YouTube published its weekly music chart information overlaying a monitoring interval in mid-March 2026, and the headline determine is blunt: “NO BATIDÃO” by ZXKAI and slxughter has now spent 21 consecutive weeks at primary on the World Weekly Prime Songs chart, accumulating 36,915,147 views throughout the newest seven-day window. That isn’t a misprint. Twenty-one weeks. Throughout 15 territories, each different chart story this week is subordinate to understanding how a Brazilian phonk observe produced by two comparatively unknown artists grew to become probably the most sturdy chart-topper YouTube has measured in current reminiscence.

The World Weekly Prime Shorts Songs chart explains the mechanism. “NO BATIDÃO” holds the primary place there as effectively, for a twentieth consecutive week. The Shorts chart doesn’t measure how many individuals watched a music video. It measures what number of creators used a observe because the audio layer in their very own movies — a essentially completely different sign. When a track tops the Shorts chart, it means hundreds of thousands of video creators worldwide chosen it above each different possibility. That persistent creator adoption feeds again into the principle songs chart, producing views on the unique observe every time a Brief is performed. The 2 charts will not be parallel tales. They’re the identical story measured twice.

World Weekly Prime Songs

  • 1. NO BATIDÃO — ZXKAI & slxughter — 36,915,147 views (week 21, held ●)
  • 2. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 33,355,478 views (week 39, held ●)
  • 3. Shararat — Shashwat Sachdev, Madhubanti Bagchi & Jasmine Sandlas — 29,974,576 views (week 14, held ●)
  • 4. Cuando No Period Cantante — El Bogueto & Yung Beef — 20,856,114 views (week 19, held ●)
  • 5. Bairan — Banjaare — 20,093,524 views (week 2, ▲19)
  • 6. Threat It All — Bruno Mars — 19,481,978 views (week 3, held ●)
  • 7. Pal Pal — Afusic & AliSoomroMusic — 18,892,931 views (week 50, held ●)
  • 8. Gehra Hua — Shashwat Sachdev, Arijit Singh, Irshad Kamil & Armaan Khan — 18,608,239 views (week 16, held ●)
  • 9. Unusual — Alex Warren — 18,069,096 views (week 51, ▲2)
  • 10. Bairi — Virat, Pradeep Solanki & Heena — 17,400,844 views (week 3, ▲5)

The second place belongs to “Golden” by the KPop Demon Hunters Solid with 33,355,478 views in its thirty ninth week — a observe pushed by the Netflix animated movie of the identical title. The film’s impact on YouTube charts has been documented since late 2025, when “Golden” was accumulating over 72 million views per week through the vacation peak. Its present quantity is lower than half that peak determine, but it nonetheless holds the second world place. Week 39 with 33 million views is a unique form of sturdiness than “NO BATIDÃO”‘s Shorts-driven mannequin — it displays catalog depth throughout a franchise’s a number of tracks showing concurrently throughout territories.

Third globally is “Shararat” by Shashwat Sachdev, Madhubanti Bagchi and Jasmine Sandlas with 29,974,576 views in week 14. The observe leads India’s home chart this week and concurrently tops the World Weekly Prime Music Movies chart with 24,350,128 views. That cut up — prime of each the songs chart and the video chart in the identical week — is rare and displays a unique consumption mode than “NO BATIDÃO,” which doesn’t seem within the prime 10 music movies in any respect. “Shararat” is watched; “NO BATIDÃO” is used.

World Weekly Prime Shorts Songs

  • 1. NO BATIDÃO — ZXKAI & slxughter (week 20, held ●)
  • 2. PASSO BEM SOLTO (Slowed) — ATLXS (week 52, ▲1)
  • 3. Bairi — Virat, Pradeep Solanki & Heena (week 3, ▼1)
  • 4. Dil Lagana Mana Tha — Krish Mondal & Kishore Mondal (week 8, held ●)
  • 5. 弥渡山歌 (Midu Echoing) — Yang Music (week 14, held ●)
  • 6. TIKI TIKI (Slowed) — QMIIR & SALIMA CHICA (week 7, ▲17)
  • 7. Tere Bina — A. R. Rahman, Chinmayi, Murtu Khan & Qadir Khan (week 2, ▲4)
  • 8. Friendships (feat. Leony) — Pascal Letoublon (week 69, held ●)
  • 9. Papaoutai (Afro Soul) — mikeeysmind, Chill77 & Unjaps (week 8, ▲1)
  • 10. Cry For Me (WA WA WA) (feat. Bubi) — Ironmouse, shirobeats & HalaCG (week 10, ▼3)

The Shorts chart accommodates information factors that haven’t any actual equal in conventional music monitoring. “PASSO BEM SOLTO (Slowed)” by ATLXS is now in its 52nd week — primarily a full 12 months of steady creator utilization. “Friendships (feat. Leony)” by Pascal Letoublon is in its 69th week. These longevity figures describe one thing completely different from successful track: they describe audio infrastructure. Creators reached for these tracks not as a result of they had been new however as a result of they labored technically — tempo, tone, loop construction — for vertical video. PPC Land’s analysis of the March 6–12 Shorts chart data famous that “the connection is now not incidental” between Shorts dominance and primary chart place.

