NO BATIDÃO knocks Golden off the top of YouTube’s global chart

YouTube launched its weekly music charts covering February 13 to 19, 2026 — the primary full monitoring interval to seize the sustained echo of Dangerous Bunny’s Tremendous Bowl LX halftime present on February 9 — and the headline determine is unambiguous. “NO BATIDÃO” by ZXKAI and slxughter reached primary on the World Weekly High Songs chart with 40,123,740 views, concurrently topping the World Weekly High Shorts Songs chart. The Brazilian phonk observe displaced “Golden” by the KPop Demon Hunters Solid from the worldwide songs primary place, ending a dominant run that started in the course of the summer time of 2025.

The charts span 13 territories and three chart sorts: Weekly High Songs, Weekly High Music Movies, and Weekly High Shorts Songs. Collectively they provide essentially the most granular accessible image of YouTube music consumption throughout the second week of February 2026.

A twin primary — and what it means

Claiming each the primary world songs chart and the worldwide Shorts chart in the identical week is technically distinct. The 2 charts measure totally different consumption codecs: the primary songs chart aggregates views throughout YouTube’s platform and YouTube Music, whereas the Shorts chart displays utilization of tracks particularly inside vertical short-form video. A observe can prime one with out showing close to the opposite. “NO BATIDÃO” topped each concurrently, in its seventeenth week on the primary chart and its sixteenth on Shorts.

The observe’s geographic unfold is equally notable. In line with the World Weekly High Songs chart for February 13–19, 2026, it additionally reached primary in Germany with 983,066 views, primary in France at 1,211,047 views, quantity three within the Netherlands with 204,834 views, quantity 9 in the UK with 607,797 views, quantity 5 in France, and quantity 20 in Spain with 490,167 views. No different music on this monitoring week achieved simultaneous top-10 placement throughout that many European markets plus a worldwide primary on each chart codecs.

The displacement of “Golden” is important. The KPop Demon Hunters Solid observe held or contested the global number one position since the summer of 2025, pushed by Netflix’s animated movie. Its drop to quantity two with 36,642,761 views in its thirty fifth week doesn’t point out a collapse — 36 million weekly views stays a formidable quantity — however the transition marks a measurable shift in what’s producing the very best mixture world consumption on the platform.

World songs prime 10: Dangerous Bunny’s Tremendous Bowl aftershock

The total World Weekly High Songs chart for February 13–19, 2026 additionally carries clear proof of what occurred after Dangerous Bunny performed his all-Spanish halftime set on February 9, 2026, which drew 128.2 million viewers in keeping with Nielsen measurements introduced on February 10.

1. NO BATIDÃO — ZXKAI & slxughter — 40,123,740 views (17 weeks)

2. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 36,642,761 views (35 weeks)

3. Shararat — Shashwat Sachdev, Madhubanti Bagchi & Jasmine Sandlas — 35,364,192 views (10 weeks)

4. Zoo — Shakira — 30,098,698 views (12 weeks)

5. DtMF — Dangerous Bunny — 26,266,436 views (23 weeks)

6. Dil Lagana Mana Tha — Krish Mondal & Kishore Mondal — 25,906,017 views (4 weeks)

7. Cuando No Period Cantante — El Bogueto & Yung Beef — 22,782,806 views (15 weeks)

8. Pal Pal — Afusic & AliSoomroMusic — 22,630,517 views (46 weeks)

9. Gehra Hua — Shashwat Sachdev, Arijit Singh, Irshad Kamil & Armaan Khan — 22,002,980 views (12 weeks)

10. The Destiny of Ophelia — Taylor Swift — 21,361,018 views (20 weeks)

Dangerous Bunny holds place 5 with “DtMF” at 26.26 million views. “BAILE INoLVIDABLE” sits at place 12 with 20,880,263 views. “NUEVAYoL” seems at place 19 with 17,432,934 views. Three Dangerous Bunny tracks within the world prime 20 inside days of the Tremendous Bowl displays precisely what PPC Land reported the week prior: the efficiency triggered renewed consumption of tracks spanning a number of album cycles fairly than producing a single viral spike.

