{"id":119801,"date":"2026-03-24T04:44:42","date_gmt":"2026-03-24T04:44:42","guid":{"rendered":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/"},"modified":"2026-03-24T04:45:54","modified_gmt":"2026-03-24T04:45:54","slug":"no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop","status":"publish","type":"post","link":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/","title":{"rendered":"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won&#8217;t stop"},"content":{"rendered":"<p> <a href=\"https:\/\/go.fiverr.com\/visit\/?bta=1052423&nci=17043\" Target=\"_Top\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" src=\"https:\/\/mailinvest.blog\/wp-content\/themes\/breek\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/fiverr.ck-cdn.com\/tn\/serve\/?cid=40081059\"  width=\"601\" height=\"201\"><\/a>\n<br \/><img decoding=\"async\" src=\"https:\/\/mailinvest.blog\/wp-content\/themes\/breek\/assets\/images\/transparent.gif\" data-lazy=\"true\" data-src=\"https:\/\/ppc.land\/content\/images\/size\/w1200\/2026\/03\/YouTube-Music-No-Batidao.jpg\" \/><\/p>\n<div>\n<p>YouTube <a href=\"https:\/\/charts.youtube.com\/charts\/TopSongs\/global\/weekly?ref=ppc.land\">published<\/a> its weekly music chart information overlaying a monitoring interval in mid-March 2026, and the headline determine is blunt: &#8220;NO BATID\u00c3O&#8221; by ZXKAI and slxughter has now spent 21 consecutive weeks at primary on the World Weekly Prime Songs chart, accumulating 36,915,147 views throughout the newest seven-day window. That isn&#8217;t a misprint. Twenty-one weeks. Throughout 15 territories, each different chart story this week is subordinate to understanding how a Brazilian phonk observe produced by two comparatively unknown artists grew to become probably the most sturdy chart-topper YouTube has measured in current reminiscence.<\/p>\n<p>The World Weekly Prime Shorts Songs chart explains the mechanism. &#8220;NO BATID\u00c3O&#8221; holds the primary place there as effectively, for a twentieth consecutive week. The Shorts chart doesn&#8217;t measure how many individuals watched a music video. It measures what number of creators used a observe because the audio layer in their very own movies \u2014 a essentially completely different sign. When a track tops the Shorts chart, it means hundreds of thousands of video creators worldwide chosen it above each different possibility. That persistent creator adoption feeds again into the principle songs chart, producing views on the unique observe every time a Brief is performed. The 2 charts will not be parallel tales. They&#8217;re the identical story measured twice.<\/p>\n<h2 id=\"global-weekly-top-songs\">World Weekly Prime Songs<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0NO BATID\u00c3O \u2014 ZXKAI &amp; slxughter \u2014 36,915,147 views (week 21, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0Golden \u2014 HUNTR\/X, EJAE, AUDREY NUNA, REI AMI &amp; KPop Demon Hunters Solid \u2014 33,355,478 views (week 39, held \u25cf)<\/li>\n<li><strong>3.<\/strong>\u00a0Shararat \u2014 Shashwat Sachdev, Madhubanti Bagchi &amp; Jasmine Sandlas \u2014 29,974,576 views (week 14, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0Cuando No Period Cantante \u2014 El Bogueto &amp; Yung Beef \u2014 20,856,114 views (week 19, held \u25cf)<\/li>\n<li><strong>5.<\/strong>\u00a0Bairan \u2014 Banjaare \u2014 20,093,524 views (week 2, \u25b219)<\/li>\n<li><strong>6.<\/strong>\u00a0Threat It All \u2014 Bruno Mars \u2014 19,481,978 views (week 3, held \u25cf)<\/li>\n<li><strong>7.<\/strong>\u00a0Pal Pal \u2014 Afusic &amp; AliSoomroMusic \u2014 18,892,931 views (week 50, held \u25cf)<\/li>\n<li><strong>8.<\/strong>\u00a0Gehra Hua \u2014 Shashwat Sachdev, Arijit Singh, Irshad Kamil &amp; Armaan Khan \u2014 18,608,239 views (week 16, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0Unusual \u2014 Alex Warren \u2014 18,069,096 views (week 51, \u25b22)<\/li>\n<li><strong>10.<\/strong>\u00a0Bairi \u2014 Virat, Pradeep Solanki &amp; Heena \u2014 17,400,844 views (week 3, \u25b25)<\/li>\n<\/ul>\n<p>The second place belongs to &#8220;Golden&#8221; by the KPop Demon Hunters Solid with 33,355,478 views in its thirty ninth week \u2014 a observe pushed by the Netflix animated movie of the identical title.\u00a0<a href=\"https:\/\/ppc.land\/golden-dominates-as-2025-ends-on-youtube-music-charts\/\">The film&#8217;s impact on YouTube charts has been documented since late 2025<\/a>, when &#8220;Golden&#8221; was accumulating over 72 million views per week through the vacation peak. Its present quantity is lower than half that peak determine, but it nonetheless holds the second world place. Week 39 with 33 million views is a unique form of sturdiness than &#8220;NO BATID\u00c3O&#8221;&#8216;s Shorts-driven mannequin \u2014 it displays catalog depth throughout a franchise&#8217;s a number of tracks showing concurrently throughout territories.<\/p>\n<p>Third globally is &#8220;Shararat&#8221; by Shashwat Sachdev, Madhubanti Bagchi and Jasmine Sandlas with 29,974,576 views in week 14. The observe leads India&#8217;s home chart this week and concurrently tops the World Weekly Prime Music Movies chart with 24,350,128 views. That cut up \u2014 prime of each the songs chart and the video chart in the identical week \u2014 is rare and displays a unique consumption mode than &#8220;NO BATID\u00c3O,&#8221; which doesn&#8217;t seem within the prime 10 music movies in any respect. &#8220;Shararat&#8221; is watched; &#8220;NO BATID\u00c3O&#8221; is used.<\/p>\n<h2 id=\"global-weekly-top-shorts-songs\">World Weekly Prime Shorts Songs<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0NO BATID\u00c3O \u2014 ZXKAI &amp; slxughter (week 20, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0PASSO BEM SOLTO (Slowed) \u2014 ATLXS (week 52, \u25b21)<\/li>\n<li><strong>3.<\/strong>\u00a0Bairi \u2014 Virat, Pradeep Solanki &amp; Heena (week 3, \u25bc1)<\/li>\n<li><strong>4.<\/strong>\u00a0Dil Lagana Mana Tha \u2014 Krish Mondal &amp; Kishore Mondal (week 8, held \u25cf)<\/li>\n<li><strong>5.<\/strong>\u00a0\u5f25\u6e21\u5c71\u6b4c (Midu Echoing) \u2014 Yang Music (week 14, held \u25cf)<\/li>\n<li><strong>6.<\/strong>\u00a0TIKI TIKI (Slowed) \u2014 QMIIR &amp; SALIMA CHICA (week 7, \u25b217)<\/li>\n<li><strong>7.<\/strong>\u00a0Tere Bina \u2014 A. R. Rahman, Chinmayi, Murtu Khan &amp; Qadir Khan (week 2, \u25b24)<\/li>\n<li><strong>8.<\/strong>\u00a0Friendships (feat. Leony) \u2014 Pascal Letoublon (week 69, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0Papaoutai (Afro Soul) \u2014 mikeeysmind, Chill77 &amp; Unjaps (week 8, \u25b21)<\/li>\n<li><strong>10.<\/strong>\u00a0Cry For Me (WA WA WA) (feat. Bubi) \u2014 Ironmouse, shirobeats &amp; HalaCG (week 10, \u25bc3)<\/li>\n<\/ul>\n<p>The Shorts chart accommodates information factors that haven&#8217;t any actual equal in conventional music monitoring. &#8220;PASSO BEM SOLTO (Slowed)&#8221; by ATLXS is now in its 52nd week \u2014 primarily a full 12 months of steady creator utilization. &#8220;Friendships (feat. Leony)&#8221; by Pascal Letoublon is in its 69th week. These longevity figures describe one thing completely different from successful track: they describe audio infrastructure. Creators reached for these tracks not as a result of they had been new however as a result of they labored technically \u2014 tempo, tone, loop construction \u2014 for vertical video.\u00a0<a href=\"https:\/\/ppc.land\/shorts-decides-the-charts-now-and-this-weeks-data-proves-it\/\">PPC Land&#8217;s analysis of the March 6\u201312 Shorts chart data<\/a> famous that &#8220;the connection is now not incidental&#8221; between Shorts dominance and primary chart place.<\/p>\n<h2 id=\"global-weekly-top-artists\">World Weekly Prime Artists<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Alka Yagnik \u2014 403,019,071 views (week 496, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0Udit Narayan \u2014 302,512,626 views (week 517, held \u25cf)<\/li>\n<li><strong>3.<\/strong>\u00a0Arijit Singh \u2014 283,190,226 views (week 526, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0Unhealthy Bunny \u2014 234,797,252 views (week 491, held \u25cf)<\/li>\n<li><strong>5.