World Weekly Prime Artists

  • 1. Alka Yagnik — 403,019,071 views (week 496, held ●)
  • 2. Udit Narayan — 302,512,626 views (week 517, held ●)
  • 3. Arijit Singh — 283,190,226 views (week 526, held ●)
  • 4. Unhealthy Bunny — 234,797,252 views (week 491, held ●)
  • 5. Kumar Sanu — 226,074,545 views (week 492, held ●)
  • 6. Shreya Ghoshal — 206,832,606 views (week 498, held ●)
  • 7. Shilpi Raj — 164,066,823 views (week 272, held ●)
  • 8. Sonu Nigam — 138,753,299 views (week 482, held ●)
  • 9. Peso Pluma — 131,716,205 views (week 173, ▲1)
  • 10. Pawan Singh — 131,115,174 views (week 429, ▼1)

The World Weekly Prime Artists chart is dominated by Bollywood playback singers whose catalogs span a number of a long time. Alka Yagnik leads with 403 million views throughout her catalog in her 496th week — a determine that dwarfs the per-track view counts within the songs chart exactly as a result of catalog quantity is the driving force. Arijit Singh seems at third with 283 million views in his 526th week, whereas additionally co-writing “Gehra Hua” which sits at eighth within the world songs chart. Unhealthy Bunny holds fourth with 234.8 million views, the one non-Indian artist within the prime six. The artist chart measures breadth of catalog consumption; the songs chart measures depth of particular person observe adoption. They describe the identical platform by completely different lenses.

World Weekly Prime Music Movies

  • 1. Shararat — Madhubanti Bagchi, Jasmine Sandlas & Shashwat Sachdev — 24,350,128 views (week 15, held ●)
  • 2. Golden — KPop Demon Hunters Solid — 24,139,609 views (week 26, held ●)
  • 3. Dhurandhar The Revenge – Aari Aari — Shashwat Sachdev & collaborators — 12,913,738 views (week 2, ▲95)
  • 4. Mutta Kalakki — Ken Karunaas, Anand Kashinath & G.V. Prakash Kumar — 12,413,046 views (week 4, ▲5)
  • 5. Bairan — Banjaare — 12,359,624 views (week 2, ▲20)
  • 6. APT. — ROSÉ & Bruno Mars — 11,804,683 views (week 74, ▼3)
  • 7. Aaya Sher — Jangi Reddy, Arjun Chandy, Anirudh Ravichander & Kasarla Shyam — 9,634,165 views (week 4, ▼2)
  • 8. Bairi (Lo-fi) — Virat, Pradeep Solanki & Heena — 9,613,634 views (week 4, ▲2)
  • 9. The Destiny of Ophelia — Taylor Swift — 9,406,773 views (week 24, ▼3)
  • 10. Nach Nagin Jaisan — Raushan Rohi & Khushi Kakkar — 9,067,794 views (week 5, ▼6)

United States

The US chart positioned “Golden” by the KPop Demon Hunters Solid at primary with 4,343,168 views in its thirty ninth week, climbing one place from the earlier week.

  • 1. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 4,343,168 views (week 39, ▲1)
  • 2. Unusual — Alex Warren — 4,218,845 views (week 53, ▼1)
  • 3. Choosin’ Texas — ella langley — 3,666,654 views (week 20, held ●)
  • 4. Massive Man — Ice Spice — 3,114,841 views (week 15, ▲1)
  • 5. Marlboro Rojo — Fuerza Regida — 3,107,811 views (week 45, ▲1)
  • 6. Soda Pop — KPop Demon Hunters Solid — 3,059,371 views (week 39, ▲6)
  • 7. LET ‘EM KNOW — T.I. — 2,810,732 views (week 8, ▼3)
  • 8. Stateside (feat. Zara Larsson) — PinkPantheress — 2,682,047 views (week 7, held ●)
  • 9. Threat It All — Bruno Mars — 2,506,696 views (week 3, ▼2)
  • 10. NO BATIDÃO — ZXKAI & slxughter — 2,477,558 views (week 18, ▲3)

The US market reveals a focus of KPop Demon Hunters Solid tracks. “Golden” at first, “Soda Pop” at sixth, and “Your Idol” at 18th all originate from the identical Netflix manufacturing. “NO BATIDÃO” reached the US prime 10 at place 10 with 2.4 million views — current, however not dominant. Fuerza Regida’s “Marlboro Rojo” held fifth in its forty fifth week, demonstrating the sustained Mexican regional market presence that YouTube’s independent charts have tracked since separating from Billboard in January 2026.