The worldwide artists chart for a similar interval provides additional context. Alka Yagnik leads all artists with 461,549,875 weekly views, adopted by Dangerous Bunny at 357,635,776 and Udit Narayan at 341,124,334. The highest three artist positions by mixture views are occupied by two Indian playback singers and one Puerto Rican lure artist — a mix that illustrates the depth of YouTube’s market fragmentation extra vividly than any single observe chart may.

World Shorts prime 10: slowed tracks and lengthy tenures

On the World Weekly High Shorts Songs chart, “NO BATIDÃO” climbed from place two to primary in its sixteenth week. Eight of the ten chart positions are occupied by slowed, remixed, or phonk variations of tracks fairly than unique studio recordings — a constant structural function of the Shorts consumption format.

1. NO BATIDÃO — ZXKAI & slxughter (16 weeks)

2. Dil Lagana Mana Tha — Krish Mondal & Kishore Mondal (4 weeks)

3. Cry For Me (WA WA WA) (feat. Bubi) — Ironmouse, shirobeats & HalaCG (6 weeks)

4. PASSO BEM SOLTO (Slowed) — ATLXS (48 weeks)

5. TIKI TIKI (Slowed) — QMIIR (4 weeks)

6. Friendships (feat. Leony) — Pascal Letoublon (65 weeks)

7. Montagem Miau — Lenar (15 weeks)

8. Kithe Reh Gaya — Neeti Mohan & Abhijit Vaghani (2 weeks)

9. GOZALO (Extremely Slowed) — Ariis (8 weeks)

10. VOCE NA MIRA (Slowed) — Hwungii & DJ VGK1 (8 weeks)

“PASSO BEM SOLTO (Slowed)” by ATLXS is now in its forty eighth week on the Shorts chart. “Friendships (feat. Leony)” by Pascal Letoublon has reached 65 weeks. These will not be transient viral moments — they signify sustained, repeatable consumption tied to creator workflows the place particular audio textures match vertical video enhancing patterns higher than customary recordings.

United States: Dangerous Bunny’s catalog depth

The US chart for February 13–19 reveals the halftime present’s full industrial impact. “DtMF” retained the primary place with 5,757,441 views. “Tití Me Preguntó” held second with 4,767,837 views. “Golden” climbed to quantity three with 4,674,212 views — proof that the KPop Demon Hunters soundtrack maintained US relevance whilst Dangerous Bunny’s catalog surged round it.

1. DtMF — Dangerous Bunny — 5,757,441 views

2. Tití Me Preguntó — Dangerous Bunny — 4,767,837 views

3. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 4,674,212 views

4. Extraordinary — Alex Warren — 4,512,737 views

5. Large Man — Ice Spice — 4,224,584 views

6. Zoo — Shakira — 4,146,174 views

7. Choosin’ Texas — ella langley — 3,733,444 views

8. BAILE INoLVIDABLE — Dangerous Bunny — 3,655,040 views

9. NUEVAYoL — Dangerous Bunny — 3,438,009 views

10. Die With A Smile — Girl Gaga & Bruno Mars — 3,082,432 views

4 Dangerous Bunny tracks within the US prime 10 in a single week, all from catalog fairly than a brand new launch, is uncommon by any measure. “Die With A Smile” with Girl Gaga benefited from her personal halftime visitor look. Bruno Mars’ “I Simply May,” which debuted in January 2026 as his first solo single for the reason that 24K Magic period, sits at place 18 with 1,678,366 views.

India: The dimensions of Bollywood on YouTube

The India chart demonstrates a elementary asymmetry in world music consumption. The highest entry, “Shararat” by Shashwat Sachdev, Madhubanti Bagchi and Jasmine Sandlas, generated 29,912,152 views in a single week — greater than many artists obtain globally in a month. The India prime 100 contains a number of tracks exceeding 8 million weekly views, numbers that will dominate US or European territory charts solely.

