SiriusXM’s Lizzie Collins reveals how “secret” auto demos at CES 2026 level to a brand new period for in-car sound – interactive, data-rich and participatory. However for manufacturers to catch up, audio measurement should lastly evolve.
When folks discuss CES, they often discuss screens. Larger ones. Foldable ones. Ones that roll up, roll down or in some way disappear into the wall. Audio hardly ever will get high billing.
And but, once we caught up with Lizzie Collins at CES this 12 months, it grew to become clear that among the most consequential experimentation on the present wasn’t visible in any respect. It was taking place by way of sound – and infrequently behind closed doorways.
Collins, a senior chief at SiriusXM, was in Las Vegas for conferences with companions, advertisers and automobile producers, together with a sequence of what she overtly describes as “secret” automotive demonstrations.
“They’re completely secret,” she says, laughing. “Every automobile producer has its personal proprietary roadmap. So what we’re actually doing is giving them a way of what audio could possibly be as a part of the in-car expertise.”
That distinction issues. We didn’t see the demos, and she will’t discuss specifics, however the route of journey is obvious: audio is not one thing that merely fills the automobile. It’s changing into one thing you work together with. And that’s an enormous shift for a medium that, till comparatively just lately, lived inside a quite simple field.
From beer corrals to robots
Collins has seen CES change greater than most. This was her sixteenth 12 months on the present (14 of them uninterrupted) and her first go to, again in 2006, appeared nothing like at present.
“My very first CES was when it was actually only a commerce present,” she says. “We put a trailer in a beer corral with little iPads that had Pandora on them – it was the very first time folks might request a tune and see how customized music labored.”
The activation was carried out in partnership with the John Lennon Songwriters Basis. Will.i.am was there. Yoko Ono, too. Folks might come into the bus and make music.
“On the time, it felt experiential,” she says. “However CES was actually about what you have been going to purchase. Huge TVs. Huge gadgets. Content material was an afterthought.”
Now, she argues, that logic has flipped. “All of the makers are included within the definition of the product. From a publishing standpoint, you see SiriusXM everywhere in the present ground. Pandora grew to become a part of that story. And the velocity of innovation within the final 5 years has simply been insane.”
The place CES as soon as centered on lounge {hardware}, Collins says it now feels extra intimate – and extra unsettling. “It was about what was in your lounge. Now it seems like what you put on, what’s in your mind, what’s a part of you. We went from plasma TVs to robots in underneath 15 years.”
Audio stopped being a spot and began being in all places
That acceleration issues most, she argues, in audio. “15 years in the past, audio was about programming one thing that will hold you in a single place, just like the automobile, for hours. Now sound comes by way of all the things. You’ll be able to inform a tool what you need to hear. It’s bi-directional.”
The result’s that audio is not appointment-based. It follows you. “It was in-home, on-the-go, at-the-office. Now it’s all the things you do. Cooking. Understanding. Transferring round.” And the numbers again that up.
SiriusXM at present is much broader than the satellite tv for pc radio model many nonetheless affiliate it with. The corporate now spans subscription radio, ad-supported streaming and podcasting, proudly owning SiriusXM and Pandora outright whereas additionally representing a large community of podcast creators and exhibits. In whole, it reaches round 170 million listeners a month throughout music, discuss and reside audio – giving it a uncommon, joined-up view of how folks really use sound throughout totally different moments of the day and totally different gadgets, notably within the automobile.
“About 32% of time spent with leisure is audio,” Collins says. “That’s a loopy quantity. And it’s grown as a result of it’s straightforward and easy to obtain.”
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But the cash hasn’t adopted. “Solely about 4% of advert {dollars} go to audio. And I do know precisely why.”
Audio’s underinvestment, Collins argues, isn’t about lack of effectiveness. It’s about measurement – and many years of unhealthy habits. “Entrepreneurs will take terrestrial radio, streaming, podcasts, endorsements – all very various things – put them into one bucket and simply name it ‘audio.’ Then they anticipate it to behave like show.”
It doesn’t. “There’s no click on. So the sign by no means arrives in the way in which they anticipate.”
SiriusXM has spent the previous two years, she says, going shopper by shopper, serving to advertisers rebuild how they consider audio. “Each single time we get to the tip of that course of, they are saying: ‘We made an enormous mistake. We have been measuring it flawed all alongside.’”
That doesn’t imply each marketing campaign works, she’s fast so as to add. However it does imply audio has been systematically undervalued. “I picked the toughest medium to characterize. Typically I’m jealous of video and show. You guys have it straightforward – you’re taking credit score for all our conversions.”
Why the automobile modifications all the things
If measurement is one battle, the automobile is one other frontier totally. Traditionally, in-car media needed to be easy for security causes. That constraint is loosening – even earlier than full autonomy arrives.
“In a world the place many people won’t be driving, however nonetheless in a automobile, what does that imply for media?” she asks. “That’s an entire different horizon.”
Even at present, automobiles are already linked, already data-rich. “If you happen to’ve purchased a brand new automobile within the final 4 years, it’s principally an enormous cellphone. Mine tells me all the things I’m doing flawed. Put your eyes again on the street. Cease drifting. Take a break.”
What SiriusXM is exploring – quietly, and infrequently confidentially – is how reside audio would possibly match into that setting. “There’s a future the place you press a button and say, ‘I have to know one thing,’ and it maps straight into the studio. On to the manufacturing board. Right into a reside present.”
That issues, she believes, as a result of youthful audiences don’t need to sit again and hear. “Gen Z doesn’t need to be passive. They need to be a part of a dialog.”
Reside call-ins. Polls. Actual-time interplay. Audio, as soon as probably the most one-way of media, is changing into participatory once more – this time with expertise doing the heavy lifting.
Making audio enjoyable once more
SiriusXM’s ambition isn’t simply to repair measurement or modernize the dashboard. It’s to make audio artistic really feel alive once more – for listeners, creators and types.
“Creators don’t need scripts,” Collins says. “They need to know what a product seems like. What colour it might be. What emotion it creates.”
That philosophy has already formed how SiriusXM works with expertise – from reside call-in exhibits to hosts who insist on writing their very own advertisements.
“One creator stated to us, ‘This copy is garbage. I can do it higher.’ And he did,” she says. “That will by no means have occurred in old-school radio.”
Audio, she argues, is lastly shedding the concept that it’s only a 30-second spot between songs. “There’s a lot extra audio being made. And it could present up reside, between songs, in podcasts, within the automobile. Our job is to assist manufacturers perceive the place they belong.”
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