You’d think about that assembly your favourite music artists would really feel like probably the most spellbound and full-circle second of your life, however on the subject of A24’s first trailer for upcoming music thriller Opus, that is removed from the case. Yesterday (January 21) A24, which has made a number of the best Max movies, dropped the first-look trailer (see beneath) for Opus starring John Malkovich and Ayo Edebiri, star of one of many best Hulu shows, The Bear. With its March 14 launch date now within the calendar, I’m already buckled in for what’s going to undoubtedly turn into certainly one of my favourite new movies this yr.
From filmmaker Mark Anthony Inexperienced in his characteristic directorial debut Opus is a music horror-thriller focussing on Ariel Ecton (Edebiri), {a magazine} author decided to get her palms on a career-altering story when lacking pop star of 30 years, Alfred Moretti (Malkovich), surfaces from a compound to unveil new music to a personal choose group of celebrities. When Ariel accepts a private invitation to spend the weekend at his compound, she sees it as a daring profession alternative however finds herself amidst a cult run by Moretti himself, whose plans to launch new music are rather more unsettling than anticipated. Assume Mark Mylod’s The Menu (2022), however with a pop cult fandom edge.
Although the film’s theatrical launch isn’t till spring, Opus is ready to premiere at this yr’s Sundance Movie Competition on January 27. Along with its two main stars, Inexperienced’s characteristic packs a stable supporting solid together with Juliette Lewis, Murray Bartlett, Amber Midthunder, Stephanie Suganami, Younger Mazino, and Tatanka Means.
Macro Movie Studios, creators of Sorry to Trouble You (2018) and Judas and the Black Messiah (2021), has taken the reins on manufacturing, enlisting Joshua Bachove, Collin Creighton, Poppy Hanks, Jelani Johnson and Brad Weston as producers.
Pop music meets Ayo Edebiri – is that this film made for me personally?
You possibly can guess your backside greenback that when the trailer for Opus dropped, I paused all the things within the second to totally immerse myself in one more Ayo Edebiri-centric piece of media. Since watching her in FX’s The Bear, Inside Out 2 (2024), and naturally Emma Seligman’s black comedy highschool satire Bottoms (2023), I’ve turn into the self-styled president of the Ayo Edebiri fan membership.
However as an admirer of films like The Menu (2022) and somebody who actively participates in fan tradition, I’ve been patiently ready for a film like Opus to look at and exaggerate fan habits via the lens of a cult. And since platforms like TikTok have enhanced the ferocity and defensive nature of music fandoms, there has by no means been a extra acceptable time for a film like this to come back alongside – therefore why it has shot proper to the highest of my must-watch record for 2025.
All issues apart, the trailer reinforces a enjoyable conspiracy about artists taking lengthy absences that I can’t assist however hyperfixate on. Who is aware of, possibly Rihanna’s decade-long break from music is rather more than a easy retirement interval…?
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