United Kingdom

  • 1. Unusual — Alex Warren — 1,076,583 views (week 58, ▲1)
  • 2. Lush Life — Zara Larsson — 1,069,121 views (week 38, ▼1)
  • 3. Raindance — Dave & Tems — 967,855 views (week 21, held ●)
  • 4. Golden — KPop Demon Hunters Solid — 940,343 views (week 39, held ●)
  • 5. Man I Want — Olivia Dean — 713,213 views (week 30, held ●)
  • 6. iloveitiloveitiloveit — Bella Kay — 668,521 views (week 4, ▲1)
  • 7. Stateside (feat. Zara Larsson) — PinkPantheress — 562,884 views (week 8, ▼1)
  • 8. The Destiny of Ophelia — Taylor Swift — 539,204 views (week 24, held ●)
  • 9. Rein Me In — Sam Fender & Olivia Dean — 522,365 views (week 27, ▲1)
  • 10. Soda Pop — KPop Demon Hunters Solid — 493,832 views (week 39, ▲1)

“Unusual” by Alex Warren holds the UK primary with 1,076,583 views in its 58th week — a observe that has been within the UK chart for over a 12 months and sits atop a market that additionally has “Lush Life” by Zara Larsson at a detailed second with 1,069,121 views. “Raindance” by Dave and Tems holds third with 967,855 views in week 21, a domestically produced observe that additionally crosses into South Africa, Portugal, France, the Netherlands, and Kenya this week. “NO BATIDÃO” sits at eleventh with 473,790 views, simply exterior the highest 10 however current out there for 19 weeks.

Brazil

Brazil’s chart displays an nearly solely home consumption sample. The highest 10 is solely composed of Brazilian phonk, funk, and forró, with no crossover from the worldwide or European charts.

  • 1. JETSKI — PEDRO SAMPAIO, MC MENO Ok & Melody — 9,678,680 views (week 13, ▲1)
  • 2. Diário de um Cafajeste — Dj Oreia, MC Lele JP, MC Meno Ok & collaborators — 9,365,616 views (week 19, ▼1)
  • 3. Carnívoro — MC Jacaré, MC Lele JP & collaborators — 8,365,987 views (week 8, held ●)
  • 4. Posso Até Não Te Dar Flores — DJ Japa NK, MC MENO Ok & collaborators — 6,760,006 views (week 24, held ●)
  • 5. Reliquia do 2T — MC Vine7, MC Tuto & collaborators — 6,196,051 views (week 6, held ●)
  • 6. P do Pecado (Ao Vivo) — Grupo Menos É Mais & Simone Mendes — 5,326,517 views (week 46, ▲1)
  • 7. SEQUÊNCIA FEITICEIRA — PEDRO SAMPAIO, MC GW & collaborators — 4,956,905 views (week 29, ▲1)
  • 8. Gangstar — Oruam, CheWn, Salvador Da Rima & Actual Fuba — 4,708,322 views (week 7, ▼2)
  • 9. Vai Tomando Pock Pock — MC Lele JP & collaborators — 4,684,972 views (week 24, held ●)
  • 10. Eu Me Apaixonei — Vitinho Imperador — 4,301,726 views (week 32, held ●)

“JETSKI” by PEDRO SAMPAIO, MC MENO Ok and Melody leads at 9.7 million views. The size of Brazilian consumption is price noting in absolute phrases: the tenth-place observe in Brazil generated 4.3 million views, which exceeds the first-place observe within the Netherlands. Brazil’s scale relative to the European markets is substantial. “P do Pecado (Ao Vivo)” held sixth in its forty sixth week, demonstrating the sustained catalog efficiency that Brazilian funk tracks can obtain by reside efficiency variations.

India

India’s prime 10 is solely home, dominated by Bollywood and regional Indian music.

