from the January 2-8, 2026 monitoring interval, measuring consumption throughout world and territory-specific rankings for songs, music movies, artists, and Shorts content material.

What: “Golden” by HUNTR/X, EJAE, AUDREY NUNA, REI AMI and KPop Demon Hunters Solid dominated a number of charts with 59,820,218 world views, sustaining the highest place after 29 weeks. Regional markets confirmed fragmented consumption patterns with distinct native preferences: India’s chart confirmed Bollywood content material commanding all prime 10 positions, Brazil demonstrated funk carioca dominance, Japan maintained J-pop preferences, and South Africa focused on amapiano variations. The info revealed how Netflix’s “KPop Demon Hunters” animated movie continues driving music consumption six months after peak streaming viewership.

When: The info covers the seven-day interval from Thursday, January 2, 2026 via Wednesday, January 8, 2026, revealed by YouTube on January 9, 2026. The week spanning the New 12 months’s Day transition confirmed full disappearance of vacation content material that dominated the earlier monitoring interval ending December 25, 2025.

The place: YouTube revealed charts for world territories and 13 particular markets: Australia, Brazil, France, Germany, India, Japan, Netherlands, Portugal, South Africa, Spain, United Kingdom, and United States. The platform maintains category-specific charts following the July 2025 closure of its centralized trending web page, with music charts serving as the first discovery mechanism for common audio content material.

Why: The charts matter for advertising professionals as a result of they reveal how cross-platform streaming content material drives sustained music consumption patterns, reveal regional market fragmentation requiring territory-specific promotion methods, and supply metrics for marketing campaign efficiency following YouTube’s termination of its Billboard charts partnership. The info exhibits how Netflix productions now affect YouTube chart positions months after preliminary launch, whereas divergence between conventional music video consumption and Shorts preferences signifies the necessity for format-specific content material creation approaches. Regional preferences override world viral potential in markets with established native music industries, requiring artists and labels to develop market-specific releases relatively than assuming common viral distribution.


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