<\/strong>\u00a0Kumar Sanu \u2014 226,074,545 views (week 492, held \u25cf)<\/li>\n<li><strong>6.<\/strong>\u00a0Shreya Ghoshal \u2014 206,832,606 views (week 498, held \u25cf)<\/li>\n<li><strong>7.<\/strong>\u00a0Shilpi Raj \u2014 164,066,823 views (week 272, held \u25cf)<\/li>\n<li><strong>8.<\/strong>\u00a0Sonu Nigam \u2014 138,753,299 views (week 482, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0Peso Pluma \u2014 131,716,205 views (week 173, \u25b21)<\/li>\n<li><strong>10.<\/strong>\u00a0Pawan Singh \u2014 131,115,174 views (week 429, \u25bc1)<\/li>\n<\/ul>\n<p>The World Weekly Prime Artists chart is dominated by Bollywood playback singers whose catalogs span a number of a long time. Alka Yagnik leads with 403 million views throughout her catalog in her 496th week \u2014 a determine that dwarfs the per-track view counts within the songs chart exactly as a result of catalog quantity is the driving force. Arijit Singh seems at third with 283 million views in his 526th week, whereas additionally co-writing &#8220;Gehra Hua&#8221; which sits at eighth within the world songs chart. Unhealthy Bunny holds fourth with 234.8 million views, the one non-Indian artist within the prime six. The artist chart measures breadth of catalog consumption; the songs chart measures depth of particular person observe adoption. They describe the identical platform by completely different lenses.<\/p>\n<h2 id=\"global-weekly-top-music-videos\">World Weekly Prime Music Movies<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Shararat \u2014 Madhubanti Bagchi, Jasmine Sandlas &amp; Shashwat Sachdev \u2014 24,350,128 views (week 15, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0Golden \u2014 KPop Demon Hunters Solid \u2014 24,139,609 views (week 26, held \u25cf)<\/li>\n<li><strong>3.<\/strong>\u00a0Dhurandhar The Revenge &#8211; Aari Aari \u2014 Shashwat Sachdev &amp; collaborators \u2014 12,913,738 views (week 2, \u25b295)<\/li>\n<li><strong>4.<\/strong>\u00a0Mutta Kalakki \u2014 Ken Karunaas, Anand Kashinath &amp; G.V. Prakash Kumar \u2014 12,413,046 views (week 4, \u25b25)<\/li>\n<li><strong>5.<\/strong>\u00a0Bairan \u2014 Banjaare \u2014 12,359,624 views (week 2, \u25b220)<\/li>\n<li><strong>6.<\/strong>\u00a0APT. \u2014 ROS\u00c9 &amp; Bruno Mars \u2014 11,804,683 views (week 74, \u25bc3)<\/li>\n<li><strong>7.<\/strong>\u00a0Aaya Sher \u2014 Jangi Reddy, Arjun Chandy, Anirudh Ravichander &amp; Kasarla Shyam \u2014 9,634,165 views (week 4, \u25bc2)<\/li>\n<li><strong>8.<\/strong>\u00a0Bairi (Lo-fi) \u2014 Virat, Pradeep Solanki &amp; Heena \u2014 9,613,634 views (week 4, \u25b22)<\/li>\n<li><strong>9.<\/strong>\u00a0The Destiny of Ophelia \u2014 Taylor Swift \u2014 9,406,773 views (week 24, \u25bc3)<\/li>\n<li><strong>10.<\/strong>\u00a0Nach Nagin Jaisan \u2014 Raushan Rohi &amp; Khushi Kakkar \u2014 9,067,794 views (week 5, \u25bc6)<\/li>\n<\/ul>\n<h2 id=\"united-states\">United States<\/h2>\n<p>The US chart positioned &#8220;Golden&#8221; by the KPop Demon Hunters Solid at primary with 4,343,168 views in its thirty ninth week, climbing one place from the earlier week.<\/p>\n<ul>\n<li><strong>1.<\/strong>\u00a0Golden \u2014 HUNTR\/X, EJAE, AUDREY NUNA, REI AMI &amp; KPop Demon Hunters Solid \u2014 4,343,168 views (week 39, \u25b21)<\/li>\n<li><strong>2.<\/strong>\u00a0Unusual \u2014 Alex Warren \u2014 4,218,845 views (week 53, \u25bc1)<\/li>\n<li><strong>3.<\/strong>\u00a0Choosin&#8217; Texas \u2014 ella langley \u2014 3,666,654 views (week 20, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0Massive Man \u2014 Ice Spice \u2014 3,114,841 views (week 15, \u25b21)<\/li>\n<li><strong>5.<\/strong>\u00a0Marlboro Rojo \u2014 Fuerza Regida \u2014 3,107,811 views (week 45, \u25b21)<\/li>\n<li><strong>6.<\/strong>\u00a0Soda Pop \u2014 KPop Demon Hunters Solid \u2014 3,059,371 views (week 39, \u25b26)<\/li>\n<li><strong>7.<\/strong>\u00a0LET &#8216;EM KNOW \u2014 T.I. \u2014 2,810,732 views (week 8, \u25bc3)<\/li>\n<li><strong>8.<\/strong>\u00a0Stateside (feat. Zara Larsson) \u2014 PinkPantheress \u2014 2,682,047 views (week 7, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0Threat It All \u2014 Bruno Mars \u2014 2,506,696 views (week 3, \u25bc2)<\/li>\n<li><strong>10.<\/strong>\u00a0NO BATID\u00c3O \u2014 ZXKAI &amp; slxughter \u2014 2,477,558 views (week 18, \u25b23)<\/li>\n<\/ul>\n<p>The US market reveals a focus of KPop Demon Hunters Solid tracks. &#8220;Golden&#8221; at first, &#8220;Soda Pop&#8221; at sixth, and &#8220;Your Idol&#8221; at 18th all originate from the identical Netflix manufacturing. &#8220;NO BATID\u00c3O&#8221; reached the US prime 10 at place 10 with 2.4 million views \u2014 current, however not dominant. Fuerza Regida&#8217;s &#8220;Marlboro Rojo&#8221; held fifth in its forty fifth week, demonstrating the sustained Mexican regional market presence that\u00a0<a href=\"https:\/\/ppc.land\/youtube-pulls-the-plug-on-billboard-charts-after-streaming-weight-dispute\/\">YouTube&#8217;s independent charts have tracked since separating from Billboard in January 2026<\/a>.<\/p>\n<h2 id=\"united-kingdom\">United Kingdom<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Unusual \u2014 Alex Warren \u2014 1,076,583 views (week 58, \u25b21)<\/li>\n<li><strong>2.<\/strong>\u00a0Lush Life \u2014 Zara Larsson \u2014 1,069,121 views (week 38, \u25bc1)<\/li>\n<li><strong>3.<\/strong>\u00a0Raindance \u2014 Dave &amp; Tems \u2014 967,855 views (week 21, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0Golden \u2014 KPop Demon Hunters Solid \u2014 940,343 views (week 39, held \u25cf)<\/li>\n<li><strong>5.<\/strong>\u00a0Man I Want \u2014 Olivia Dean \u2014 713,213 views (week 30, held \u25cf)<\/li>\n<li><strong>6.<\/strong>\u00a0iloveitiloveitiloveit \u2014 Bella Kay \u2014 668,521 views (week 4, \u25b21)<\/li>\n<li><strong>7.<\/strong>\u00a0Stateside (feat. Zara Larsson) \u2014 PinkPantheress \u2014 562,884 views (week 8, \u25bc1)<\/li>\n<li><strong>8.<\/strong>\u00a0The Destiny of Ophelia \u2014 Taylor Swift \u2014 539,204 views (week 24, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0Rein Me In \u2014 Sam Fender &amp; Olivia Dean \u2014 522,365 views (week 27, \u25b21)<\/li>\n<li><strong>10.<\/strong>\u00a0Soda Pop \u2014 KPop Demon Hunters Solid \u2014 493,832 views (week 39, \u25b21)<\/li>\n<\/ul>\n<p>&#8220;Unusual&#8221; by Alex Warren holds the UK primary with 1,076,583 views in its 58th week \u2014 a observe that has been within the UK chart for over a 12 months and sits atop a market that additionally has &#8220;Lush Life&#8221; by Zara Larsson at a detailed second with 1,069,121 views. &#8220;Raindance&#8221; by Dave and Tems holds third with 967,855 views in week 21, a domestically produced observe that additionally crosses into South Africa, Portugal, France, the Netherlands, and Kenya this week. &#8220;NO BATID\u00c3O&#8221; sits at eleventh with 473,790 views, simply exterior the highest 10 however current out there for 19 weeks.<\/p>\n<h2 id=\"brazil\">Brazil<\/h2>\n<p>Brazil&#8217;s chart displays an nearly solely home consumption sample. The highest 10 is solely composed of Brazilian phonk, funk, and forr\u00f3, with no crossover from the worldwide or European charts.<\/p>\n<ul>\n<li><strong>1.<\/strong>\u00a0JETSKI \u2014 PEDRO SAMPAIO, MC MENO Ok &amp; Melody \u2014 9,678,680 views (week 13, \u25b21)<\/li>\n<li><strong>2.<\/strong>\u00a0Di\u00e1rio de um Cafajeste \u2014 Dj Oreia, MC Lele JP, MC Meno Ok &amp; collaborators \u2014 9,365,616 views (week 19, \u25bc1)<\/li>\n<li><strong>3.<\/strong>\u00a0Carn\u00edvoro \u2014 MC Jacar\u00e9, MC Lele JP &amp; collaborators \u2014 8,365,987 views (week 8, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0Posso At\u00e9 N\u00e3o Te Dar Flores \u2014 DJ Japa NK, MC MENO Ok &amp; collaborators \u2014 6,760,006 views (week 24, held \u25cf)<\/li>\n<li><strong>5.<\/strong>\u00a0Reliquia do 2T \u2014 MC Vine7, MC Tuto &amp; collaborators \u2014 6,196,051 views (week 6, held \u25cf)<\/li>\n<li><strong>6.<\/strong>\u00a0P do Pecado (Ao Vivo) \u2014 Grupo Menos \u00c9 Mais &amp; Simone Mendes \u2014 5,326,517 views (week 46, \u25b21)<\/li>\n<li><strong>7.