{"id":8995,"date":"2022-02-02T15:47:46","date_gmt":"2022-02-02T15:47:46","guid":{"rendered":"https:\/\/mailinvest.blog\/index.php\/2022\/02\/02\/dying-light-2-stay-human-review\/"},"modified":"2022-02-02T15:47:46","modified_gmt":"2022-02-02T15:47:46","slug":"dying-light-2-stay-human-review","status":"publish","type":"post","link":"https:\/\/mailinvest.blog\/index.php\/2022\/02\/02\/dying-light-2-stay-human-review\/","title":{"rendered":"\u201cDying Light 2 Stay Human\u201d review:"},"content":{"rendered":"

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Fortunately, between dialogue-heavy scenes, the plot falls away far enough to make more room for what \u201cStay Human\u201d is actually good at: creating a massive urban jungle gym for players to swing, climb, paraglide and sprint across. The game\u2019s movement controls are simple enough to learn quickly, allowing for creative, nearly instinctive decision-making about ad hoc paths to take across the heights of skyscraper roofs, the shutters of houses and the power lines crisscrossing between buildings. Just as importantly, the design of the city itself is beautifully constructed, absent of much of the repeatable, modular design used to bulk out many open-world games and filled instead with bespoke spaces that each provide their own self-enclosed acrobatic challenges both during and between missions. For instance, a series of windmills that supply power to city districts are spread across Villedor, each one functioning as a test of the player\u2019s reflexes and ability to spot ways to climb ever higher. The layout of each new neighborhood provides opportunities to flex Aiden\u2019s expanding moveset, too, as the opening hours\u2019 two- or three-story apartment buildings and shops eventually transition to towering office and condo buildings best traversed with death-defying leaps or grappling hook-aided swings.<\/p>\n<\/div>\n