{"id":24937,"date":"2022-12-21T05:21:42","date_gmt":"2022-12-21T05:21:42","guid":{"rendered":"https:\/\/mailinvest.blog\/index.php\/2022\/12\/21\/libraries-offer-music-streaming-services-that-really-support-local-musicians\/"},"modified":"2022-12-21T05:21:42","modified_gmt":"2022-12-21T05:21:42","slug":"libraries-offer-music-streaming-services-that-really-support-local-musicians","status":"publish","type":"post","link":"https:\/\/mailinvest.blog\/index.php\/2022\/12\/21\/libraries-offer-music-streaming-services-that-really-support-local-musicians\/","title":{"rendered":"Libraries Offer Music Streaming Services That Really Support Local Musicians"},"content":{"rendered":"

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from the making-a-musical-connection<\/i> dept<\/h3>\n

Music streaming services are great \u2013 for listeners, who gain access to huge quantities of music, even if they don\u2019t end up owning any of it. But it\u2019s hardly a secret that\u00a0streaming services produce very little income<\/a>\u00a0for the musicians involved \u2013 even the big names earn a pittance \u2013 with most of the money ending up with the recording companies. That doesn\u2019t mean that streaming services are beyond redemption. It just requires a little imagination to think of ways in which they can be great for artists and audiences alike. Take\u00a0this idea<\/a>, for example, reported on Vice:<\/p>\n

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Over a dozen public libraries in the U.S. and Canada have begun offering their own music streaming services to patrons, with the goal of boosting artists and local music scenes. The services are region-specific, and offer local artists non-exclusive licenses to make their albums available to the community.<\/em><\/p>\n

The concept originated in 2014 when Preston Austin and Kelly Hiser helped the Madison Public Library build the Yahara Music Library, an online library hosting music from local artists. By the time they completed their work on Yahara, they were confident they had a software prototype that other interested libraries could customize and deploy.<\/em><\/p>\n<\/blockquote>\n

That prototype has become the open source program\u00a0MUSICat<\/a>, which is now being used by a number of libraries in North America. Artists whose music is included in one of the local streaming collections are paid\u00a0an honorarium of at least $200 per licensed album<\/a>. That means they get money up front, not in barely visible dribs and drabs over years, as with the mainstream streaming services.<\/p>\n

What\u2019s also notable is that this approach is built on local music. It means that the music already has a link with the people who are likely to try it out. That sense of connection is a vital element for all art, and is sometimes missing with the global streaming services, which can seem distant and deracinated in comparison. MUSICat is a great example of how a technology can be radically re-thought for the benefit of artists, their fans and the community they are part of.<\/p>\n

Follow me @glynmoody on\u00a0Twitter<\/a>,\u00a0or\u00a0Mastodon<\/a>.<\/em> Reposted from WalledCulture<\/a>.<\/em><\/p>\n

\nFiled Under: libraries<\/a>, streaming music<\/a>
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Companies: musicat<\/a>\n<\/p>\n<\/div>\n