1. Shararat — Shashwat Sachdev, Madhubanti Bagchi & Jasmine Sandlas — 29,912,152 views

2. Fortuner (feat. Gulshan Music & Jaat Nia) — Raj Mawar & Ruchika Jangid — 19,586,491 views

3. Gehra Hua — Shashwat Sachdev, Arijit Singh, Irshad Kamil & Armaan Khan — 18,586,319 views

4. Dil Lagana Mana Tha — Krish Mondal & Kishore Mondal — 17,889,432 views

5. Pal Pal — Afusic & AliSoomroMusic — 16,069,854 views

6. Teri Yaadon Ki Chadar Odhe — Janak Kumar — 13,880,683 views

7. Aawaara Angaara — A. R. Rahman, Faheem Abdullah & Irshad Kamil — 12,146,311 views

8. Sahiba — Aditya Rikhari — 8,781,628 views

9. Lutt Le Gaya — Shashwat Sachdev & Simran Choudhary — 8,705,393 views

10. Saiyaara — Tanishk Bagchi, Faheem Abdullah & Irshad Kamil — 8,658,054 views

No Western observe seems within the India prime 10. “NO BATIDÃO” seems at place 88 with 3,263,110 views — current, however not aggressive towards home content material. Alka Yagnik’s place atop the worldwide artists chart with 461,549,875 weekly views is a direct product of this Indian market scale; her catalog of Bollywood playback singing generates constant mixture viewership that no Western act can match by YouTube’s platform as presently structured.

Brazil: Funk carioca dominance

Brazil runs on a distinct rhythm solely. “JETSKI” by PEDRO SAMPAIO, MC MENO Okay and Melody held the primary place with 17,715,119 views. The highest 4 positions are all occupied by funk carioca tracks. “NO BATIDÃO” reached place 24 with 3,179,226 views. “DtMF” by Dangerous Bunny is at place 86 with 1,289,764 views — the platform’s most dominant world artist that week made the Brazilian prime 100 however not the highest 20.

1. JETSKI — PEDRO SAMPAIO, MC MENO Okay & Melody — 17,715,119 views

2. Diário de um Cafajeste — Dj Oreia, MC Lele JP, MC Meno Okay, MC Ryan SP, MC Tuto & Mc Negão Unique — 11,282,017 views

3. Posso Até Não Te Dar Flores — DJ Japa NK, MC MENO Okay, MC Ryan SP & MC Jacaré — 8,945,380 views

4. SEQUÊNCIA FEITICEIRA — PEDRO SAMPAIO, MC GW, Mc Jheyy & MC Rodrigo do CN — 8,111,580 views

5. Carnívoro — MC Jacaré, MC Lele JP, Mc Negão Unique & DJ Japa NK — 7,644,859 views

6. P do Pecado (Ao Vivo) — Grupo Menos É Mais & Simone Mendes — 7,453,331 views

7. Vai Tomando Pock Pock — MC Lele JP, MC GH Unique, MC Menor ZL & DJ GORDINHO DA VF — 5,985,676 views

8. Eu Me Apaixonei — Vitinho Imperador — 5,927,918 views

9. Desliza (“Ólhinho” No Corpinho) — Léo Santana & Melody — 5,825,887 views

10. Pela Última Vez (Ao Vivo) — Grupo Menos É Mais & Nattan — 5,250,886 views

Germany: Carnival and cross-cultural currents

Germany presents a strikingly numerous chart. “NO BATIDÃO” climbed from place three to primary with 983,066 views. Turkish-language tracks from Blok3 seem all through the highest 50, reflecting Germany’s giant Turkish-heritage inhabitants. Carnival-season songs by Brings, Höhner and Druckluft entered round positions 60–65, reflecting the timing of Karneval within the Rhineland in the course of the monitoring interval. “Karnevalsmaus” by Druckluft debuted in its second chart look with 671,023 views, touchdown at place six.

1. NO BATIDÃO — ZXKAI & slxughter — 983,066 views

2. Lush Life — Zara Larsson — 910,760 views

3. Wackelkontakt — Oimara — 907,502 views

4. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 861,136 views

5. Gute Laune — GroßstadtEngel — 744,395 views

6. Karnevalsmaus — Druckluft — 671,023 views

7. Renn! — AYLIVA — 658,179 views

8. Zoo — Shakira — 621,746 views

9. The Destiny of Ophelia — Taylor Swift — 537,556 views

10. UZI — LACAZETTE & Gzuz — 524,998 views

Zara Larsson’s “Lush Life” holding second in Germany whereas concurrently main the UK chart at 1,522,119 views and the Netherlands at 257,518 views factors to sturdy Northern European crossover efficiency for the observe throughout a number of markets in the identical week.

