{"id":58948,"date":"2024-10-30T05:46:15","date_gmt":"2024-10-30T05:46:15","guid":{"rendered":"https:\/\/mailinvest.blog\/index.php\/2024\/10\/30\/canon-gives-its-mirrorless-cameras-a-major-video-boost-with-trio-of-new-pro-hybrid-rf-lenses\/"},"modified":"2024-10-30T05:47:21","modified_gmt":"2024-10-30T05:47:21","slug":"canon-gives-its-mirrorless-cameras-a-major-video-boost-with-trio-of-new-pro-hybrid-rf-lenses","status":"publish","type":"post","link":"https:\/\/mailinvest.blog\/index.php\/2024\/10\/30\/canon-gives-its-mirrorless-cameras-a-major-video-boost-with-trio-of-new-pro-hybrid-rf-lenses\/","title":{"rendered":"Canon gives its mirrorless cameras a major video boost with trio of new pro hybrid RF lenses"},"content":{"rendered":"

<\/a>\n<\/p>\n

\n

Canon<\/a> has introduced 4 new lenses for its mirrorless cameras, three of that are touted ‘hybrid’, that means that they’re designed for video and nonetheless creators. They’re the RF 24mm F1.4L VCM, RF 50mm F1.4L VCM and the RF 70-200mm F2.8L IS USM Z.<\/p>\n

The 2 pro-grade primes and zoom are made for Canon’s full-frame cameras and be a part of two not too long ago introduced lenses of the identical sort, the RF 35mm F1.4L VCM <\/a>and RF 24-105mm F2.8L USM Z \u2013 the latter being quietly launched alongside the RF 200-800mm monster wildlife lens<\/a> \u2013 bringing Canon’s vary of hybrid lenses to 5 in all.<\/p>\n