<\/strong>\u00a0SEQU\u00caNCIA FEITICEIRA \u2014 PEDRO SAMPAIO, MC GW &amp; collaborators \u2014 4,956,905 views (week 29, \u25b21)<\/li>\n<li><strong>8.<\/strong>\u00a0Gangstar \u2014 Oruam, CheWn, Salvador Da Rima &amp; Actual Fuba \u2014 4,708,322 views (week 7, \u25bc2)<\/li>\n<li><strong>9.<\/strong>\u00a0Vai Tomando Pock Pock \u2014 MC Lele JP &amp; collaborators \u2014 4,684,972 views (week 24, held \u25cf)<\/li>\n<li><strong>10.<\/strong>\u00a0Eu Me Apaixonei \u2014 Vitinho Imperador \u2014 4,301,726 views (week 32, held \u25cf)<\/li>\n<\/ul>\n<p>&#8220;JETSKI&#8221; by PEDRO SAMPAIO, MC MENO Ok and Melody leads at 9.7 million views. The size of Brazilian consumption is price noting in absolute phrases: the tenth-place observe in Brazil generated 4.3 million views, which exceeds the first-place observe within the Netherlands. Brazil&#8217;s scale relative to the European markets is substantial. &#8220;P do Pecado (Ao Vivo)&#8221; held sixth in its forty sixth week, demonstrating the sustained catalog efficiency that Brazilian funk tracks can obtain by reside efficiency variations.<\/p>\n<h2 id=\"india\">India<\/h2>\n<p>India&#8217;s prime 10 is solely home, dominated by Bollywood and regional Indian music.<\/p>\n<ul>\n<li><strong>1.<\/strong>\u00a0Shararat \u2014 Shashwat Sachdev, Madhubanti Bagchi &amp; Jasmine Sandlas \u2014 25,914,515 views (week 15, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0Bairan \u2014 Banjaare \u2014 19,208,097 views (week 2, \u25b27)<\/li>\n<li><strong>3.<\/strong>\u00a0Bairi \u2014 Virat, Pradeep Solanki &amp; Heena \u2014 17,089,187 views (week 4, \u25b22)<\/li>\n<li><strong>4.<\/strong>\u00a0Nach Nagin Jaisan \u2014 Raushan Rohi &amp; Khushi Kakkar \u2014 15,930,540 views (week 6, \u25bc2)<\/li>\n<li><strong>5.<\/strong>\u00a0Gehra Hua \u2014 Shashwat Sachdev, Arijit Singh, Irshad Kamil &amp; Armaan Khan \u2014 15,887,014 views (week 16, \u25bc1)<\/li>\n<li><strong>6.<\/strong>\u00a0Pal Pal \u2014 Afusic &amp; AliSoomroMusic \u2014 14,186,431 views (week 49, \u25b21)<\/li>\n<li><strong>7.<\/strong>\u00a0Fortuner \u2014 Raj Mawar &amp; Ruchika Jangid \u2014 14,107,410 views (week 24, \u25bc4)<\/li>\n<li><strong>8.<\/strong>\u00a0Sheesha \u2014 Mitta Ror &amp; Swara Verma \u2014 13,153,251 views (week 8, \u25b25)<\/li>\n<li><strong>9.<\/strong>\u00a0Dhurandhar The Revenge &#8211; Aari Aari \u2014 Shashwat Sachdev &amp; collaborators \u2014 12,942,425 views (week 2, \u25b284)<\/li>\n<li><strong>10.<\/strong>\u00a0Mutta Kalakki \u2014 G.V. Prakash Kumar &amp; Ken Karunaas \u2014 12,232,956 views (week 4, \u25b26)<\/li>\n<\/ul>\n<p>India&#8217;s primary, &#8220;Shararat,&#8221; generated 25.9 million views alone \u2014 a determine that places all the UK prime 10 mixed in perspective. &#8220;Dhurandhar The Revenge &#8211; Aari Aari&#8221; entered at ninth in solely its second week, climbing 84 positions. That debut velocity, mixed with its simultaneous entry at third on the World Music Movies chart with 12.9 million views, suggests a Bollywood soundtrack launch with important cross-format pickup. Shashwat Sachdev seems throughout 4 of India&#8217;s prime 10 entries this week, illustrating catalog focus.<\/p>\n<h2 id=\"japan\">Japan<\/h2>\n<p>Japan&#8217;s chart stays structurally remoted from world traits, with home acts occupying the highest positions.<\/p>\n<ul>\n<li><strong>1.<\/strong>\u00a0\u597d\u304d\u3059\u304e\u3066\u6ec5\uff01 \u2014 M!LK \u2014 6,919,099 views (week 21, \u25b23)<\/li>\n<li><strong>2.<\/strong>\u00a0\u7206\u88c2\u611b\u3057\u3066\u308b \u2014 M!LK \u2014 6,156,582 views (week 6, \u25b23)<\/li>\n<li><strong>3.<\/strong>\u00a0IRIS OUT \u2014 Kenshi Yonezu \u2014 4,724,363 views (week 27, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a05 \u2014 ARASHI \u2014 4,232,086 views (week 3, \u25bc3)<\/li>\n<li><strong>5.<\/strong>\u00a0\u30bf\u30c3\u30c1 \u2014 Koshi Inaba \u2014 3,266,237 views (week 2, \u25bc3)<\/li>\n<li><strong>6.<\/strong>\u00a0BE:FIRST ALL DAY \u2014 BE:FIRST \u2014 3,250,239 views (week 1, NOVA)<\/li>\n<li><strong>7.<\/strong>\u00a03\u67089\u65e5 \u2014 Remioromen \u2014 2,895,701 views (week 55, \u25bc1)<\/li>\n<li><strong>8.<\/strong>\u00a0lulu. \u2014 Mrs. GREEN APPLE \u2014 2,621,063 views (week 10, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0\u30ab\u30ea\u30b9\u30de\u30c3\u30af\u30b9 \u2014 Snow Man \u2014 2,522,128 views (week 30, held \u25cf)<\/li>\n<li><strong>10.<\/strong>\u00a0AIZO \u2014 King Gnu \u2014 2,502,785 views (week 10, \u25b21)<\/li>\n<\/ul>\n<p>M!LK occupies the highest two positions this week, with &#8220;\u597d\u304d\u3059\u304e\u3066\u6ec5\uff01&#8221; reaching first in week 21 with 6.9 million views. ARASHI&#8217;s &#8220;5&#8221; dropped three positions to fourth after debuting at first three weeks prior \u2014 a sample in keeping with home Japanese releases that generate sturdy preliminary views after which decline as catalog habits takes over. &#8220;3\u67089\u65e5&#8221; by Remioromen holds seventh in its fifty fifth week; the observe originates from the early 2000s, and its continued chart presence illustrates the catalog resurgence phenomenon that\u00a0<a href=\"https:\/\/ppc.land\/youtube-closes-trending-page-after-a-decade-of-operation\/\">YouTube&#8217;s architecture facilitates through discovery mechanisms<\/a>distinct from streaming companies. &#8220;NO BATID\u00c3O&#8221; sits at place 34 with 1,005,823 views \u2014 current in Japan in its 14th week, which is extra cross-territory penetration than most non-English tracks obtain.<\/p>\n<h2 id=\"germany\">Germany<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0NO BATID\u00c3O \u2014 ZXKAI &amp; slxughter \u2014 997,721 views (week 21, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0Golden \u2014 KPop Demon Hunters Solid \u2014 735,741 views (week 39, \u25b22)<\/li>\n<li><strong>3.<\/strong>\u00a0Lush Life \u2014 Zara Larsson \u2014 720,738 views (week 17, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0CDY \u2014 LACAZETTE &amp; Jazeek \u2014 571,565 views (week 2, \u25bc2)<\/li>\n<li><strong>5.<\/strong>\u00a0Papaoutai (Afro Soul) \u2014 mikeeysmind, Chill77 &amp; Unjaps \u2014 495,259 views (week 11, held \u25cf)<\/li>\n<li><strong>6.<\/strong>\u00a0The Destiny of Ophelia \u2014 Taylor Swift \u2014 441,479 views (week 24, held \u25cf)<\/li>\n<li><strong>7.<\/strong>\u00a0Renn! \u2014 AYLIVA \u2014 425,676 views (week 7, held \u25cf)<\/li>\n<li><strong>8.<\/strong>\u00a0Unusual \u2014 Alex Warren \u2014 414,143 views (week 53, \u25b22)<\/li>\n<li><strong>9.<\/strong>\u00a0Aura (feat. Toby Woess) \u2014 Leni Woess \u2014 394,651 views (week 2, \u25b269)<\/li>\n<li><strong>10.<\/strong>\u00a0Wackelkontakt \u2014 Oimara \u2014 394,631 views (week 60, \u25bc2)<\/li>\n<\/ul>\n<p>Germany is considered one of &#8220;NO BATID\u00c3O&#8221;&#8216;s strongest European territories, the place it holds the primary place for 21 consecutive weeks with 997,721 views \u2014 slightly below a million. &#8220;Leni Woess&#8221; with &#8220;Aura (feat. Toby Woess)&#8221; climbed 69 positions to ninth in solely its second week, a debut trajectory price monitoring. &#8220;Wackelkontakt&#8221; by Oimara holds tenth in its sixtieth week, a persistence determine that rivals the observe longevity noticed within the Shorts chart. Home German-language content material holds positions 4, 7, 9, and 10, indicating a market the place native manufacturing competes meaningfully with worldwide crossover.<\/p>\n<h2 id=\"france\">France<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0PARISIENNE \u2014 GIMS &amp; La Mano 1.9 \u2014 1,572,262 views (week 33, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0melodrama \u2014 disiz &amp; Theodora \u2014 1,368,743 views (week 24, held \u25cf)<\/li>\n<li><strong>3.<\/strong>\u00a0SPA \u2014 GIMS &amp; Theodora \u2014 1,321,745 views (week 9, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0NO BATID\u00c3O \u2014 ZXKAI &amp; slxughter \u2014 1,088,858 views (week 21, \u25b21)<\/li>\n<li><strong>5.<\/strong>\u00a0MON B\u00c9B\u00c9 \u2014 RnBoi \u2014 1,028,818 views (week 21, \u25bc1)<\/li>\n<li><strong>6.<\/strong>\u00a0Soleil Bleu \u2014 Bleu Soleil &amp; LUIZA \u2014 886,937 views (week 40, held \u25cf)<\/li>\n<li><strong>7.