  • 1. Shararat — Shashwat Sachdev, Madhubanti Bagchi & Jasmine Sandlas — 25,914,515 views (week 15, held ●)
  • 2. Bairan — Banjaare — 19,208,097 views (week 2, ▲7)
  • 3. Bairi — Virat, Pradeep Solanki & Heena — 17,089,187 views (week 4, ▲2)
  • 4. Nach Nagin Jaisan — Raushan Rohi & Khushi Kakkar — 15,930,540 views (week 6, ▼2)
  • 5. Gehra Hua — Shashwat Sachdev, Arijit Singh, Irshad Kamil & Armaan Khan — 15,887,014 views (week 16, ▼1)
  • 6. Pal Pal — Afusic & AliSoomroMusic — 14,186,431 views (week 49, ▲1)
  • 7. Fortuner — Raj Mawar & Ruchika Jangid — 14,107,410 views (week 24, ▼4)
  • 8. Sheesha — Mitta Ror & Swara Verma — 13,153,251 views (week 8, ▲5)
  • 9. Dhurandhar The Revenge – Aari Aari — Shashwat Sachdev & collaborators — 12,942,425 views (week 2, ▲84)
  • 10. Mutta Kalakki — G.V. Prakash Kumar & Ken Karunaas — 12,232,956 views (week 4, ▲6)

India’s primary, “Shararat,” generated 25.9 million views alone — a determine that places all the UK prime 10 mixed in perspective. “Dhurandhar The Revenge – Aari Aari” entered at ninth in solely its second week, climbing 84 positions. That debut velocity, mixed with its simultaneous entry at third on the World Music Movies chart with 12.9 million views, suggests a Bollywood soundtrack launch with important cross-format pickup. Shashwat Sachdev seems throughout 4 of India’s prime 10 entries this week, illustrating catalog focus.

Japan

Japan’s chart stays structurally remoted from world traits, with home acts occupying the highest positions.

  • 1. 好きすぎて滅！ — M!LK — 6,919,099 views (week 21, ▲3)
  • 2. 爆裂愛してる — M!LK — 6,156,582 views (week 6, ▲3)
  • 3. IRIS OUT — Kenshi Yonezu — 4,724,363 views (week 27, held ●)
  • 4. 5 — ARASHI — 4,232,086 views (week 3, ▼3)
  • 5. タッチ — Koshi Inaba — 3,266,237 views (week 2, ▼3)
  • 6. BE:FIRST ALL DAY — BE:FIRST — 3,250,239 views (week 1, NOVA)
  • 7. 3月9日 — Remioromen — 2,895,701 views (week 55, ▼1)
  • 8. lulu. — Mrs. GREEN APPLE — 2,621,063 views (week 10, held ●)
  • 9. カリスマックス — Snow Man — 2,522,128 views (week 30, held ●)
  • 10. AIZO — King Gnu — 2,502,785 views (week 10, ▲1)

M!LK occupies the highest two positions this week, with “好きすぎて滅！” reaching first in week 21 with 6.9 million views. ARASHI’s “5” dropped three positions to fourth after debuting at first three weeks prior — a sample in keeping with home Japanese releases that generate sturdy preliminary views after which decline as catalog habits takes over. “3月9日” by Remioromen holds seventh in its fifty fifth week; the observe originates from the early 2000s, and its continued chart presence illustrates the catalog resurgence phenomenon that YouTube’s architecture facilitates through discovery mechanismsdistinct from streaming companies. “NO BATIDÃO” sits at place 34 with 1,005,823 views — current in Japan in its 14th week, which is extra cross-territory penetration than most non-English tracks obtain.

Germany

  • 1. NO BATIDÃO — ZXKAI & slxughter — 997,721 views (week 21, held ●)
  • 2. Golden — KPop Demon Hunters Solid — 735,741 views (week 39, ▲2)
  • 3. Lush Life — Zara Larsson — 720,738 views (week 17, held ●)
  • 4. CDY — LACAZETTE & Jazeek — 571,565 views (week 2, ▼2)
  • 5. Papaoutai (Afro Soul) — mikeeysmind, Chill77 & Unjaps — 495,259 views (week 11, held ●)
  • 6. The Destiny of Ophelia — Taylor Swift — 441,479 views (week 24, held ●)
  • 7. Renn! — AYLIVA — 425,676 views (week 7, held ●)
  • 8. Unusual — Alex Warren — 414,143 views (week 53, ▲2)
  • 9. Aura (feat. Toby Woess) — Leni Woess — 394,651 views (week 2, ▲69)
  • 10. Wackelkontakt — Oimara — 394,631 views (week 60, ▼2)

Germany is considered one of “NO BATIDÃO”‘s strongest European territories, the place it holds the primary place for 21 consecutive weeks with 997,721 views — slightly below a million. “Leni Woess” with “Aura (feat. Toby Woess)” climbed 69 positions to ninth in solely its second week, a debut trajectory price monitoring. “Wackelkontakt” by Oimara holds tenth in its sixtieth week, a persistence determine that rivals the observe longevity noticed within the Shorts chart. Home German-language content material holds positions 4, 7, 9, and 10, indicating a market the place native manufacturing competes meaningfully with worldwide crossover.

