Canon has introduced 4 new lenses for its mirrorless cameras, three of that are touted ‘hybrid’, that means that they’re designed for video and nonetheless creators. They’re the RF 24mm F1.4L VCM, RF 50mm F1.4L VCM and the RF 70-200mm F2.8L IS USM Z.
The 2 pro-grade primes and zoom are made for Canon’s full-frame cameras and be a part of two not too long ago introduced lenses of the identical sort, the RF 35mm F1.4L VCM and RF 24-105mm F2.8L USM Z – the latter being quietly launched alongside the RF 200-800mm monster wildlife lens – bringing Canon’s vary of hybrid lenses to 5 in all.
Along with the hybrid lenses, two of that are the long-awaited 24mm and 50mm F1.4 primes that lastly get the therapy for mirrorless, Canon additionally unveiled a brand new stereoscopic lens for spatial video – the RF-S 7.8mm F4 STM DUAL for APS-C – which is presently solely suitable with the EOS R7. These 4 new lenses enhance the variety of Canon’s RF system lenses to 52 in all – that is a super-impressive achievement in six quick years of the RF-mount.
The RF 70-200mm F2.8L IS USM Z lens prices £3,449.99 (we’ll replace this text with US and Australia pricing shortly) and is obtainable in white or black from November 14. In the meantime, the gross sales begin date for the RF 24mm F1.4L VCM and RF 50mm F1.4L VCM lenses is December with a selected date TBC – they’re priced at £1,679.99 and £1,539.99 respectively. The RF-S 7.8mm F4 STM DUAL is available in at £519.99 and can go on sale some level in November.
A brand new daybreak for Canon’s skilled lenses?
Canon appears set on video and nonetheless creators if its newest lenses are something to go by. It says its RF mount “displays the altering wants of the skilled because the demand for a lens with out compromise drives them to step into each worlds”, though we do not know if that is the kind of lens design we are able to count on going ahead for its skilled mirrorless cameras.
The RF 70-200mm F2.8 IS USM Z will sit alongside the prevailing RF 70-200mm F2.8L IS USM as a pricier various for hybrid customers, including a easy aperture ring, 11-blade aperture, inside zoom, and minimal focus respiration. It is suitable with 1.4x and 2x teleconverters and is available in white (with a thermal barrier) or black – the latter might show common with filmmakers who should be discreet on set.
And just like the RF 24-105mm F2.8L USM Z, which is just about the identical dimension and weight being a bit of over 1kg, it’s suitable with the identical Energy Zoom adapter for easy and exact video zooming. Collectively, the 2 lenses cowl off focal lengths from 24mm to 200mm.
Similar to the brand new 70-200mm, the brand new RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM lenses are virtually the identical dimension and weight, and sit as a trio with the prevailing RF 35mm F1.4 L VCM. In addition they supply a video-friendly design with aperture ring and minimal focus respiration. Nevertheless, these are completely new for the RF mount, lastly realizing the extraordinarily common 24mm and 50mm F1.4 primes for Canon’s DSLRs in Canon’s RF-mount for mirrorless cameras.
Given Canon’s analysis, which says that 65% {of professional} photographers are actually taking pictures video as some a part of their work, and the altering wants {of professional} photographers, hybrid looks as if a good wager going ahead. This trio of lenses might symbolize a brand new daybreak for Canon’s lens design, and we’re all for it, even when the value of those lenses is dear even by Canon requirements.
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