<\/strong>\u00a0Melrose Place (feat. Guy2Bezbar) \u2014 KeBlack \u2014 880,779 views (week 50, \u25b22)<\/li>\n<li><strong>8.<\/strong>\u00a0B.M.S (by my facet) \u2014 Rambo Goyard \u2014 820,144 views (week 10, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0Argent Sale &#8211; A COLORS SHOW \u2014 La RvQeuze \u2014 816,994 views (week 5, \u25b21)<\/li>\n<li><strong>10.<\/strong>\u00a0RUINART \u2014 R2 \u2014 758,427 views (week 39, \u25b21)<\/li>\n<\/ul>\n<p>France&#8217;s primary, &#8220;PARISIENNE&#8221; by GIMS &amp; La Mano 1.9, has held that place for 33 weeks with 1.57 million views. GIMS occupies three of France&#8217;s prime 10 slots this week \u2014 positions 1, 3, and 16 \u2014 a home dominance that structurally limits the room for worldwide crossover content material. &#8220;NO BATID\u00c3O&#8221; climbed one place to fourth with simply over a million views. &#8220;Melrose Place&#8221; by KeBlack is in its fiftieth week at seventh, one other information level within the catalog longevity sample that recurs throughout markets this week.<\/p>\n<h2 id=\"spain\">Spain<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Dardos \u2014 Romeo Santos &amp; Prince Royce \u2014 1,046,527 views (week 16, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0La Perla \u2014 ROSAL\u00cdA &amp; Yahritza Y Su Esencia \u2014 997,422 views (week 19, \u25b22)<\/li>\n<li><strong>3.<\/strong>\u00a0La Morocha \u2014 Luck Ra &amp; BM \u2014 883,097 views (week 71, \u25b22)<\/li>\n<li><strong>4.<\/strong>\u00a0SUPERESTRELLA \u2014 Aitana \u2014 860,057 views (week 36, \u25b22)<\/li>\n<li><strong>5.<\/strong>\u00a0La Plena (W Sound 05) \u2014 W Sound, Be\u00e9le &amp; Ovy On The Drums \u2014 845,486 views (week 56, \u25bc2)<\/li>\n<li><strong>6.<\/strong>\u00a0LA VILLA \u2014 Ryan Castro, Kapo &amp; Gangsta \u2014 823,485 views (week 13, \u25bc4)<\/li>\n<li><strong>7.<\/strong>\u00a0Dichavate \u2014 Ya Ice Dilan, Rey Tony, Helabusad, JipMusic World &amp; Dj Honda \u2014 725,523 views (week 7, \u25b23)<\/li>\n<li><strong>8.<\/strong>\u00a0Golden \u2014 KPop Demon Hunters Solid \u2014 694,628 views (week 38, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0NI BORRACHO \u2014 Quevedo \u2014 648,707 views (week 5, \u25bc2)<\/li>\n<li><strong>10.<\/strong>\u00a0TU VAS SIN (fav) \u2014 Rels B \u2014 616,090 views (week 38, \u25b21)<\/li>\n<\/ul>\n<p>Spain&#8217;s chart is led by Latin content material from throughout the Spanish-speaking world. &#8220;Dardos&#8221; by Romeo Santos and Prince Royce holds the primary place in its sixteenth week. &#8220;La Morocha&#8221; by Luck Ra and BM sits at third in its 71st week \u2014 the second-longest single-track chart run seen throughout any territory this week. &#8220;NO BATID\u00c3O&#8221; reaches Spain at place 15 with 457,093 views, current in its nineteenth week. Spain&#8217;s prime 10 accommodates no English-language tracks this week, with &#8220;Golden&#8221; at eighth the one non-Latin entry.<\/p>\n<h2 id=\"portugal\">Portugal<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0JETSKI \u2014 PEDRO SAMPAIO, MC MENO Ok &amp; Melody \u2014 442,561 views (week 13, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0Posso At\u00e9 N\u00e3o Te Dar Flores \u2014 DJ Japa NK, MC MENO Ok &amp; collaborators \u2014 280,377 views (week 22, held \u25cf)<\/li>\n<li><strong>3.<\/strong>\u00a0SEQU\u00caNCIA FEITICEIRA \u2014 PEDRO SAMPAIO, MC GW &amp; collaborators \u2014 217,647 views (week 29, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0AVELINO \u2014 Nininho Vaz Maia \u2014 217,054 views (week 1, NOVA)<\/li>\n<li><strong>5.<\/strong>\u00a0Golden \u2014 KPop Demon Hunters Solid \u2014 199,972 views (week 39, \u25b23)<\/li>\n<li><strong>6.<\/strong>\u00a0Respirar \u2014 Calema &amp; Sara Correia \u2014 193,653 views (week 55, \u25bc1)<\/li>\n<li><strong>7.<\/strong>\u00a0P\u00f4r do Sol \u2014 Vizinhos \u2014 192,971 views (week 50, \u25bc3)<\/li>\n<li><strong>8.<\/strong>\u00a0Leva Tudo \u2014 Calema &amp; Dilsinho \u2014 185,042 views (week 45, \u25bc2)<\/li>\n<li><strong>9.<\/strong>\u00a0NO BATID\u00c3O \u2014 ZXKAI &amp; slxughter \u2014 183,650 views (week 21, \u25bc2)<\/li>\n<li><strong>10.<\/strong>\u00a0Amar Pela Metade \u2014 Calema \u2014 179,021 views (week 69, \u25bc1)<\/li>\n<\/ul>\n<p>Portugal&#8217;s chart reveals the linguistic hall between Brazil and the Iberian Peninsula. Brazilian funk dominates the highest three positions, led by &#8220;JETSKI&#8221; at 442,561 views. Calema holds three separate top-10 entries \u2014 positions 6, 8, and 10 \u2014 throughout &#8220;Respirar,&#8221; &#8220;Leva Tudo,&#8221; and &#8220;Amar Pela Metade.&#8221; &#8220;Amar Pela Metade&#8221; has been on the Portuguese chart for 69 weeks, rating it among the many most persistent single-track chart runs measured throughout any territory. &#8220;NO BATID\u00c3O&#8221; sits at ninth.<\/p>\n<h2 id=\"netherlands\">Netherlands<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Lush Life \u2014 Zara Larsson \u2014 198,322 views (week 20, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0NO BATID\u00c3O \u2014 ZXKAI &amp; slxughter \u2014 188,989 views (week 22, held \u25cf)<\/li>\n<li><strong>3.<\/strong>\u00a0Golden \u2014 KPop Demon Hunters Solid \u2014 181,803 views (week 39, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0Halverwege \u2014 Suzan &amp; Freek \u2014 165,427 views (week 1, NOVA)<\/li>\n<li><strong>5.<\/strong>\u00a0Unusual \u2014 Alex Warren \u2014 128,437 views (week 56, \u25b21)<\/li>\n<li><strong>6.<\/strong>\u00a0Raindance \u2014 Dave &amp; Tems \u2014 124,938 views (week 12, \u25bc1)<\/li>\n<li><strong>7.<\/strong>\u00a0The Destiny of Ophelia \u2014 Taylor Swift \u2014 109,754 views (week 24, held \u25cf)<\/li>\n<li><strong>8.<\/strong>\u00a0Stateside (feat. Zara Larsson) \u2014 PinkPantheress \u2014 94,211 views (week 7, \u25b21)<\/li>\n<li><strong>9.<\/strong>\u00a0Papaoutai (Afro Soul) \u2014 mikeeysmind, Chill77 &amp; Unjaps \u2014 89,255 views (week 11, \u25b23)<\/li>\n<li><strong>10.<\/strong>\u00a0I Simply May \u2014 Bruno Mars \u2014 79,350 views (week 10, held \u25cf)<\/li>\n<\/ul>\n<p>The Netherlands presents a very dense worldwide chart: Zara Larsson (Swedish), &#8220;NO BATID\u00c3O&#8221; (Brazilian), the KPop Demon Hunters Solid (world franchise), a Dutch-language debut at fourth, Alex Warren (American), Dave and Tems (British\/Nigerian), Taylor Swift (American), PinkPantheress (British), and Bruno Mars (American) throughout the highest 10. The debut, &#8220;Halverwege&#8221; by Suzan &amp; Freek, entered instantly at fourth with 165,427 views \u2014 the one home Dutch-language observe within the prime 10 this week.<\/p>\n<h2 id=\"australia\">Australia<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Unusual \u2014 Alex Warren \u2014 407,268 views (week 56, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0Golden \u2014 KPop Demon Hunters Solid \u2014 349,807 views (week 39, held \u25cf)<\/li>\n<li><strong>3.<\/strong>\u00a0Lush Life \u2014 Zara Larsson \u2014 340,710 views (week 23, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0Seller \u2014 Diljit Dosanjh, Da Future &amp; Virk Andaaz \u2014 321,652 views (week 2, \u25b238)<\/li>\n<li><strong>5.<\/strong>\u00a0The Destiny of Ophelia \u2014 Taylor Swift \u2014 287,688 views (week 24, held \u25cf)<\/li>\n<li><strong>6.<\/strong>\u00a0Man I Want \u2014 Olivia Dean \u2014 274,791 views (week 29, \u25bc2)<\/li>\n<li><strong>7.<\/strong>\u00a0Stateside (feat. Zara Larsson) \u2014 PinkPantheress \u2014 260,331 views (week 8, \u25bc1)<\/li>\n<li><strong>8.<\/strong>\u00a0Lose Management (Stay) \u2014 Teddy Swims \u2014 254,714 views (week 124, held \u25cf)<\/li>\n<li><strong>9.<\/strong>\u00a0Threat It All \u2014 Bruno Mars \u2014 229,845 views (week 3, \u25bc2)<\/li>\n<li><strong>10.