France

  • 1. PARISIENNE — GIMS & La Mano 1.9 — 1,572,262 views (week 33, held ●)
  • 2. melodrama — disiz & Theodora — 1,368,743 views (week 24, held ●)
  • 3. SPA — GIMS & Theodora — 1,321,745 views (week 9, held ●)
  • 4. NO BATIDÃO — ZXKAI & slxughter — 1,088,858 views (week 21, ▲1)
  • 5. MON BÉBÉ — RnBoi — 1,028,818 views (week 21, ▼1)
  • 6. Soleil Bleu — Bleu Soleil & LUIZA — 886,937 views (week 40, held ●)
  • 7. Melrose Place (feat. Guy2Bezbar) — KeBlack — 880,779 views (week 50, ▲2)
  • 8. B.M.S (by my facet) — Rambo Goyard — 820,144 views (week 10, held ●)
  • 9. Argent Sale – A COLORS SHOW — La RvQeuze — 816,994 views (week 5, ▲1)
  • 10. RUINART — R2 — 758,427 views (week 39, ▲1)

France’s primary, “PARISIENNE” by GIMS & La Mano 1.9, has held that place for 33 weeks with 1.57 million views. GIMS occupies three of France’s prime 10 slots this week — positions 1, 3, and 16 — a home dominance that structurally limits the room for worldwide crossover content material. “NO BATIDÃO” climbed one place to fourth with simply over a million views. “Melrose Place” by KeBlack is in its fiftieth week at seventh, one other information level within the catalog longevity sample that recurs throughout markets this week.

Spain

  • 1. Dardos — Romeo Santos & Prince Royce — 1,046,527 views (week 16, held ●)
  • 2. La Perla — ROSALÍA & Yahritza Y Su Esencia — 997,422 views (week 19, ▲2)
  • 3. La Morocha — Luck Ra & BM — 883,097 views (week 71, ▲2)
  • 4. SUPERESTRELLA — Aitana — 860,057 views (week 36, ▲2)
  • 5. La Plena (W Sound 05) — W Sound, Beéle & Ovy On The Drums — 845,486 views (week 56, ▼2)
  • 6. LA VILLA — Ryan Castro, Kapo & Gangsta — 823,485 views (week 13, ▼4)
  • 7. Dichavate — Ya Ice Dilan, Rey Tony, Helabusad, JipMusic World & Dj Honda — 725,523 views (week 7, ▲3)
  • 8. Golden — KPop Demon Hunters Solid — 694,628 views (week 38, held ●)
  • 9. NI BORRACHO — Quevedo — 648,707 views (week 5, ▼2)
  • 10. TU VAS SIN (fav) — Rels B — 616,090 views (week 38, ▲1)

Spain’s chart is led by Latin content material from throughout the Spanish-speaking world. “Dardos” by Romeo Santos and Prince Royce holds the primary place in its sixteenth week. “La Morocha” by Luck Ra and BM sits at third in its 71st week — the second-longest single-track chart run seen throughout any territory this week. “NO BATIDÃO” reaches Spain at place 15 with 457,093 views, current in its nineteenth week. Spain’s prime 10 accommodates no English-language tracks this week, with “Golden” at eighth the one non-Latin entry.

Portugal

  • 1. JETSKI — PEDRO SAMPAIO, MC MENO Ok & Melody — 442,561 views (week 13, held ●)
  • 2. Posso Até Não Te Dar Flores — DJ Japa NK, MC MENO Ok & collaborators — 280,377 views (week 22, held ●)
  • 3. SEQUÊNCIA FEITICEIRA — PEDRO SAMPAIO, MC GW & collaborators — 217,647 views (week 29, held ●)
  • 4. AVELINO — Nininho Vaz Maia — 217,054 views (week 1, NOVA)
  • 5. Golden — KPop Demon Hunters Solid — 199,972 views (week 39, ▲3)
  • 6. Respirar — Calema & Sara Correia — 193,653 views (week 55, ▼1)
  • 7. Pôr do Sol — Vizinhos — 192,971 views (week 50, ▼3)
  • 8. Leva Tudo — Calema & Dilsinho — 185,042 views (week 45, ▼2)
  • 9. NO BATIDÃO — ZXKAI & slxughter — 183,650 views (week 21, ▼2)
  • 10. Amar Pela Metade — Calema — 179,021 views (week 69, ▼1)

Portugal’s chart reveals the linguistic hall between Brazil and the Iberian Peninsula. Brazilian funk dominates the highest three positions, led by “JETSKI” at 442,561 views. Calema holds three separate top-10 entries — positions 6, 8, and 10 — throughout “Respirar,” “Leva Tudo,” and “Amar Pela Metade.” “Amar Pela Metade” has been on the Portuguese chart for 69 weeks, rating it among the many most persistent single-track chart runs measured throughout any territory. “NO BATIDÃO” sits at ninth.