United Kingdom: Legacy catalog and new UK releases

The UK chart for February 13–19 was led by “Lush Life” by Zara Larsson in its thirty fourth consecutive week at primary with 1,522,119 views. “Golden” climbed to second with 1,175,280 views in its thirty fifth week. “Raindance” by Dave & Tems held fourth with 987,814 views in its seventeenth week — home UK content material sustaining constant presence close to the highest. “SLAUGHTER” by Central Cee & J Hus debuted at place 15 with 436,181 views, and “ICEMAN FREESTYLE” by Central Cee debuted at place 25 with 319,218 views.

1. Lush Life — Zara Larsson — 1,522,119 views (34 weeks)

2. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 1,175,280 views (35 weeks)

3. Extraordinary — Alex Warren — 1,163,962 views (54 weeks)

4. Raindance — Dave & Tems — 987,814 views (17 weeks)

5. Zoo — Shakira — 730,134 views (12 weeks)

6. The Destiny of Ophelia — Taylor Swift — 675,771 views (20 weeks)

7. Soda Pop — Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee & KPop Demon Hunters Solid — 612,258 views (35 weeks)

8. Large Man — Ice Spice — 611,190 views (10 weeks)

9. NO BATIDÃO — ZXKAI & slxughter — 607,797 views (15 weeks)

10. Man I Want — Olivia Dean — 606,635 views (26 weeks)

“Extraordinary” by Alex Warren is now in its 54th week on the UK chart — greater than a full yr of steady charting, pushed by YouTube’s video archive dynamics the place customers return repeatedly to established content material fairly than completely following new releases.

France: GIMS holds courtroom

France’s chart stays its personal ecosystem. GIMS occupies 4 simultaneous positions: “PARISIENNE” (with La Mano 1.9) at primary with 2,027,915 views in its twenty ninth week, “SPA” at quantity six with 1,198,860 views, “NINAO” at quantity 15 with 883,901 views, and “APPELLE TA COPINE” at quantity 23. “NO BATIDÃO” climbed to quantity 5 with 1,211,047 views. Dangerous Bunny’s “NUEVAYoL” sits at place 22 with 643,129 views and “DtMF” at place 26 with 610,083 views — the Tremendous Bowl’s impression reached France, however effectively under the home French-language content material commanding the highest positions.

1. PARISIENNE — GIMS & La Mano 1.9 — 2,027,915 views (29 weeks)

2. melodrama — disiz & Theodora — 1,832,299 views (20 weeks)

3. Zoo — Shakira — 1,727,473 views (12 weeks)

4. MON BÉBÉ — RnBoi — 1,473,802 views (17 weeks)

5. NO BATIDÃO — ZXKAI & slxughter — 1,211,047 views (17 weeks)

6. SPA — GIMS & Theodora — 1,198,860 views (5 weeks)

7. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 1,047,547 views (35 weeks)

8. B.M.S (by my aspect) — Rambo Goyard — 1,010,201 views (6 weeks)

9. Melrose Place (feat. Guy2Bezbar) — KeBlack — 985,778 views (46 weeks)

10. LOVE YOU — Nono La Grinta — 921,253 views (19 weeks)

Spain: Quevedo debuts at primary

Spain’s chart reveals a brand new primary: “NI BORRACHO” by Quevedo debuted with 1,511,525 views, displacing “Dardos” by Romeo Santos and Prince Royce to second at 1,374,426 views. Dangerous Bunny’s “BAILE INoLVIDABLE” sits at quantity eight with 845,526 views in its 54th week — extraordinary longevity for a observe now over a yr into its chart run. “Golden” seems at quantity 10 with 833,861 views in its thirty fourth week. “La Morocha” by Luck Ra and BM, now in its 67th week on the Spain chart, surpasses “Golden’s” complete world chart run in weeks spent on a single territory chart.