<\/strong>\u00a0Raindance \u2014 Dave &amp; Tems \u2014 220,327 views (week 12, \u25bc1)<\/li>\n<\/ul>\n<p>Australia&#8217;s chart accommodates two notable information factors. &#8220;Seller&#8221; by Diljit Dosanjh, Da Future and Virk Andaaz climbed 38 positions to fourth in its second week \u2014 a brand new entry gaining speedy traction. Extra hanging is &#8220;Lose Management (Stay)&#8221; by Teddy Swims at eighth in its 124th week. 100 and twenty-four consecutive weeks is, by any measure, a unprecedented chart lifespan for a single observe. The reside model&#8217;s sustained efficiency suggests viewers habits that goes past preliminary discovery and into routine re-consumption. &#8220;NO BATID\u00c3O&#8221; sits at twelfth with 197,530 views, simply exterior Australia&#8217;s prime 10 in week 19.<\/p>\n<h2 id=\"indonesia\">Indonesia<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Bahagia Lagi \u2014 Piche Kota \u2014 6,950,541 views (week 13, held \u25cf)<\/li>\n<li><strong>2.<\/strong>\u00a0kota ini tak sama tanpamu \u2014 Nadhif Basalamah \u2014 6,473,247 views (week 17, held \u25cf)<\/li>\n<li><strong>3.<\/strong>\u00a0TABOLA BALE \u2014 SILET OPEN UP, Jacson Seran, Juan Reza &amp; Diva Aurel \u2014 6,212,721 views (week 44, \u25b21)<\/li>\n<li><strong>4.<\/strong>\u00a0Jangan Paksa Rindu (Beda) \u2014 Ifan Seventeen \u2014 5,849,745 views (week 10, \u25bc1)<\/li>\n<li><strong>5.<\/strong>\u00a0Ada titik-titik di ujung doa \u2014 Sal Priadi \u2014 5,791,764 views (week 9, held \u25cf)<\/li>\n<li><strong>6.<\/strong>\u00a0Threat It All \u2014 Bruno Mars \u2014 4,917,936 views (week 3, \u25b22)<\/li>\n<li><strong>7.<\/strong>\u00a0Orang Baru Lebe Gacor \u2014 Ecko Present, Juan Reza &amp; Chesylino \u2014 4,655,660 views (week 25, \u25bc1)<\/li>\n<li><strong>8.<\/strong>\u00a0Sedia Aku Sebelum Hujan \u2014 Idgitaf \u2014 4,630,279 views (week 23, \u25bc1)<\/li>\n<li><strong>9.<\/strong>\u00a0Dirimu Yang Dulu \u2014 Anggis Devaki \u2014 3,368,569 views (week 12, \u25b22)<\/li>\n<li><strong>10.<\/strong>\u00a0every thing u are \u2014 Hindia \u2014 3,312,198 views (week 43, \u25bc1)<\/li>\n<\/ul>\n<p>Indonesia&#8217;s chart is sort of solely home, with &#8220;Bahagia Lagi&#8221; by Piche Kota main at practically 7 million views. The exception is Bruno Mars, whose &#8220;Threat It All&#8221; climbed to sixth with 4.9 million views in its third week \u2014 in keeping with the observe&#8217;s early-stage cross-territory momentum seen in Australia, the US, and globally. &#8220;TABOLA BALE&#8221; by SILET OPEN UP and collaborators holds third in its forty fourth week. &#8220;NO BATID\u00c3O&#8221; seems at 18th with 1,953,011 views in week 11.<\/p>\n<h2 id=\"kenya\">Kenya<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Pawa \u2014 Mbosso \u2014 538,031 views (week 40, \u25b21)<\/li>\n<li><strong>2.<\/strong>\u00a0Rapudo \u2014 Prince Indah \u2014 531,897 views (week 19, \u25bc1)<\/li>\n<li><strong>3.<\/strong>\u00a0Inama (feat. Diamond Platnumz) \u2014 Zuchu \u2014 444,138 views (week 27, held \u25cf)<\/li>\n<li><strong>4.<\/strong>\u00a0Yebo (Nitawale) \u2014 Vestine and Dorcas \u2014 427,752 views (week 47, \u25b22)<\/li>\n<li><strong>5.<\/strong>\u00a0Taya \u2014 Okello Max \u2014 391,373 views (week 35, \u25bc1)<\/li>\n<li><strong>6.<\/strong>\u00a0Up Burukanga \u2014 Collo Blue &amp; ADDEH PRINCE \u2014 366,054 views (week 10, \u25bc1)<\/li>\n<li><strong>7.<\/strong>\u00a0Discuss To Me Nuh \u2014 Shenseea, Vybz Kartel &amp; Rvssian \u2014 363,640 views (week 1, NOVA)<\/li>\n<li><strong>8.<\/strong>\u00a0Digi Digi \u2014 Abongo Jakabwana \u2014 352,409 views (week 23, \u25bc1)<\/li>\n<li><strong>9.<\/strong>\u00a0GACUMBIRI \/ PALE KILELE (Stay) \u2014 Dr Sarah Ok \u2014 345,572 views (week 27, \u25bc1)<\/li>\n<li><strong>10.<\/strong>\u00a0TETE \u2014 Marioo \u2014 340,074 views (week 49, held \u25cf)<\/li>\n<\/ul>\n<p>Kenya&#8217;s chart is led by Swahili and East African music, with &#8220;Pawa&#8221; by Mbosso on the prime after 40 weeks with 538,031 views. The chart reveals constant presence of Tanzanian artists \u2014 Mbosso, Zuchu (with Diamond Platnumz), Marioo \u2014 alongside Kenyan acts, reflecting a shared consumption area throughout the East African area. &#8220;Yebo (Nitawale)&#8221; by Vestine and Dorcas holds fourth in its forty seventh week. &#8220;TETE&#8221; by Marioo holds tenth in its forty ninth week. The debut this week is &#8220;Discuss To Me Nuh&#8221; by Shenseea, Vybz Kartel and Rvssian at seventh \u2014 one of many few Jamaican dancehall entries seen within the African territory charts this cycle. &#8220;NO BATID\u00c3O&#8221; doesn&#8217;t seem in Kenya&#8217;s prime 10 this week.<\/p>\n<h2 id=\"south-africa\">South Africa<\/h2>\n<ul>\n<li><strong>1.<\/strong>\u00a0Botshelo Ke Eng \u2014 Trechyson Molly vx, DJ Promatic SA &amp; Dendofela \u2014 1,574,988 views (week 5, \u25b22)<\/li>\n<li><strong>2.<\/strong>\u00a0Umaqondana \u2014 Feza \u2014 1,437,104 views (week 17, \u25bc1)<\/li>\n<li><strong>3.<\/strong>\u00a0UKHETHE MINA \u2014 Ntencane \u2014 1,347,933 views (week 5, \u25bc1)<\/li>\n<li><strong>4.<\/strong>\u00a0Shela (feat. Mano) \u2014 Sam Deep, Nia Pearl &amp; Boohle \u2014 1,296,777 views (week 30, held \u25cf)<\/li>\n<li><strong>5.<\/strong>\u00a0ZEP (feat. Uncool MC) \u2014 DJ Smallz 732, Zinedine x Sguch &amp; 031CHOPPA \u2014 1,011,176 views (week 15, held \u25cf)<\/li>\n<li><strong>6.<\/strong>\u00a0Raindance \u2014 Dave &amp; Tems \u2014 973,993 views (week 12, held \u25cf)<\/li>\n<li><strong>7.<\/strong>\u00a0Mopepe \u2014 Bukzin Keyz, Benzoo &amp; Tango Supreme \u2014 894,557 views (week 4, \u25b23)<\/li>\n<li><strong>8.<\/strong>\u00a0Amanxeba \u2014 Sami Kay, Rox Roberson &amp; Misokuhle \u2014 861,509 views (week 34, \u25b24)<\/li>\n<li><strong>9.<\/strong>\u00a0Thandaza \u2014 Sam Deep &amp; Thatohatsi \u2014 842,738 views (week 14, \u25bc2)<\/li>\n<li><strong>10.<\/strong>\u00a0SNOKONOKO \u2014 Al Xapo, Benzoo &amp; EeQue \u2014 791,429 views (week 16, \u25bc1)<\/li>\n<\/ul>\n<p>South Africa&#8217;s chart is dominated by Amapiano and South African home. &#8220;Botshelo Ke Eng&#8221; climbed to first in week 5 with 1.57 million views, overtaking &#8220;Umaqondana&#8221; by Feza. &#8220;Raindance&#8221; by Dave and Tems holds sixth with 973,993 views \u2014 the observe&#8217;s most outstanding place throughout all 15 territories this week. &#8220;Shela (feat. Mano)&#8221; by Sam Deep, Nia Pearl and Boohle holds fourth in its thirtieth week, whereas &#8220;Amanxeba&#8221; in eighth is in its thirty fourth week. &#8220;NO BATID\u00c3O&#8221; doesn&#8217;t seem in South Africa&#8217;s prime 10.<\/p>\n<h2 id=\"what-this-data-means-for-marketing\">What this information means for advertising<\/h2>\n<p>A number of structural information emerge from studying all 15 territories concurrently fairly than in isolation.<\/p>\n<p>First, the hole between Shorts adoption and primary chart efficiency is measurable and consequential. &#8220;NO BATID\u00c3O&#8221; holds the Shorts chart primary for week 20 and the principle world songs chart primary for week 21. The one-week lag is in keeping with the mechanism: Shorts creator adoption precedes and sustains primary chart place. Tracks with out Shorts presence \u2014 nevertheless sturdy their preliminary video views \u2014 have a tendency to point out steeper decline curves.\u00a0<a href=\"https:\/\/ppc.land\/youtubes-home-feed-quietly-kills-long-form-video-discovery\/\">YouTube&#8217;s home feed changes in late 2025<\/a>, which diminished long-form video suggestions by as much as 80% in favor of Shorts, reinforce how central the short-form format has develop into to content material discovery on the platform.<\/p>\n<p>Second, the market segmentation is extra extreme than mixture world figures counsel. Brazil&#8217;s Tenth-place observe generates extra views than the Netherlands&#8217; first-place observe. India&#8217;s primary generates extra weekly views than all the UK prime 10 mixed. A observe can maintain a worldwide top-10 place pushed primarily by Indian or Brazilian quantity whereas being utterly absent from the European charts. Conversely, &#8220;Raindance&#8221; by Dave and Tems seems throughout six separate territory charts this week \u2014 the UK, South Africa, Kenya, Portugal, France, and the Netherlands \u2014 with out approaching primary in any of them. Cross-territory presence and chart management are various things.