Netherlands

  • 1. Lush Life — Zara Larsson — 198,322 views (week 20, held ●)
  • 2. NO BATIDÃO — ZXKAI & slxughter — 188,989 views (week 22, held ●)
  • 3. Golden — KPop Demon Hunters Solid — 181,803 views (week 39, held ●)
  • 4. Halverwege — Suzan & Freek — 165,427 views (week 1, NOVA)
  • 5. Unusual — Alex Warren — 128,437 views (week 56, ▲1)
  • 6. Raindance — Dave & Tems — 124,938 views (week 12, ▼1)
  • 7. The Destiny of Ophelia — Taylor Swift — 109,754 views (week 24, held ●)
  • 8. Stateside (feat. Zara Larsson) — PinkPantheress — 94,211 views (week 7, ▲1)
  • 9. Papaoutai (Afro Soul) — mikeeysmind, Chill77 & Unjaps — 89,255 views (week 11, ▲3)
  • 10. I Simply May — Bruno Mars — 79,350 views (week 10, held ●)

The Netherlands presents a very dense worldwide chart: Zara Larsson (Swedish), “NO BATIDÃO” (Brazilian), the KPop Demon Hunters Solid (world franchise), a Dutch-language debut at fourth, Alex Warren (American), Dave and Tems (British/Nigerian), Taylor Swift (American), PinkPantheress (British), and Bruno Mars (American) throughout the highest 10. The debut, “Halverwege” by Suzan & Freek, entered instantly at fourth with 165,427 views — the one home Dutch-language observe within the prime 10 this week.

Australia

  • 1. Unusual — Alex Warren — 407,268 views (week 56, held ●)
  • 2. Golden — KPop Demon Hunters Solid — 349,807 views (week 39, held ●)
  • 3. Lush Life — Zara Larsson — 340,710 views (week 23, held ●)
  • 4. Seller — Diljit Dosanjh, Da Future & Virk Andaaz — 321,652 views (week 2, ▲38)
  • 5. The Destiny of Ophelia — Taylor Swift — 287,688 views (week 24, held ●)
  • 6. Man I Want — Olivia Dean — 274,791 views (week 29, ▼2)
  • 7. Stateside (feat. Zara Larsson) — PinkPantheress — 260,331 views (week 8, ▼1)
  • 8. Lose Management (Stay) — Teddy Swims — 254,714 views (week 124, held ●)
  • 9. Threat It All — Bruno Mars — 229,845 views (week 3, ▼2)
  • 10. Raindance — Dave & Tems — 220,327 views (week 12, ▼1)

Australia’s chart accommodates two notable information factors. “Seller” by Diljit Dosanjh, Da Future and Virk Andaaz climbed 38 positions to fourth in its second week — a brand new entry gaining speedy traction. Extra hanging is “Lose Management (Stay)” by Teddy Swims at eighth in its 124th week. 100 and twenty-four consecutive weeks is, by any measure, a unprecedented chart lifespan for a single observe. The reside model’s sustained efficiency suggests viewers habits that goes past preliminary discovery and into routine re-consumption. “NO BATIDÃO” sits at twelfth with 197,530 views, simply exterior Australia’s prime 10 in week 19.

Indonesia

  • 1. Bahagia Lagi — Piche Kota — 6,950,541 views (week 13, held ●)
  • 2. kota ini tak sama tanpamu — Nadhif Basalamah — 6,473,247 views (week 17, held ●)
  • 3. TABOLA BALE — SILET OPEN UP, Jacson Seran, Juan Reza & Diva Aurel — 6,212,721 views (week 44, ▲1)
  • 4. Jangan Paksa Rindu (Beda) — Ifan Seventeen — 5,849,745 views (week 10, ▼1)
  • 5. Ada titik-titik di ujung doa — Sal Priadi — 5,791,764 views (week 9, held ●)
  • 6. Threat It All — Bruno Mars — 4,917,936 views (week 3, ▲2)
  • 7. Orang Baru Lebe Gacor — Ecko Present, Juan Reza & Chesylino — 4,655,660 views (week 25, ▼1)
  • 8. Sedia Aku Sebelum Hujan — Idgitaf — 4,630,279 views (week 23, ▼1)
  • 9. Dirimu Yang Dulu — Anggis Devaki — 3,368,569 views (week 12, ▲2)
  • 10. every thing u are — Hindia — 3,312,198 views (week 43, ▼1)