1. NI BORRACHO — Quevedo — 1,511,525 views (debut)

2. Dardos — Romeo Santos & Prince Royce — 1,374,426 views (12 weeks)

3. LA VILLA — Ryan Castro, Kapo & Gangsta — 1,156,972 views (9 weeks)

4. La Perla — ROSALÍA & Yahritza Y Su Esencia — 1,064,943 views (15 weeks)

5. La Plena (W Sound 05) — W Sound, Beéle & Ovy On The Drums — 934,366 views (52 weeks)

6. La Morocha — Luck Ra & BM — 876,057 views (67 weeks)

7. SUPERESTRELLA — Aitana — 846,283 views (32 weeks)

8. BAILE INoLVIDABLE — Dangerous Bunny — 845,526 views (54 weeks)

9. NUEVAYoL — Dangerous Bunny — 838,157 views (30 weeks)

10. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 833,861 views (34 weeks)

Indonesia and Kenya: Native content material partitions

Indonesia’s chart is anchored solely by home pop and indie rock. “kota ini tak sama tanpamu” by Nadhif Basalamah led with 8,120,398 views. Taylor Swift’s “The Destiny of Ophelia” seems at place 18 with 2,134,419 views — the highest-ranked Western entry. “NO BATIDÃO” entered at place 36 with 1,406,528 views in its seventh week, its first look close to the higher half of the Indonesia chart.

1. kota ini tak sama tanpamu — Nadhif Basalamah — 8,120,398 views

2. TABOLA BALE — SILET OPEN UP — 7,934,709 views

3. Orang Baru Lebe Gacor — Ecko Present, Juan Reza & CHESYLINO — 7,199,508 views

4. Sedia Aku Sebelum Hujan — Idgitaf — 6,901,614 views

5. Bahagia Lagi — Piche Kota — 6,466,811 views

6. Dirimu Yang Dulu — Anggis Devaki — 4,211,541 views

7. Jangan Paksa Rindu (Beda) — Ifan Seventeen — 4,122,204 views

8. every part u are — Hindia — 3,166,025 views

9. bergema sampai selamanya — Nadhif Basalamah — 2,964,854 views

10. Ada titik-titik di ujung doa — Sal Priadi — 2,880,132 views

Kenya’s chart tells a distinct story. “Stima” by BURUKLYN BOYZ debuted at primary with 676,522 views. Prince Indah’s catalog occupies positions 2, 18, 19, 51, 60, 68 and 74 concurrently — an artist invisible on each different territory chart but producing sustained multi-position dominance domestically. The best-charting worldwide entry is “Extraordinary” by Alex Warren at place 38 with 222,740 views.

1. Stima — BURUKLYN BOYZ — 676,522 views (debut)

2. Rapudo — Prince Indah — 586,889 views (15 weeks)

3. Pawa — Mbosso — 586,224 views (36 weeks)

4. Dumpsite — Poisonous Lyrikali — 515,509 views (debut)

5. Inama (feat. Diamond Platnumz) — Zuchu — 506,293 views (23 weeks)

6. Manifest — Mejja & Poisonous Lyrikali — 482,517 views (2 weeks)

7. Taya — Okello Max — 473,289 views (31 weeks)

8. Digi Digi — Abongo Jakabwana — 424,636 views (19 weeks)

9. Baridi — D-voice & Zuchu — 402,951 views (5 weeks)

10. MAYDAY RACHAEL — Gradine Toto — 402,622 views (debut)

Japan: A sealed home market

Japan’s chart has virtually no worldwide content material within the prime 30. “好きすぎて滅！” by M!LK claimed primary with 7,082,088 views, pushing Kenshi Yonezu’s “IRIS OUT” to second at 6,680,960 views. M!LK’s simultaneous maintain on positions one and three — with mixed views exceeding 11.4 million — illustrates the focus dynamics of Japanese idol pop. Shakira’s “Zoo” sits at place 9 with 2,334,509 views, the only broadly worldwide observe within the prime 10. “NO BATIDÃO” seems at place 31 with 1,169,797 views.

1. 好きすぎて滅！ — M!LK — 7,082,088 views

2. IRIS OUT — Kenshi Yonezu — 6,680,960 views

3. 爆裂愛してる — M!LK — 4,336,132 views

4. AIZO — King Gnu — 3,659,354 views

5. lulu. — Mrs. GREEN APPLE — 3,420,929 views

6. カリスマックス — Snow Man — 3,348,108 views

7. ROSE — HANA — 2,949,805 views

8. Blue Denims — HANA — 2,368,658 views

9. Zoo — Shakira — 2,334,509 views

10. MONTAGEM HIKARI — BellyJay — 2,233,483 views

Australia: A yr on chart

Australia’s chart most intently mirrors the UK in composition. “Extraordinary” by Alex Warren led with 430,119 views in its 52nd week — a full yr of steady charting. “Golden” held second with 375,036 views and Taylor Swift’s “The Destiny of Ophelia” sat third at 355,445 views. “Lose Management (Reside)” by Teddy Swims is now in its one hundred and twentieth week on the Australia chart. “NO BATIDÃO” entered the highest 10 at place 10 with 207,422 views.