<\/p>\n<p>Third, catalog longevity on YouTube has no shut equal in conventional chart methods. &#8220;Lose Management (Stay)&#8221; by Teddy Swims is in its 124th week in Australia. &#8220;TETE&#8221; by Marioo is in its forty ninth week in Kenya. &#8220;Pal Pal&#8221; by Afusic and AliSoomroMusic is in its fiftieth week globally.\u00a0<a href=\"https:\/\/ppc.land\/youtube-pulls-the-plug-on-billboard-charts-after-streaming-weight-dispute\/\">YouTube&#8217;s separation from Billboard&#8217;s methodology in January 2026<\/a>\u00a0was partly pushed by disagreement over how ad-supported consumption ought to be weighted \u2014 and these long-tail catalog figures are precisely the kind of consumption that ad-supported platforms generate abundantly. Billboard&#8217;s subscription-weighting would have discounted a lot of this exercise. YouTube&#8217;s unbiased charts measure it instantly.<\/p>\n<p><a href=\"https:\/\/ppc.land\/youtube-shorts-revenue-per-watch-hour-matches-traditional-video-in-us\/\">YouTube Shorts achieving revenue parity with long-form content in the US during Q3 2025<\/a>\u00a0means the chart information this week will not be merely a cultural snapshot. It maps the territories and codecs the place promoting stock is being created and consumed at scale.<\/p>\n<h2 id=\"timeline\">Timeline<\/h2>\n<ul>\n<li><strong>July 21, 2025:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/youtube-closes-trending-page-after-a-decade-of-operation\/\">YouTube closes its trending page after a decade of operation<\/a>, shifting to category-specific charts by YouTube Charts<\/li>\n<li><strong>October 29, 2025:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/youtube-shorts-revenue-per-watch-hour-matches-traditional-video-in-us\/\">YouTube Shorts achieves revenue parity with long-form content in US market<\/a>, with Shorts now incomes extra income per watch hour than conventional in-stream<\/li>\n<li><strong>December 17, 2025:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/youtube-pulls-the-plug-on-billboard-charts-after-streaming-weight-dispute\/\">YouTube announces termination of its Billboard charts partnership<\/a>, efficient January 16, 2026, citing disagreement over ad-supported versus subscription stream weighting<\/li>\n<li><strong>December 19\u201325, 2025:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/christmas-dominates-youtubes-latest-weekly-music-rankings\/\">Christmas content dominates YouTube&#8217;s weekly rankings<\/a>; &#8220;NO BATID\u00c3O&#8221; seems at third on the World Shorts chart in week 8<\/li>\n<li><strong>December 26, 2025 \u2013 January 1, 2026:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/golden-dominates-as-2025-ends-on-youtube-music-charts\/\">KPop Demon Hunters&#8217; &#8220;Golden&#8221; leads globally with 72.3 million views<\/a>\u00a0\u2014 its single-week peak on the platform<\/li>\n<li><strong>January 16, 2026:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/youtube-pulls-the-plug-on-billboard-charts-after-streaming-weight-dispute\/\">YouTube&#8217;s Billboard charts data withdrawal takes effect<\/a>; &#8220;Golden&#8221; holds its thirty first consecutive world primary with 57.5 million views<\/li>\n<li><strong>January 30 \u2013 February 5, 2026:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/netflix-soundtrack-holds-youtubes-top-spot-as-regional-charts-splinter\/\">&#8220;NO BATID\u00c3O&#8221; rises to third globally<\/a>\u00a0with 34.3 million views as &#8220;Golden&#8221; holds at first<\/li>\n<li><strong>February 20\u201326, 2026:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/no-batidao-holds-no-1-globally-as-golden-fights-back-in-surprise-week\/\">&#8220;NO BATID\u00c3O&#8221; holds global number one for its 18th consecutive week<\/a>\u00a0with 38,427,568 views; &#8220;Golden&#8221; rebounds<\/li>\n<li><strong>February 27, 2026:<\/strong>\u00a0BLACKPINK releases mini album\u00a0<em>Deadline<\/em>\u00a0and music video for &#8220;GO&#8221; \u2014 the group&#8217;s first official launch in over three years<\/li>\n<li><strong>Early March 2026:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/blackpinks-go-debuts-at-youtube-global-1-after-three-years-away\/\">&#8220;BLACKPINK&#8217;s &#8216;GO&#8217; debuts at YouTube global number one<\/a>\u00a0with 43,074,419 views; &#8220;NO BATID\u00c3O&#8221; falls from primary after 19 consecutive weeks<\/li>\n<li><strong>March 6\u201312, 2026:<\/strong>\u00a0<a href=\"https:\/\/ppc.land\/shorts-decides-the-charts-now-and-this-weeks-data-proves-it\/\">&#8220;NO BATID\u00c3O&#8221; reclaims global number one<\/a>\u00a0with 38,375,438 views; BLACKPINK&#8217;s &#8220;GO&#8221; falls to twentieth with 13,787,968 views; Shorts chart evaluation establishes the Shorts-to-main-chart mechanism as the first driver<\/li>\n<li><strong>Mid-March 2026:<\/strong>\u00a0&#8220;NO BATID\u00c3O&#8221; extends its world primary to week 21 with 36,915,147 views; Shorts chart primary for week 20; Bruno Mars&#8217; &#8220;Threat It All&#8221; enters the worldwide prime 10 in week 3; Shashwat Sachdev leads India&#8217;s home chart and tops the worldwide music movies chart concurrently<\/li>\n<\/ul>\n<h2 id=\"summary\">Abstract<\/h2>\n<p><strong>Who:<\/strong>\u00a0YouTube revealed weekly music chart information for a mid-March 2026 monitoring interval, overlaying World Weekly Prime Songs, World Weekly Prime Music Movies, World Weekly Prime Shorts Songs, World Weekly Prime Artists, and territory-specific Prime Songs charts for the US, United Kingdom, Brazil, India, Japan, Germany, France, Spain, Portugal, Netherlands, Australia, Indonesia, Kenya, and South Africa. Major chart topics embrace ZXKAI and slxughter (&#8220;NO BATID\u00c3O&#8221;), the KPop Demon Hunters Solid (&#8220;Golden&#8221;), Shashwat Sachdev (&#8220;Shararat&#8221;), ATLXS (&#8220;PASSO BEM SOLTO (Slowed)&#8221;), M!LK (Japan), GIMS (France), PEDRO SAMPAIO (Brazil and Portugal), Mbosso (Kenya), and Trechyson Molly vx (South Africa).<\/p>\n<p><strong>What:<\/strong>\u00a0&#8220;NO BATID\u00c3O&#8221; by ZXKAI and slxughter prolonged its run on the prime of YouTube&#8217;s World Weekly Prime Songs chart to 21 consecutive weeks, accumulating 36,915,147 views in the newest seven-day interval. The identical observe held the primary place on the World Weekly Prime Shorts Songs chart for its twentieth week. Throughout 15 territories, the charts documented important market fragmentation, catalog longevity patterns, and the structural relationship between Shorts creator adoption and primary chart efficiency. &#8220;Shararat&#8221; led each India&#8217;s home chart and the World Weekly Prime Music Movies chart concurrently. Bruno Mars&#8217; &#8220;Threat It All&#8221; appeared in a number of territories in solely its third week.<\/p>\n<p><strong>When:<\/strong>\u00a0The info covers a weekly monitoring interval in mid-March 2026. The chart interval follows the reclamation of the worldwide primary by &#8220;NO BATID\u00c3O&#8221; within the March 6\u201312 monitoring interval and represents week 21 of the observe&#8217;s world run at primary.<\/p>\n<p><strong>The place:<\/strong>\u00a0YouTube revealed information throughout 15 territories: World, United States, United Kingdom, Brazil, India, Japan, Germany, France, Spain, Portugal, Netherlands, Australia, Indonesia, Kenya, and South Africa. The charts cowl consumption throughout YouTube&#8217;s primary platform, YouTube Music, and YouTube Shorts. The publication context is PPC Land (https:\/\/ppc.land), a digital promoting and advertising publication that has tracked YouTube&#8217;s weekly chart information all through this era.<\/p>\n<p><strong>Why:<\/strong>\u00a0The charts matter for the advertising group as a result of they doc the platform&#8217;s consumption structure on the territory stage \u2014 the place promoting stock is created, which codecs drive discovery, and the way lengthy tracks maintain chart presence. The Shorts chart information specifically establishes which audio is actively being utilized by creators throughout the platform, instantly related to manufacturers and companies working audio-adjacent campaigns or contemplating Shorts as an advert placement surroundings. The sustained divergence between YouTube&#8217;s unbiased chart methodology and Billboard&#8217;s subscription-weighted mannequin, in impact since January 16, 2026, makes these charts the first public information supply for understanding YouTube-specific consumption at scale.