Indonesia’s chart is sort of solely home, with “Bahagia Lagi” by Piche Kota main at practically 7 million views. The exception is Bruno Mars, whose “Threat It All” climbed to sixth with 4.9 million views in its third week — in keeping with the observe’s early-stage cross-territory momentum seen in Australia, the US, and globally. “TABOLA BALE” by SILET OPEN UP and collaborators holds third in its forty fourth week. “NO BATIDÃO” seems at 18th with 1,953,011 views in week 11.

Kenya

  • 1. Pawa — Mbosso — 538,031 views (week 40, ▲1)
  • 2. Rapudo — Prince Indah — 531,897 views (week 19, ▼1)
  • 3. Inama (feat. Diamond Platnumz) — Zuchu — 444,138 views (week 27, held ●)
  • 4. Yebo (Nitawale) — Vestine and Dorcas — 427,752 views (week 47, ▲2)
  • 5. Taya — Okello Max — 391,373 views (week 35, ▼1)
  • 6. Up Burukanga — Collo Blue & ADDEH PRINCE — 366,054 views (week 10, ▼1)
  • 7. Discuss To Me Nuh — Shenseea, Vybz Kartel & Rvssian — 363,640 views (week 1, NOVA)
  • 8. Digi Digi — Abongo Jakabwana — 352,409 views (week 23, ▼1)
  • 9. GACUMBIRI / PALE KILELE (Stay) — Dr Sarah Ok — 345,572 views (week 27, ▼1)
  • 10. TETE — Marioo — 340,074 views (week 49, held ●)

Kenya’s chart is led by Swahili and East African music, with “Pawa” by Mbosso on the prime after 40 weeks with 538,031 views. The chart reveals constant presence of Tanzanian artists — Mbosso, Zuchu (with Diamond Platnumz), Marioo — alongside Kenyan acts, reflecting a shared consumption area throughout the East African area. “Yebo (Nitawale)” by Vestine and Dorcas holds fourth in its forty seventh week. “TETE” by Marioo holds tenth in its forty ninth week. The debut this week is “Discuss To Me Nuh” by Shenseea, Vybz Kartel and Rvssian at seventh — one of many few Jamaican dancehall entries seen within the African territory charts this cycle. “NO BATIDÃO” doesn’t seem in Kenya’s prime 10 this week.

South Africa

  • 1. Botshelo Ke Eng — Trechyson Molly vx, DJ Promatic SA & Dendofela — 1,574,988 views (week 5, ▲2)
  • 2. Umaqondana — Feza — 1,437,104 views (week 17, ▼1)
  • 3. UKHETHE MINA — Ntencane — 1,347,933 views (week 5, ▼1)
  • 4. Shela (feat. Mano) — Sam Deep, Nia Pearl & Boohle — 1,296,777 views (week 30, held ●)
  • 5. ZEP (feat. Uncool MC) — DJ Smallz 732, Zinedine x Sguch & 031CHOPPA — 1,011,176 views (week 15, held ●)
  • 6. Raindance — Dave & Tems — 973,993 views (week 12, held ●)
  • 7. Mopepe — Bukzin Keyz, Benzoo & Tango Supreme — 894,557 views (week 4, ▲3)
  • 8. Amanxeba — Sami Kay, Rox Roberson & Misokuhle — 861,509 views (week 34, ▲4)
  • 9. Thandaza — Sam Deep & Thatohatsi — 842,738 views (week 14, ▼2)
  • 10. SNOKONOKO — Al Xapo, Benzoo & EeQue — 791,429 views (week 16, ▼1)

South Africa’s chart is dominated by Amapiano and South African home. “Botshelo Ke Eng” climbed to first in week 5 with 1.57 million views, overtaking “Umaqondana” by Feza. “Raindance” by Dave and Tems holds sixth with 973,993 views — the observe’s most outstanding place throughout all 15 territories this week. “Shela (feat. Mano)” by Sam Deep, Nia Pearl and Boohle holds fourth in its thirtieth week, whereas “Amanxeba” in eighth is in its thirty fourth week. “NO BATIDÃO” doesn’t seem in South Africa’s prime 10.

What this information means for advertising

A number of structural information emerge from studying all 15 territories concurrently fairly than in isolation.