1. Extraordinary — Alex Warren — 430,119 views (52 weeks)

2. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 375,036 views (35 weeks)

3. The Destiny of Ophelia — Taylor Swift — 355,445 views (20 weeks)

4. Lush Life — Zara Larsson — 353,437 views (19 weeks)

5. Zoo — Shakira — 336,270 views (12 weeks)

6. Man I Want — Olivia Dean — 307,202 views (25 weeks)

7. Lose Management (Reside) — Teddy Swims — 281,988 views (120 weeks)

8. Opalite — Taylor Swift — 238,790 views (20 weeks)

9. Soda Pop — Saja Boys & KPop Demon Hunters Solid — 214,383 views (35 weeks)

10. NO BATIDÃO — ZXKAI & slxughter — 207,422 views (15 weeks)

Portugal: Brazilian and Lusophone crossover

Portugal sits between Brazil and Western Europe in chart composition. “JETSKI” by Pedro Sampaio led with 673,137 views. Brazilian funk carioca dominated the highest three positions. “Golden” appeared at quantity 4 with 265,450 views. “NO BATIDÃO” reached quantity six with 231,199 views — stronger placement than in most Latin European charts. Dangerous Bunny’s “DtMF” dropped to place 10 with 179,512 views.

1. JETSKI — PEDRO SAMPAIO, MC MENO Okay & Melody — 673,137 views

2. Posso Até Não Te Dar Flores — DJ Japa NK, MC MENO Okay, MC Ryan SP & MC Jacaré — 353,723 views

3. SEQUÊNCIA FEITICEIRA — PEDRO SAMPAIO, MC GW, Mc Jheyy & MC Rodrigo do CN — 307,555 views

4. Golden — HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Solid — 265,450 views

5. Amar Pela Metade — Calema — 235,732 views

6. NO BATIDÃO — ZXKAI & slxughter — 231,199 views

7. Pôr do Sol — Vizinhos — 222,973 views

8. Leva Tudo — Calema & Dilsinho — 210,195 views

9. Zoo — Shakira — 192,023 views

10. DtMF — Dangerous Bunny — 179,512 views

South Africa: Amapiano leads

South Africa’s chart is dominated by native amapiano, maskandi and Afropop. “Umaqondana” by Feza led with 1,664,695 views in its thirteenth week. “Shela” by Sam Deep, Nia Pearl and Boohle held second with 1,488,710 views. Worldwide content material is current however peripheral: “Large Man” by Ice Spice appeared at place 25 with 484,710 views, and “Raindance” by Dave & Tems — a UK-Nigerian collaboration — sat at place seven with 959,581 views, performing higher in South Africa than in most different non-UK territories.

1. Umaqondana — Feza — 1,664,695 views (13 weeks)

2. Shela (feat. Mano) — Sam Deep, Nia Pearl & Boohle — 1,488,710 views (26 weeks)

3. ZEP (feat. Uncool MC) — DJ Smallz 732, Zinedine x Sguch & 031CHOPPA — 1,373,009 views (11 weeks)

4. Mark Zuckerberg (feat. Slyzza Rsa) — Mulest Vankay, Pcee & Scotts Maphuma — 1,095,867 views (2 weeks)

5. SNOKONOKO — Al Xapo, Benzoo & EeQue — 1,075,502 views (12 weeks)

6. Thandaza — Sam Deep & Thatohatsi — 964,609 views (10 weeks)

7. Raindance — Dave & Tems — 959,581 views (8 weeks)

8. IVALENTINE (feat. Shenge wasehlalankosi) — Skhanga — 848,606 views (3 weeks)

9. Rato Laka (feat. Slidoo Man) — Shebeshxt, Naqua SA & Zee Nxumalo — 811,986 views (29 weeks)

10. Amanxeba — Sami Kay, Rox Roberson & Misokuhle — 779,522 views (30 weeks)

The February 13–19, 2026 information arrives at a selected structural second. YouTube withdrew its streaming data from Billboard charts on January 16, 2026, following a dispute over how the business weights ad-supported versus subscription-based consumption. YouTube’s charts are actually the first impartial measurement infrastructure for the platform throughout greater than 60 world markets.