<\/p>\n<div class=\"post-share\">\n<p>&#13;<br \/>\n                                Share this text&#13;\n                            <\/p>\n<div class=\"socials post-share-icons\">\n                                <a href=\"https:\/\/www.facebook.com\/sharer.php?u=https:\/\/ppc.land\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/\" target=\"_blank\" rel=\"noopener\" class=\"social\" aria-label=\"Share on Facebook\">&#13;<br \/>\n                                    &#13;<br \/>\n                                <\/a>  <\/p>\n<p>                                <a href=\"https:\/\/twitter.com\/intent\/tweet?url=https:\/\/ppc.land\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/&amp;text=NO%20BATID%C3%83O%20hits%20week%2021%20%E2%80%94%20and%20these%20charts%20tell%20you%20why%20it%20won't%20stop\" target=\"_blank\" rel=\"noopener\" class=\"social\" aria-label=\"Share on Twitter\/X\">&#13;<br \/>\n                                    &#13;<br \/>\n                                <\/a><\/p>\n<p>                                <a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&amp;url=https:\/\/ppc.land\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/&amp;title=NO%20BATID%C3%83O%20hits%20week%2021%20%E2%80%94%20and%20these%20charts%20tell%20you%20why%20it%20won't%20stop\" target=\"_blank\" rel=\"noopener\" class=\"social\" aria-label=\"Share on Linkedin\">&#13;<br \/>\n                                    &#13;<br \/>\n                                <\/a><\/p>\n<p>                                 <a class=\"social clipboard-link\" href=\"https:\/\/ppc.land\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/javascript:\" aria-label=\"Copy Link\">&#13;<br \/>\n                                    &#13;<br \/>\n                                <\/a><\/p>\n<p>&#13;<br \/>\n                                    <small>The hyperlink has been copied!<\/small>&#13;\n                                <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><br \/>\n<br \/><iframe data-lazy=\"true\" data-src=\"https:\/\/www.fiverr.com\/gig_widgets?id=U2FsdGVkX18x7XQvttUTrv1oEqmGNGTgvvCUiUoJ\/AP4z\/UyMz8lXGOLpu15jIMxBbTR0gmD5uBoFvhC4KWeALQRp3h\/X\/AwcVD0K8Wj9H\/ZzYKzcCNHosB9oS4SCJJFWiN85P9ICAc4OgCoE\/wHKIY7CDkf2\/DQ1vqGvk4smVe5cRDEmrLPCWi4FC8p40VUhSmWQ5udCm0zoJtorgWv3vbDQw0kKYkwn39ozAnQXDe+YvWMxkLFWA+O3TFwkJvdkIK+\/AUSnRssPKt5WHY0FhNOxnSPcLslEL4G4\/RfP95ve99U+kRnDy3X+KtzdQLY+u935ghON\/o3UE4IMv9oN6JX9RnxzL\/LRcOgnHigxStSGPKsZYtnz8RWNVT\/rOLAibqiWJadC5MYHRbekF3eg6FOGrQGkXYbsn0+a5aovnlLCbLwIqY9fcS17UX8J235iQ6cdmHNbrPeS84CMm34RA==&affiliate_id=1052423&strip_google_tagmanager=true\" loading=\"lazy\" data-with-title=\"true\" class=\"fiverr_nga_frame\" frameborder=\"0\" height=\"350\" width=\"100%\" referrerpolicy=\"no-referrer-when-downgrade\" data-mode=\"random_gigs\" onload=\" var frame = this; var script = document.createElement('script'); script.addEventListener('load', function() { window.FW_SDK.register(frame); }); script.setAttribute('src', 'https:\/\/www.fiverr.com\/gig_widgets\/sdk'); document.body.appendChild(script); \" ><\/iframe>\n<br \/><a href=\"https:\/\/ppc.land\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>YouTube published its weekly music chart information overlaying a monitoring interval in mid-March 2026, and the headline determine is blunt: &#8220;NO BATID\u00c3O&#8221; by ZXKAI and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":119802,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-119801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tech-universe"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won&#039;t stop - mailinvest.blog<\/title>\n<meta name=\"description\" content=\"Technology is forever changing, and there are always new pieces of technology to replace obsolete ones. Tons of people enjoy reading tech blogs on a daily basis.mailinvest.blog tracks all the latest consumer technology breakthroughs and shows you what&#039;s new, what matters and how technology can enrich your life. mailinvest.blog also provides the information, tools, and advice that helps when deciding what to buy.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won&#039;t stop - mailinvest.blog\" \/>\n<meta property=\"og:description\" content=\"Technology is forever changing, and there are always new pieces of technology to replace obsolete ones. Tons of people enjoy reading tech blogs on a daily basis.mailinvest.blog tracks all the latest consumer technology breakthroughs and shows you what&#039;s new, what matters and how technology can enrich your life. mailinvest.blog also provides the information, tools, and advice that helps when deciding what to buy.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/\" \/>\n<meta property=\"og:site_name\" content=\"mailinvest.blog\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/freelanceracademic\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-24T04:44:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-24T04:45:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/mailinvest.blog\/wp-content\/uploads\/2026\/03\/YouTube-Music-No-Batidao.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin@mailinvest.blog\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin@mailinvest.blog\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"22 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/\"},\"author\":{\"name\":\"admin@mailinvest.blog\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#\\\/schema\\\/person\\\/012701c4c204d4e4ebd34f926cfd31a4\"},\"headline\":\"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won&#8217;t stop\",\"datePublished\":\"2026-03-24T04:44:42+00:00\",\"dateModified\":\"2026-03-24T04:45:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/\"},\"wordCount\":4538,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/mailinvest.blog\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/YouTube-Music-No-Batidao.jpg\",\"articleSection\":[\"Tech Universe\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/\",\"url\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/\",\"name\":\"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won't stop - mailinvest.blog\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/mailinvest.blog\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/YouTube-Music-No-Batidao.jpg\",\"datePublished\":\"2026-03-24T04:44:42+00:00\",\"dateModified\":\"2026-03-24T04:45:54+00:00\",\"description\":\"Technology is forever changing, and there are always new pieces of technology to replace obsolete ones. Tons of people enjoy reading tech blogs on a daily basis.mailinvest.blog tracks all the latest consumer technology breakthroughs and shows you what's new, what matters and how technology can enrich your life. mailinvest.blog also provides the information, tools, and advice that helps when deciding what to buy.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/#primaryimage\",\"url\":\"https:\\\/\\\/mailinvest.blog\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/YouTube-Music-No-Batidao.jpg\",\"contentUrl\":\"https:\\\/\\\/mailinvest.blog\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/YouTube-Music-No-Batidao.jpg\",\"width\":1200,\"height\":675},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/2026\\\/03\\\/24\\\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/mailinvest.blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won&#8217;t stop\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#website\",\"url\":\"https:\\\/\\\/mailinvest.blog\\\/\",\"name\":\"mailinvest.blog\",\"description\":\"Technology is forever changing, and there are always new pieces of technology to replace obsolete ones. Tons of people enjoy reading tech blogs on a daily basis. mailinvest.blog tracks all the latest consumer technology breakthroughs and shows you what&#039;s new, what matters and how technology can enrich your life. mailinvest.blog also provides the information, tools, and advice that helps when deciding what to buy.