First, the hole between Shorts adoption and primary chart efficiency is measurable and consequential. “NO BATIDÃO” holds the Shorts chart primary for week 20 and the principle world songs chart primary for week 21. The one-week lag is in keeping with the mechanism: Shorts creator adoption precedes and sustains primary chart place. Tracks with out Shorts presence — nevertheless sturdy their preliminary video views — have a tendency to point out steeper decline curves. YouTube’s home feed changes in late 2025, which diminished long-form video suggestions by as much as 80% in favor of Shorts, reinforce how central the short-form format has develop into to content material discovery on the platform.

Second, the market segmentation is extra extreme than mixture world figures counsel. Brazil’s Tenth-place observe generates extra views than the Netherlands’ first-place observe. India’s primary generates extra weekly views than all the UK prime 10 mixed. A observe can maintain a worldwide top-10 place pushed primarily by Indian or Brazilian quantity whereas being utterly absent from the European charts. Conversely, “Raindance” by Dave and Tems seems throughout six separate territory charts this week — the UK, South Africa, Kenya, Portugal, France, and the Netherlands — with out approaching primary in any of them. Cross-territory presence and chart management are various things.

Third, catalog longevity on YouTube has no shut equal in conventional chart methods. “Lose Management (Stay)” by Teddy Swims is in its 124th week in Australia. “TETE” by Marioo is in its forty ninth week in Kenya. “Pal Pal” by Afusic and AliSoomroMusic is in its fiftieth week globally. YouTube’s separation from Billboard’s methodology in January 2026 was partly pushed by disagreement over how ad-supported consumption ought to be weighted — and these long-tail catalog figures are precisely the kind of consumption that ad-supported platforms generate abundantly. Billboard’s subscription-weighting would have discounted a lot of this exercise. YouTube’s unbiased charts measure it instantly.

YouTube Shorts achieving revenue parity with long-form content in the US during Q3 2025 means the chart information this week will not be merely a cultural snapshot. It maps the territories and codecs the place promoting stock is being created and consumed at scale.

Timeline

Abstract

Who: YouTube revealed weekly music chart information for a mid-March 2026 monitoring interval, overlaying World Weekly Prime Songs, World Weekly Prime Music Movies, World Weekly Prime Shorts Songs, World Weekly Prime Artists, and territory-specific Prime Songs charts for the US, United Kingdom, Brazil, India, Japan, Germany, France, Spain, Portugal, Netherlands, Australia, Indonesia, Kenya, and South Africa. Major chart topics embrace ZXKAI and slxughter (“NO BATIDÃO”), the KPop Demon Hunters Solid (“Golden”), Shashwat Sachdev (“Shararat”), ATLXS (“PASSO BEM SOLTO (Slowed)”), M!LK (Japan), GIMS (France), PEDRO SAMPAIO (Brazil and Portugal), Mbosso (Kenya), and Trechyson Molly vx (South Africa).

What: “NO BATIDÃO” by ZXKAI and slxughter prolonged its run on the prime of YouTube’s World Weekly Prime Songs chart to 21 consecutive weeks, accumulating 36,915,147 views in the newest seven-day interval. The identical observe held the primary place on the World Weekly Prime Shorts Songs chart for its twentieth week. Throughout 15 territories, the charts documented important market fragmentation, catalog longevity patterns, and the structural relationship between Shorts creator adoption and primary chart efficiency. “Shararat” led each India’s home chart and the World Weekly Prime Music Movies chart concurrently. Bruno Mars’ “Threat It All” appeared in a number of territories in solely its third week.

When: The info covers a weekly monitoring interval in mid-March 2026. The chart interval follows the reclamation of the worldwide primary by “NO BATIDÃO” within the March 6–12 monitoring interval and represents week 21 of the observe’s world run at primary.

The place: YouTube revealed information throughout 15 territories: World, United States, United Kingdom, Brazil, India, Japan, Germany, France, Spain, Portugal, Netherlands, Australia, Indonesia, Kenya, and South Africa. The charts cowl consumption throughout YouTube’s primary platform, YouTube Music, and YouTube Shorts. The publication context is PPC Land (https://ppc.land), a digital promoting and advertising publication that has tracked YouTube’s weekly chart information all through this era.

Why: The charts matter for the advertising group as a result of they doc the platform’s consumption structure on the territory stage — the place promoting stock is created, which codecs drive discovery, and the way lengthy tracks maintain chart presence. The Shorts chart information specifically establishes which audio is actively being utilized by creators throughout the platform, instantly related to manufacturers and companies working audio-adjacent campaigns or contemplating Shorts as an advert placement surroundings. The sustained divergence between YouTube’s unbiased chart methodology and Billboard’s subscription-weighted mannequin, in impact since January 16, 2026, makes these charts the first public information supply for understanding YouTube-specific consumption at scale.


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