Three dynamics compound concurrently this week. “NO BATIDÃO” topping each the primary world songs chart and the worldwide Shorts chart in the identical week demonstrates that the Shorts distribution mechanism can elevate a observe to the highest of the primary consumption rankings — not simply the vertical video format rankings — given adequate territorial breadth and weeks of sustained chart presence. The Dangerous Bunny Tremendous Bowl impact confirms {that a} single stay broadcast occasion strikes catalog streams throughout a number of territories inside days, with 4 tracks getting into the US prime 10 from present catalog fairly than new materials. And the whole disconnection between India’s prime 10 and the US prime 10 confirms what PPC Land has documented across multiple tracking periods: YouTube capabilities as a group of distinct regional markets requiring genuinely separate methods fairly than localised diversifications of a single world marketing campaign.

Timeline

• July 21, 2025: YouTube closes its trending page after a decade, shifting to category-specific charts
• Summer season 2025: Netflix’s “KPop Demon Hunters” reaches peak streaming engagement; “Golden” begins its world chart run
• December 17, 2025: YouTube announces withdrawal from Billboard charts, effective January 16, 2026
• December 19–25, 2025: Christmas content dominates YouTube charts with Mariah Carey reaching 57.1 million views
• December 26, 2025–January 1, 2026: “Golden” leads globally with 72.3 million views as 2025 closes
• January 9–15, 2026: Bruno Mars debuts “I Just Might,” accumulating 42.6 million YouTube views in its first week
• January 16, 2026: YouTube data delivery to Billboard officially ceases
• January 16–22, 2026: “Golden” holds at 57.5 million views in its 31st consecutive week at number one
• January 30–February 5, 2026: “Golden” maintains global position as regional markets intensify fragmentation
• February 8, 2026: Bad Bunny’s all-Spanish Super Bowl LX halftime show draws 128.2 million viewers
• February 6–12, 2026: Bad Bunny places four tracks in the global top 10 following the Super Bowl
• February 13–19, 2026: YouTube releases weekly charts exhibiting “NO BATIDÃO” at primary on each the World Weekly High Songs chart (40,123,740 views) and the World Weekly High Shorts Songs chart, whereas “Golden” drops to second after 35 weeks and Dangerous Bunny holds three US prime 10 positions from catalog

Abstract

Who: YouTube, artists together with ZXKAI & slxughter (NO BATIDÃO), Dangerous Bunny, Shashwat Sachdev, the KPop Demon Hunters Solid, Nadhif Basalamah, PEDRO SAMPAIO, Feza, M!LK, GIMS, and Quevedo, together with audiences consuming music throughout 13 tracked territories.

What: YouTube’s weekly music charts for February 13–19, 2026, protecting World, US, UK, India, Brazil, Germany, France, Spain, Indonesia, Kenya, Japan, Australia, Portugal, South Africa and Netherlands, plus the World High Artists, World High Music Movies, and World High Shorts Songs charts. The important thing growth: “NO BATIDÃO” claimed primary on each the primary world songs chart and the worldwide Shorts chart concurrently, displacing “Golden” from the highest place it had held since summer time 2025.

When: The monitoring interval ran from February 13 to February 19, 2026, protecting the primary full week following Dangerous Bunny’s February 9, 2026 Tremendous Bowl LX halftime present.

The place: YouTube’s platform globally, with charts revealed as impartial measurement methods for the reason that platform’s withdrawal from Billboard information sharing on January 16, 2026.

Why: The charts matter as a result of they doc in quantitative phrases how a Brazilian phonk observe can accumulate adequate cross-border Shorts utilization to overhaul a Netflix-backed soundtrack on the primary world songs chart, how a stay broadcast occasion reshapes catalog streaming throughout a number of markets inside days, and the way India’s Bollywood ecosystem generates view counts that structurally dominate the worldwide artist rankings regardless of what’s occurring in Western markets.