\",\"publisher\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/mailinvest.blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#organization\",\"name\":\"mailinvest\",\"url\":\"https:\\\/\\\/mailinvest.blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/mailinvest.blog\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/default.png\",\"contentUrl\":\"https:\\\/\\\/mailinvest.blog\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/default.png\",\"width\":1000,\"height\":1000,\"caption\":\"mailinvest\"},\"image\":{\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/freelanceracademic\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/mailinvest.blog\\\/#\\\/schema\\\/person\\\/012701c4c204d4e4ebd34f926cfd31a4\",\"name\":\"admin@mailinvest.blog\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/98ed217bd0f3d6a6dcae2d9b0c76e305b049a07275e315e1407e19ec8b08e139?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/98ed217bd0f3d6a6dcae2d9b0c76e305b049a07275e315e1407e19ec8b08e139?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/98ed217bd0f3d6a6dcae2d9b0c76e305b049a07275e315e1407e19ec8b08e139?s=96&d=mm&r=g\",\"caption\":\"admin@mailinvest.blog\"},\"sameAs\":[\"https:\\\/\\\/mailinvest.blog\",\"admin@mailinvest.blog\"],\"url\":\"https:\\\/\\\/mailinvest.blog\\\/index.php\\\/author\\\/adminmailinvest-blog\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won't stop - mailinvest.blog","description":"Technology is forever changing, and there are always new pieces of technology to replace obsolete ones. Tons of people enjoy reading tech blogs on a daily basis.mailinvest.blog tracks all the latest consumer technology breakthroughs and shows you what's new, what matters and how technology can enrich your life. mailinvest.blog also provides the information, tools, and advice that helps when deciding what to buy.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/","og_locale":"en_US","og_type":"article","og_title":"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won't stop - mailinvest.blog","og_description":"Technology is forever changing, and there are always new pieces of technology to replace obsolete ones. Tons of people enjoy reading tech blogs on a daily basis.mailinvest.blog tracks all the latest consumer technology breakthroughs and shows you what's new, what matters and how technology can enrich your life. mailinvest.blog also provides the information, tools, and advice that helps when deciding what to buy.","og_url":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/","og_site_name":"mailinvest.blog","article_publisher":"https:\/\/www.facebook.com\/freelanceracademic\/","article_published_time":"2026-03-24T04:44:42+00:00","article_modified_time":"2026-03-24T04:45:54+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/mailinvest.blog\/wp-content\/uploads\/2026\/03\/YouTube-Music-No-Batidao.jpg","type":"image\/jpeg"}],"author":"admin@mailinvest.blog","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin@mailinvest.blog","Est. reading time":"22 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/#article","isPartOf":{"@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/"},"author":{"name":"admin@mailinvest.blog","@id":"https:\/\/mailinvest.blog\/#\/schema\/person\/012701c4c204d4e4ebd34f926cfd31a4"},"headline":"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won&#8217;t stop","datePublished":"2026-03-24T04:44:42+00:00","dateModified":"2026-03-24T04:45:54+00:00","mainEntityOfPage":{"@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/"},"wordCount":4538,"commentCount":0,"publisher":{"@id":"https:\/\/mailinvest.blog\/#organization"},"image":{"@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/#primaryimage"},"thumbnailUrl":"https:\/\/mailinvest.blog\/wp-content\/uploads\/2026\/03\/YouTube-Music-No-Batidao.jpg","articleSection":["Tech Universe"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/","url":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/","name":"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won't stop - mailinvest.blog","isPartOf":{"@id":"https:\/\/mailinvest.blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/#primaryimage"},"image":{"@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/#primaryimage"},"thumbnailUrl":"https:\/\/mailinvest.blog\/wp-content\/uploads\/2026\/03\/YouTube-Music-No-Batidao.jpg","datePublished":"2026-03-24T04:44:42+00:00","dateModified":"2026-03-24T04:45:54+00:00","description":"Technology is forever changing, and there are always new pieces of technology to replace obsolete ones. Tons of people enjoy reading tech blogs on a daily basis.mailinvest.blog tracks all the latest consumer technology breakthroughs and shows you what's new, what matters and how technology can enrich your life. mailinvest.blog also provides the information, tools, and advice that helps when deciding what to buy.","breadcrumb":{"@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/#primaryimage","url":"https:\/\/mailinvest.blog\/wp-content\/uploads\/2026\/03\/YouTube-Music-No-Batidao.jpg","contentUrl":"https:\/\/mailinvest.blog\/wp-content\/uploads\/2026\/03\/YouTube-Music-No-Batidao.jpg","width":1200,"height":675},{"@type":"BreadcrumbList","@id":"https:\/\/mailinvest.blog\/index.php\/2026\/03\/24\/no-batidao-hits-week-21-and-these-charts-tell-you-why-it-wont-stop\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/mailinvest.blog\/"},{"@type":"ListItem","position":2,"name":"NO BATID\u00c3O hits week 21 \u2014 and these charts tell you why it won&#8217;t stop"}]},{"@type":"WebSite","@id":"https:\/\/mailinvest.blog\/#website","url":"https:\/\/mailinvest.blog\/","name":"mailinvest.blog","description":"Technology is forever changing, and there are always new pieces of technology to replace obsolete ones. Tons of people enjoy reading tech blogs on a daily basis. mailinvest.blog tracks all the latest consumer technology breakthroughs and shows you what&#039;s new, what matters and how technology can enrich your life. mailinvest.blog also provides the information, tools, and advice that helps when deciding what to buy.","publisher":{"@id":"https:\/\/mailinvest.blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/mailinvest.blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/mailinvest.blog\/#organization","name":"mailinvest","url":"https:\/\/mailinvest.blog\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/mailinvest.blog\/#\/schema\/logo\/image\/","url":"https:\/\/mailinvest.blog\/wp-content\/uploads\/2022\/01\/default.png","contentUrl":"https:\/\/mailinvest.blog\/wp-content\/uploads\/2022\/01\/default.png","width":1000,"height":1000,"caption":"mailinvest"},"image":{"@id":"https:\/\/mailinvest.blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/freelanceracademic\/"]},{"@type":"Person","@id":"https:\/\/mailinvest.blog\/#\/schema\/person\/012701c4c204d4e4ebd34f926cfd31a4","name":"admin@mailinvest.blog","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/98ed217bd0f3d6a6dcae2d9b0c76e305b049a07275e315e1407e19ec8b08e139?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/98ed217bd0f3d6a6dcae2d9b0c76e305b049a07275e315e1407e19ec8b08e139?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/98ed217bd0f3d6a6dcae2d9b0c76e305b049a07275e315e1407e19ec8b08e139?s=96&d=mm&r=g","caption":"admin@mailinvest.blog"},"sameAs":["https:\/\/mailinvest.blog","admin@mailinvest.blog"],"url":"https:\/\/mailinvest.blog\/index.php\/author\/adminmailinvest-blog\/"}]}},"_links":{"self":[{"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/posts\/119801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/comments?post=119801"}],"version-history":[{"count":1,"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/posts\/119801\/revisions"}],"predecessor-version":[{"id":119803,"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/posts\/119801\/revisions\/119803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/media\/119802"}],"wp:attachment":[{"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/media?parent=119801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/categories?post=119801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mailinvest.blog\/index.php\/wp-json\/wp\/v2\/tags?post=119801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}